Here are 65 books that Hidden Beneath fans have personally recommended if you like
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The sound of waves rolling to shore. The scent of beach roses and salty air, mixed with suntan lotion. Breezy summer days with no agenda. This is the promised escape when I discover a cozy mystery with a waterfront cover. I’m immediately transported to a journey of respite with a sprinkle of intrigue tucked deep within the pages. The waterfront setting is one that I desire in both to read and to write, and I know I’m not alone. I’ve compiled a list of favorites for you when choosing a book that revolves around seaworthy things.
Reading a book by Barbara Ross is like taking an actual trip to a charming coastal Maine town.
Loaded with lobster, seafood dishes, and desserts with blueberries in almost every chapter; my mouth was watering for the east coast. The interesting plot line on a lobster boat held my interest and led me to investigate the other books in the series as well.
The busy summer tourist season is winding down in Busman's Harbor, Maine, but Julia Snowden senses trouble simmering for the Snowden Family Clambake Company. Shifty David Thwing--the "Mussel King" of upscale seafood restaurants--is sniffing around town for a new location. But serving iffy clams turns out to be the least of his troubles. . .
When Thwing is found sleeping with the fishes beneath a local lobsterman's boat, the police quickly finger Julia's brother-in-law Sonny as the one who cooked up the crime. Sure, everyone knows Sonny despised the Mussel King. . .but Julia believes he's innocent. Proving it won't…
Palmer Lind, recovering from the sudden death of her husband, embarks on a bird-watching trek to the Gulf Coast of Florida. One hot day on Leffis Key, she comes upon—not the life bird she was hoping for—but a floating corpse. The handsome beach bum who appears on the scene at…
Having had two books orphaned (Maze in Blue andShould Have Played Poker: a Carrie Martin and the Mah Jongg Players Mystery), I wanted to write a cozy mystery. Most cozy mysteries feature an excellent cook, baker, or craftswoman. I hate all those things. Stumped for a moment, I realized there were other readers like me—and that is how Sarah Blair, a woman who finds being in the kitchen more frightening than murder was born. Professionally and personally, I’ve been a writer, lawyer, judge, wife, mother of twins, step-mother, and community volunteer, but the Sarah Blair books combine my love of animals with my propensity for accidentally blowing up my kitchen.
Financial whiz Julia Snowden returns to her Maine hometown to rescue the family’s clambake business. Although she has financial acumen, she lacks true knowledge of how a clam bake works. She learns the hard way when a murder and a wedding reception don’t mix. I wasn’t familiar with the inner workings of clam bakes, from menu to preparation, but I learned with Julia. I also enjoy Ross’s writing style. The combination of the storytelling plus the facts interwoven make this a good book choice.
Summer has come to Busman's Harbor, Maine, and tourists are lining up for a taste of authentic New England seafood, courtesy of the Snowden Family Clambake Company. But there's something sinister on the boil this season. A killer has crashed a wedding party, adding mystery to the menu at the worst possible moment. . .
Julia Snowden returned to her hometown to rescue her family's struggling clambake business--not to solve crimes. But that was before a catered wedding on picturesque Morrow Island turned into a reception for murder. When the best man's corpse is found hanging from the grand staircase…
With every book we read, we engage in a complex act of telepathy and empathy. We are entering another human’s thoughts, interpreting them with our own, and come out changed from this colossal encounter. These five books I mentioned, with their extraordinary kindness, insight, humor, wisdom, warmth, compassion, and wholeness—many of them fantasies, many of them focusing on communities—have informed the writer I am today: a World Fantasy Award Winner. But I wouldn’t be without all the books that helped make me. These books are some of the best that built me, and keep building in me: the kind of books I try to write myself.
Here If You Need Me is a non-fiction memoir I read years ago on a whim. It still sticks with me. A woman with four children is happily married to a State trooper training to be a minister. When he dies suddenly, she goes on to become a minister herself, working with search and rescue missions in the Maine woods while raising her children. Her intimate knowledge of grief, her vulnerability, and compassion, coupled with a life of service and family, moved me so deeply that I often call upon the memory of this book in my life to metaphorically “get down on the floor with those who weep, and give them tea if they want it.”
