Here are 86 books that Hide Me Among the Graves fans have personally recommended if you like
Hide Me Among the Graves.
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I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
I love how the story isn’t a typical paint-by-numbers possession and doesn’t go straight into the belief of a demonic presence. The author focuses on building the varying characters up before the exorcism begins, and I enjoy how Reagan is treated by doctors first, worried she’s ill due to family stress.
My favourite part of The Exorcist is how much focus is given to the exorcism once it starts. Plenty of other exorcism stories may only use the exorcism as a quick fix in the third act, but William Peter Blatty made it an integral part of the story.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
A frozen road trip. Relentless secret agents. And a Jack Russell Terrier who just drank from the Holy Grail.
Hidden for centuries, an ancient cup possessing divine grace was tucked away to protect it from a shadowy power known as the Organization. But the secret is shattered one winter day…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Brother Wolfrepresents one of the rarest of rare combinations: great horror, great humor, and a coherent Catholic metaphysics that underlies the fantasy. The daughter of a dull, disillusioned academic finds adventure in the company of a mysterious young woman who reads minds, a Breton nun, a Dominican vampire slayer, and an English gentleman-warrior who are in hot pursuit of a feral Franciscan werewolf. Murderous gypsies and demon goddesses dog their heels. With a cast of characters like that, how could any horror-lover resist? Eleanor Bourg Nicholson is truly one-of-a-kind, showcasing an encyclopedic knowledge of literature, mythology, and Catholic doctrine alongside her inimitable prose and rollicking sense of fun. You can’t go wrong with her books.
For Athene Howard, the only child of renowned cultural anthropologist Charles Howard, life is an unexciting, disillusioned academic project. When she encounters a clairvoyant Dominican postulant, a stern nun, and a recusant English nobleman embarked on a quest for a feral Franciscan werewolf, the strange new world of enchantment and horror intoxicates and delights her—even as it brings to light her father’s complex past and his long-dormant relationship with the Church of Rome. Can Athene and her newfound compatriots battle against the ruthless forces of darkness that howl for the overthrow of civilization and the devouring of so many wounded…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Part horror novel, part hard-boiled detective story, part Hollywood summer blockbuster, Whisper Musicis an eclectic grab bag of a story that probably shouldn’t work, but it does. J.B. Toner has an unmatched ability to integrate soaring, lyrical prose with low-brow cop-speak in a book where a vampire does battle against the Virgin Mary. With both the blood of the Virgin and the blood of Satan in her veins, Danyaela Morrigan finds herself uniquely positioned to play both sides of a great spiritual battle, while at the same time being torn between them. Hold on to your hats. You’re in for a treat.
What if the Virgin Mary was bitten by a vampire? Danyaela Morrigan is an ex-Catholic, ex-college student, and ex-human, furious at the God who allowed her to be turned into a demoness. In the mountain town of Medjugorje, where the Blessed Virgin is rumored to appear, Danyaela seeks to share her eternal curse with the Mother of God. In the bitter, destructive battle that follows, she becomes afflicted with the power to enter the spirit world and touch the soul of every human being at will.
On Christmas Day, two Boston cops unwittingly find the body of a man who…
I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.
This contemporary retelling of Little Red Riding Hood is moody and pensive, and very unique. It is not humorous, and it is definitely weird - but I find myself having a lasting affection for this strange retelling. In it, two fractious siblings travel via portal (the tunnel) from an urban setting into a forest filled with haunting suggestions of fairy tale imagery. They are forced to face internal challenges in order to escape back to their home, which then changes their relationship roles to each other.
Anthony Browne is at his most brilliant in a new edition of this profound picture book about sibling relations.
Once upon a time there lived a brother and sister who were complete opposites and constantly fought and argued. One day they discovered the tunnel. The boy goes through it at once, dismissing his sister's fears. When he doesn't return his sister has to pluck up the courage to go through the tunnel too. She finds her brother in a mysterious forest where he has been turned to stone...
As a mom of three girls, I taught my daughters to celebrate the differences in themselves and others. My older two girls were diagnosed with Celiac Disease prior to the trend of gluten-free foods being widely available. They had to bring their own food to birthday parties and food-based school events, and it was harder to be spontaneous and stay at a friends’ house for dinner or sleepover. Needless to say - they felt different. One of the things that helped them begin to appreciate their difference, was reading picture books that demonstrated that it is differences that make people special and keep life interesting. I am hopeful that my story will do the same for the kids who read it.
For anyone who has kids who are perfectionists or are perfectionists themselves, this is a perfect book! It helps kids recognize that something does not have to be perfect to be beautiful. Beauty is in the eye of the beholder, especially with art. But in my opinion, this message can apply beyond art and help parents talk with their kids about being beautiful just as they are. This was a popular one in my house and one that we still reference even now that the kids are older.
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A creative spirit learns that a drawing doesn't have to look exactly like anything in this gentle fable from the creator of the award-winning, bestselling picture book The Dot.
