65 Books Like On a Summer Tide

I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.

As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book! 

Grace Greene writes the ultimate “beach read”—endearing characters, descriptions that put you right there at oceanside, and a poignant blend of emotion and humor. I love how Lilliane, the heroine, discovers courage she never thought she had. A temporary job as a live-in caregiver begins merely as a way to earn money for much-needed home repairs. But her stay in Emerald Isle, NC, becomes a life-changer, not only for her but for the elderly gentleman who soon becomes both friend and mentor. It’s a book about stepping out of your comfort zone and opening your heart to new possibilities no matter your age. And if this novel stirs your heart as it did mine, you won’t want to miss the sequel, A Dancing Tide.

This novel is beautifully written, a gentle, faith-filled love story with characters I couldn’t help but care about from the start. Recently widowed and expecting a baby, Jessica is struggling with the tragic loss of her husband and daughter—and the secret knowledge of her late husband’s betrayal. Her new next-door neighbor, Ridley, has his own secrets, which is why he’s attempting to keep a low profile in this small-town setting. I loved watching their friendship evolve into something more and how their faith grew as they dealt with the difficulties they faced. And as a lifelong animal lover, I have to say I was especially fond of Ridley’s dog, Kris, who played the perfect little matchmaker!

When I read this book several years ago, I was just starting out in my writing career, and I remember thinking, If only someday I could write like this! Lisa Wingate has a beautiful way of eliciting emotion and empathy, of creating scenes and situations so true-to-life that she never fails to draw me in. Like all her books, Tending Roses takes a deeply honest look at human relationships—the good, the bad, and the in-between—and always with an underlying current of faith. Kate’s situation may be different from my own, but I could still relate to her feelings and struggles, her questions and doubts. That resonance—that connection—is what makes any story memorable.

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

This book checks all the boxes. I love books with interesting and off-beat characters, and I'm delighted if they’re in unusual settings. The setting is a remote island off the coast of Maine, inhabited only by the descendants of native people and survivors of a 1700s shipwreck. The setting in this book is a character itself, and I loved it.

The people are just as fascinating. Kathleen Halloran returns to the island after a long absence, and Molly Cooper, a lifelong resident who’s unhappy when Kathleen shows up. My favorite characters were elderly sisters Louisa and Olivia. There’s a long-time mystery, island “woo woo,” and some romance. The storylines are well-done, but the setting and characters made this book one of my favorites.

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.

His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.

Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community. 

Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.

Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.

Here If You Need Me is a non-fiction memoir I read years ago on a whim. It still sticks with me. A woman with four children is happily married to a State trooper training to be a minister. When he dies suddenly, she goes on to become a minister herself, working with search and rescue missions in the Maine woods while raising her children. Her intimate knowledge of grief, her vulnerability, and compassion, coupled with a life of service and family, moved me so deeply that I often call upon the memory of this book in my life to metaphorically “get down on the floor with those who weep, and give them tea if they want it.”