HERE IF YOU NEED ME is the story Kate Braestrup's remarkable journey from grief to faith to happiness - as she holds her family together in the wake of her husband's death, pursues his dream of becoming a minister, and ultimately finds her calling as a chaplain to search-and-rescue workers. It is dramatic, funny, deeply moving, and simply unforgettable--an uplifting account offinding God through helping others, and of the small miracles that happen every day when a heart is grateful and love isrestored.
Railroad Ties: The Marmion Grove Murders is the first of my novels set in my hometown, and in the house I grew up in.
The town was founded as a retreat from DC summers. Filled with hundred-year-old trees, including the majestic swamp magnolias, there are no sidewalks and no…
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.
I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.
Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic.
A rich collection of classic American literature potraying the beauty of a 19th-century New England town.
A female writer comes one summer to Dunnet Landing, a Maine seacoast town, where she follows the lonely inhabitants of once-prosperous coastal communities. Here, lives are molded by the long Maine winters, rock-filled fields and strong resourceful women.
Throughout Sarah Orne Jewett’s novel and stories, these quiet tales of a simpler American life capture the inspirational in the everyday: the importance of honest friendships, the value of family, and the gift of community.
“Their counterparts are in every village in the world, thank heaven,…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
I grew up in a household with a secret at its center, one that I've long suspected held trauma. Long before the formation of the family I was born into, my mother was a divorcee with a young child, my eldest sister (a fact I only found out by finding a photo of my parents’ wedding with my sister in it!). My mother refused to tell my sister anything about her biological father or the circumstances of the divorce, saying only that she “preferred to pretend that part of her life had never happened.” I never did learn the full story. Needless to say, novels that give their protagonist that chance are very close to my heart.
What often looms as large as a given trauma is the burden of keeping it a secret, and I love this book for its gentle exploration of how that burden manifests, repeats, and reverberates through three generations of women.
Faye’s complicated and beautiful story would be enough to carry an entire novel, but Faye inadvertently teaches her daughters to bury their own self-doubts and shame, creating an echo of hurt and healing that took my breath away.
These three women were very real to me, and I was so attached to each of them by the end of the book that I was ready to drive up to Maine, knock on their door, and invite myself in.
In an unforgettable saga of survival, motherhood, sisterhood, and the secrets that haunt us, one desperate decision creates a fault line that spans decades and threatens to break a family wide open.
In 1946, two German sisters, child refugees in a program dubbed Operation Shamrock, arrive in Ireland to live in foster care while Europe recovers from war. Nearly fifty years later, on a fateful day in a bustling Maine farmhouse, an Irish newspaper clipping threatens to unravel Faye Sullivan's carefully constructed life with husband William and daughters Maeve and Molly, a life already on the brink of collapse.
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.
Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.
From the Pulitzer Prize-winning, Number One New York Times bestselling author of Olive Kitteridge and My Name is Lucy Barton
'A terrific writer' Zadie Smith
'A superbly gifted storyteller and a craftswoman in a league of her own' Hilary Mantel
'A novel to treasure' Sunday Times
Olive, Again follows the blunt, contradictory yet deeply loveable Olive Kitteridge as she grows older, navigating the second half of her life as she comes to terms with the changes - sometimes welcome, sometimes not - in her own existence and in those around her.
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Ketchum’s classic survival horror novel about cannibals attacking a cabin of vacationers is pure 80s slasher goodness. It was perhaps the darkest book of its kind for a long time and pulls no punches with the intensity of its chase scenes. Ketchum’s economical writing style makes it a very easy read, one where you will root for the good guys, and be left emotionally drained by the end.
September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall…
And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive.
Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
William Klingaman is the author of ten books, most recently The Darkest Year: The American Home Front, 1941-1942, and The Year Without Summer: 1816 and the Volcano That Darkened the World and Changed History. He holds a Ph.D. In American History from the University of Virginia, and has taught at the University of Virginia and the University of Maryland.
No one wrote better than E. B. White, and no one captured the essence of daily life on the home front better than White in this collection of essays. “This is my country and my night,” he wrote from his farm in Maine, “this is the blacked-out ending to the day, the way they end a skit in a revue.” Yet White acknowledged that it was nearly impossible for him or anyone else to truly convey all the ways that the war was changing ordinary Americans. “You write something that sounds informative, throwing the words around in the usual manner, then the thing explodes in your hands, and you look down at your hands,” he explained. “As though you had crushed a light bulb and were bleeding slightly.”
Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man's Meat can best be described as a primer of a countryman's lessons a timeless recounting of experience that will never go out of style.