Here are 86 books that Hide Me Among the Graves fans have personally recommended if you like
Hide Me Among the Graves.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
I love how the story isn’t a typical paint-by-numbers possession and doesn’t go straight into the belief of a demonic presence. The author focuses on building the varying characters up before the exorcism begins, and I enjoy how Reagan is treated by doctors first, worried she’s ill due to family stress.
My favourite part of The Exorcist is how much focus is given to the exorcism once it starts. Plenty of other exorcism stories may only use the exorcism as a quick fix in the third act, but William Peter Blatty made it an integral part of the story.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Brother Wolfrepresents one of the rarest of rare combinations: great horror, great humor, and a coherent Catholic metaphysics that underlies the fantasy. The daughter of a dull, disillusioned academic finds adventure in the company of a mysterious young woman who reads minds, a Breton nun, a Dominican vampire slayer, and an English gentleman-warrior who are in hot pursuit of a feral Franciscan werewolf. Murderous gypsies and demon goddesses dog their heels. With a cast of characters like that, how could any horror-lover resist? Eleanor Bourg Nicholson is truly one-of-a-kind, showcasing an encyclopedic knowledge of literature, mythology, and Catholic doctrine alongside her inimitable prose and rollicking sense of fun. You can’t go wrong with her books.
For Athene Howard, the only child of renowned cultural anthropologist Charles Howard, life is an unexciting, disillusioned academic project. When she encounters a clairvoyant Dominican postulant, a stern nun, and a recusant English nobleman embarked on a quest for a feral Franciscan werewolf, the strange new world of enchantment and horror intoxicates and delights her—even as it brings to light her father’s complex past and his long-dormant relationship with the Church of Rome. Can Athene and her newfound compatriots battle against the ruthless forces of darkness that howl for the overthrow of civilization and the devouring of so many wounded…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
The Strange Case of Guaritori Diolco
by
Bill Hiatt,
Guaritori awakens from a coma to find that he's lost twenty years--and his entire world.
Fiancée, family, and friends are all missing, perhaps dead. Technology has failed, and magic has risen, leaving society in ruins. Most survivors are at the mercy of anyone who has strong enough magic. Guaritori has…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Part horror novel, part hard-boiled detective story, part Hollywood summer blockbuster, Whisper Musicis an eclectic grab bag of a story that probably shouldn’t work, but it does. J.B. Toner has an unmatched ability to integrate soaring, lyrical prose with low-brow cop-speak in a book where a vampire does battle against the Virgin Mary. With both the blood of the Virgin and the blood of Satan in her veins, Danyaela Morrigan finds herself uniquely positioned to play both sides of a great spiritual battle, while at the same time being torn between them. Hold on to your hats. You’re in for a treat.
What if the Virgin Mary was bitten by a vampire? Danyaela Morrigan is an ex-Catholic, ex-college student, and ex-human, furious at the God who allowed her to be turned into a demoness. In the mountain town of Medjugorje, where the Blessed Virgin is rumored to appear, Danyaela seeks to share her eternal curse with the Mother of God. In the bitter, destructive battle that follows, she becomes afflicted with the power to enter the spirit world and touch the soul of every human being at will.
On Christmas Day, two Boston cops unwittingly find the body of a man who…
I like to say I had a colorful childhood. With a mentally unstable mother who bred children as a hobby, I was part of a band of siblings that lived life pretty free-range. It made for dark, but arguably, entertaining times. If you came from an abnormally normal childhood and can’t relate, I’m not sure we can be friends. Escaping with a book and glass of wine is balanced living, and I’ve given tips on the best wine selections to go with the following books featuring dysfunctional families. But just between you and me, any wine will do.
Things Unsaid provides the best reason why not everyone who marries should have children. Seriously, if you don’t like children, don’t have children! And yet, we can still be entertained by reading about those mothers who don’t deserve the title. Diana Y. Paul’s novel paints an in-depth character study while also examining the hardship that follows neglected children after they enter adulthood, trying to fit into their new roles as parents and caregivers of aging parents.
Best read with a red Zinfandel (Just to be clear…red, not white).
PAST AWARDS: Bookclub Favorite Winner of New Adult Fiction-Beverly Hills Book Awards Winner of the SILVER Medal for Best Fiction in Drama from Readers' Favorite Finalist USA Best Books Awards in Literary Fiction and in New Fiction
Inspired by a true story about mothers, daughters, and impossible choices-Jules Foster, a child psychologist, upon hearing news of her estranged, narcissistic mother's terminal diagnosis, chooses to care for her mother over her own daughter, only to find out she has been betrayed all along. Things Unsaid asks us to consider what children owe their aging parents and siblings.
There are 2.2 million people behind bars in the United States—more than any other country in the world —in greatly disproportionate demographic numbers. There are mandatory drug sentencing laws that put fathers and mothers, sometimes both, away for many years regardless of their actual direct involvement in a crime. I wrote this book because no matter how one feels about these laws, or these crimes, if 2.2 million adults are incarcerated, there are at least as many children without mothers or fathers. Having lost my mother to suicide there are many connections, stigma, shame, and the hardship of reconciling a mother’s love in spite of the events that took her away from me.
I loved this book. It is one of the most heartfelt, deeply moving picture book stories about a young person with a family member who is incarcerated.
