Books like Hidden Beneath — picked by fans

Reading a book by Barbara Ross is like taking an actual trip to a charming coastal Maine town.

Loaded with lobster, seafood dishes, and desserts with blueberries in almost every chapter; my mouth was watering for the east coast. The interesting plot line on a lobster boat held my interest and led me to investigate the other books in the series as well. 

Financial whiz Julia Snowden returns to her Maine hometown to rescue the family’s clambake business. Although she has financial acumen, she lacks true knowledge of how a clam bake works. She learns the hard way when a murder and a wedding reception don’t mix. I wasn’t familiar with the inner workings of clam bakes, from menu to preparation, but I learned with Julia. I also enjoy Ross’s writing style. The combination of the storytelling plus the facts interwoven make this a good book choice.

Here If You Need Me is a non-fiction memoir I read years ago on a whim. It still sticks with me. A woman with four children is happily married to a State trooper training to be a minister. When he dies suddenly, she goes on to become a minister herself, working with search and rescue missions in the Maine woods while raising her children. Her intimate knowledge of grief, her vulnerability, and compassion, coupled with a life of service and family, moved me so deeply that I often call upon the memory of this book in my life to metaphorically “get down on the floor with those who weep, and give them tea if they want it.”

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

I love a good sisters novel—maybe because I always wished for a sister of my own? This cast of unique and engaging characters quickly drew me into their lives as these young women with very different personalities found ways to accept their widowed dad's plans to reopen the summer camp where he’d met their mother. I also enjoy a good plot twist, and the one at the end of this book was just right, a touching way to tie everything together. This book was primarily the eldest sister Cam's story, which means more books to follow with insights into the other sisters’ lives. Have I mentioned I love sequels? Once I connect with a set of characters, it’s hard to let them go!

Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.

His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.

Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community. 

The fascinating thing about this book is the overall lack of a plot.

It pairs McCloskey’s crisp pen-and-ink drawings with simple prose to evoke the bucolic feeling of life on the coast of Maine. Although not as universally known as McCloskey’s Make Way for Ducklings or Blueberries for Sal, this entry can bring one to a calm place and let them breathe for a while.

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.