Books like On a Summer Tide — picked by fans

I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.

She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.

Grace Greene writes the ultimate “beach read”—endearing characters, descriptions that put you right there at oceanside, and a poignant blend of emotion and humor. I love how Lilliane, the heroine, discovers courage she never thought she had. A temporary job as a live-in caregiver begins merely as a way to earn money for much-needed home repairs. But her stay in Emerald Isle, NC, becomes a life-changer, not only for her but for the elderly gentleman who soon becomes both friend and mentor. It’s a book about stepping out of your comfort zone and opening your heart to new possibilities no matter your age. And if this novel stirs your heart as it did mine, you won’t want to miss the sequel, A Dancing Tide.

This novel is beautifully written, a gentle, faith-filled love story with characters I couldn’t help but care about from the start. Recently widowed and expecting a baby, Jessica is struggling with the tragic loss of her husband and daughter—and the secret knowledge of her late husband’s betrayal. Her new next-door neighbor, Ridley, has his own secrets, which is why he’s attempting to keep a low profile in this small-town setting. I loved watching their friendship evolve into something more and how their faith grew as they dealt with the difficulties they faced. And as a lifelong animal lover, I have to say I was especially fond of Ridley’s dog, Kris, who played the perfect little matchmaker!

When I read this book several years ago, I was just starting out in my writing career, and I remember thinking, If only someday I could write like this! Lisa Wingate has a beautiful way of eliciting emotion and empathy, of creating scenes and situations so true-to-life that she never fails to draw me in. Like all her books, Tending Roses takes a deeply honest look at human relationships—the good, the bad, and the in-between—and always with an underlying current of faith. Kate’s situation may be different from my own, but I could still relate to her feelings and struggles, her questions and doubts. That resonance—that connection—is what makes any story memorable.

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

This book checks all the boxes. I love books with interesting and off-beat characters, and I'm delighted if they’re in unusual settings. The setting is a remote island off the coast of Maine, inhabited only by the descendants of native people and survivors of a 1700s shipwreck. The setting in this book is a character itself, and I loved it.

The people are just as fascinating. Kathleen Halloran returns to the island after a long absence, and Molly Cooper, a lifelong resident who’s unhappy when Kathleen shows up. My favorite characters were elderly sisters Louisa and Olivia. There’s a long-time mystery, island “woo woo,” and some romance. The storylines are well-done, but the setting and characters made this book one of my favorites.

The fascinating thing about this book is the overall lack of a plot.

It pairs McCloskey’s crisp pen-and-ink drawings with simple prose to evoke the bucolic feeling of life on the coast of Maine. Although not as universally known as McCloskey’s Make Way for Ducklings or Blueberries for Sal, this entry can bring one to a calm place and let them breathe for a while.

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.

Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.