It is sensitive and subtle and it speaks to both those dealing with a similar experience, and maybe more importantly, someone to whom this topic is unfamiliar. That is a special book. The illustrations are absolutely perfect, to match the tone and sensitivity of this story. Quite a beautiful book.
In this moving picture book, a young girl reflects on the emotions and challenges of growing up with a brother who is incarcerated. This touching story is filled with vivid illustrations and is based on the author’s childhood experiences.
An NCTE Charlotte Huck Award Honor Book • NPR Best Book of the Year • A Charlotte Zolotow Honor Book
With her older brother in prison, a young girl copes with the confusing feelings his absence creates. At times she remembers the way her brother would carry her on his shoulders or how he would make up stories to tell her…
A frozen road trip. Relentless secret agents. And a Jack Russell Terrier who just drank from the Holy Grail.
Hidden for centuries, an ancient cup possessing divine grace was tucked away to protect it from a shadowy power known as the Organization. But the secret is shattered one winter day…
C.S. Lewis famously said, “No book is really worth reading at the age of ten which is not equally—and often far more—worth reading at the age of fifty and beyond.” I love this sentiment, and it has had a profound influence on my writing.
Yes, I write books for children, and I hope they’ll love them, but I think adults should enjoy them, too. Some of the best books in the world are children’s books, and there’s no age limit for reading them. In fact, I believe the world would be a better place if more adults read children’s books regularly. Here are five of my favorites.
As a fairytale enthusiast, I’m always looking for fresh takes, and A Tale Dark and Grimm is one of the best.
It brings back all the dark and gory parts of fairytales that adults have tried to soften or edit out over time. I’m talking heads and limbs chopped off, child abandonment, and frequent peril.
I am not a big horror fan, but Gidwitz somehow makes it more funny than frightening. The magic is in his voice; it’s not the story you tell, it’s how you tell it.
Gidwitz is a master storyteller, and I recommend all his books to readers of any age.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches.
Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.
I have written seven picture books, one of which was a New York Times Editors’ Choice and many of which have been award nominees. My books have been translated into five languages and are enjoyed by kids from Denmark to Korea. As a mom, I know that when a child loves a book they want it read to them repeatedly. That’s why I admire books that are written for the enjoyment of both the adult and the child. I dislike preachy books filled with lessons. I prefer when books entertain and contain a nugget of gold that readers can take with them when the book is done.
I love this book as a parent because it is a joy to read. Its rhyme is sheer perfection (which is hard to pull off) and the conclusion is pure genius, as Hoberman deftly weaves a tapestry out of seemingly random strings. This is a hilarious book about a mother who grows more and more weary from the demands of her seven children and their very particular and fussy eating habits. This kitchen-bound, short-order-chef hero of a mom gets a lovely surprise at the end that makes all the chaos seem worth it. Kids will giggle, moms (or dads or other caregivers) will relate.
My fascination for historical novels began long before I ever penned one of my own. As a child, I often sought out books that took me back in time. Before I was even a teenager I began gravitating toward historical novels with romantic threads (give me all the sweet romance). My love of all things historical has only grown through the years. My children have come to expect our vacations to include stops at museums and historical sites. I have four published novels (as of 2021), files of future ideas, and stacks of novels beside my bed ready to take me for a historical ride.
Tamara Alexander is a prolific writer, any of her novels could have made this list. They are all rich in history, full of character development, and feature sweet romances. The Inheritance stands out to me for a couple of reasons. One, the main theme of this book is tough love. An older sister who is forever rescuing her brother has to learn that love can look a lot of different ways and sometimes love requires letting consequences follow actions. This message is rarely featured in a book! It’s not an in-your-face moral, but a gentle thought-provoking takeaway. Another reason this book is exemplary in its well-crafted love story. Alexander expertly weaves her story threads together, giving you bits of history and romance like a weaver of a great tapestry.
From USA TODAY bestselling author Tamera Alexander comes an award-winning historical romance. Desperate for a fresh start, McKenna Ashford accepts her cousin's invitation to move west with her rebellious younger brother to the rugged wilds of the Colorado Territory, but what she finds there will be the greatest challenge of her life.
Determined to tame her fourteen-year-old younger brother's rebellious streak, twenty-three-year-old McKenna Ashford accepts her cousin's invitation to move west and start over. McKenna arrives only to find that her cousin and her cousin's husband have died, leaving their five-year-old daughter an orphan-and that life in Copper Creek, Colorado,…
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I love the magical realism aspect of this novel, which Benjamin handles with such a deft hand you don’t question whether or not the impossible is possible. A fortune teller’s prediction and old-world superstition create a heavy weight that exquisitely-drawn characters must navigate. The power of belief and its effect on destiny is a complex topic. Is it good or bad to know our future? Should we act on what we’ve been told? Should we ignore it? If we believe something does that make it happen? If we disbelieve does it not happen? Every character is a gem, including Klara: an extraordinary magician who convinced me we must embrace the mysteries of the world even if we can’t comprehend them.
It's 1969, and holed up in a grimy tenement building in New York's Lower East Side is a travelling psychic who claims to be able to tell anyone the date they will die. The four Gold children, too young for what they're about to hear, sneak out to learn their fortunes.
Such prophecies could be dismissed as trickery and nonsense, yet the Golds bury theirs deep. Over the years that follow they attempt to ignore, embrace, cheat…