An inspiring, encouraging story for budding artists everywhere, the acclaimed illustrator of The Dot, Sky Colour and the Judy Moody series tells the story of Ramon, who loves to draw. Anytime. Anything. Anywhere. Drawing is what Ramon does. It's what makes him happy. But in one split second, all that changes. A single remark by Ramon's older brother, Leon, turns Ramon's carefree sketches into joyless struggles. Luckily for Ramon, though, his…
I bought a bookstore when I was twenty-five, knowing nothing about business but knowing I loved books. It was the happiest I’ve ever been, professionally, and also the most broke. At some point, I came to my senses, sold my store, and got a job working in a library. I’m a library director now, and I don’t get to recommend books as much as I used to when I didn’t have to do things like think about the budget and remove dead mice from the cellar. Still, I get to work around books, and I overhear and occasionally insert myself into a fair number of book-related conversations.
I find it so difficult to pull off a child narrator that I can’t help but love a book that does it successfully. Asta, the narrator and heroine of this book, is only seven, but because her mother is too mentally unstable to take care of her or her brother, Asta is believably wise beyond her years.
This book goes to really dark places, but it’s still hopeful. I love this take on how to love a (very) imperfect parent while also saving yourself and being just a kid.
A poignant and often darkly funny story narrated by seven-year-old Asta Hewitt. In their isolated house in rural Maine, Asta, her bookish older brother, and their delusional mother construct fanciful, theatrical worlds of their own.
Asta in the Wings is a poignant and often darkly funny story narrated by Asta Hewitt, a resourceful seven-year-old growing up in an isolated house in Bond Brook, Maine. Shut off from the outside world and restricted to the company of a delusional mother and a bookish older brother, Asta is content to be part of a "society of three," constructing fanciful, theatrical worlds of…
I have always been a storyteller and I’m fascinated by the use of language and how a story can be told well. I’ve used storytelling as an entrepreneur, executive, and management consultant, and my two business books for enlightened entrepreneurship use real-life stories to make the messages and lessons learned more memorable. Fictional versions of those stories were wandering through my imagination to make them more fun to read (and to write) for about fifteen years before they emerged in the Dale Hunter crime thriller series to show that entrepreneurs are not all evil, selfish monsters; sometimes they’re the hero!
I was introduced to Ian Hamilton’s Ava Lee Novels when I was looking for a successful Canadian writer of “business fiction.” We never call it that, of course, it has to be written as an action-adventure, thriller, mystery, suspense novel, and Hamilton meets those criteria with Ava Lee as a tough-as-nails, lesbian Chinese-Canadian forensic accountant tracking down money stolen from business clients.
Her connections and family investments lead her to Hong Kong and Macau for a settling of accounts with local organized crime and Ava Lee knows that violence is the only negotiating tactic they understand.
A forensic accountant attempts to rescue her half-brother and his business partner from a bad real estate deal in Macau that involved gangsters posing as developers in the third novel of the series following The Wild Beasts of Wuhan.
I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
When I began my grief journey after thirty years, I googled Sibling Loss and came across Brenda’s dissertation. For the first time I did not feel alone in my grief. I reached out to Brenda and she told me about her writing, Adult Sibling Loss. Brenda’s sensitivity in sharing the emotions of the loss of her brother, and three adult women who lost their sibling validated feelings I kept dormant. Layered into the stories is extensive research done by Brenda.
Brenda termed her experience “invisible griever” following the unexpected death of her brother. Siblings are often the forgotten mourners. The bookshelves have few in this category, and I am grateful to be on the road to discovering the few written are heartfelt, enlightening, and aided me in my grief.
"He was my best friend." "I feel like I've lost that one person I could always count on." Siblings know each other in ways friends and other blood relatives do not. They have shared bedrooms, bathrooms, holidays, family milestones, meals, and a way of growing up that those outside the family can never fully understand. The bond is intense, complicated, sometimes difficult, often wonderful and absolutely irreplaceable. When death interrupts what might have been a lovely, lifelong connection, the impact is tremendous. And yet, this loss is rarely the focus of research and is not well understood or recognised within…
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
I have recommended this book to so many people over the years! I loved the unique setting—deep beneath the sewers of New York City—and the way Gregor travels to this world—through a chute in his apartment’s laundromat.
My ten-year-old son and I both read this one and loved all the talking creatures and subterranean adventure—giant anthropomorphic rats, cockroaches, and bats you can ride! All those creepy crawlies might sound a little icky to some, but I loved how inventive and unexpected it all was. One of my favorite characters is a smart-mouthed, grumpy warrior rat named Ripred, who, deep down, has a soft side (plus a powerful love for stinky food).
This was a hard book to put down. Nearly every chapter ends with a high-stakes, dangerous development. I just had to keep turning the pages to find out what would happen next.
The first in a gripping young fantasy series from the author of THE HUNGER GAMES.
When eleven-year-old Gregor falls through a grate in the laundry room of his apartment building, he hurtles into the dark Underland, where spiders, rats and giant cockroaches coexist uneasily with humans.
This world is on the brink of war, and Gregor's arrival is no accident.
But Gregor wants no part of it - until he realizes it's the only way to solve the mystery of his father's disappearance. Reluctantly, Gregor embarks on a dangerous adventure that will change both him and the Underland forever.