72 Books Like Heroines of Mercy Street

I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.

It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”

I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.

This was one of the strangest, most beautiful books I’ve ever read. At first, the format can throw you off. A chorus of dead voices, snippets of historical and imagined texts? But once I got into the rhythm, it felt like something sacred. The cemetery setting becomes a limbo space where spirits cling to their stories, fears, and unfinished business.

I found myself unexpectedly emotional, especially in how it portrayed grief—Lincoln’s grief, yes, but also the collective grief of the dead. It made me think about what we leave behind and how love can echo even after death. It was haunting in the best way.

Beyond the usual five stages of grief—denial, anger, bargaining, depression, and acceptance—a sixth stage of heavy responsibility may develop when someone dies in the service of a great cause. As the Battle of Franklin played out in the yard of her Carnton Plantation, Carrie MccGavock felt that sense of obligation to the 9000 soldiers who died in that battle. It is in that sense that Carrie called herself the “Widow of the South.” She disinterred over 1000 anonymous bodies, identified them, reburied them in her own cemetery, and sought to give their families a sense of closure. This moving novel, based on a true story, reminds us that the Civil War was more than maps and casualty statistics. It is a story of heartbreak and devotion.

When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.

I loved how this book blended the experience of Cadet William Hugh McDowell, a cadet from the Virginia Military Institute who fought in the Battle of New Market during the Civil War, with fictional modern-day Benjy, a 20th-century boy who is visiting his grandmother in New Market during his summer vacation. This book blends Benjy’s fictional story with Hugh’s historic and nonfiction life experience.

As a teaching tool, I was able to clarify the difference between fact and fiction for my students in our study of the Civil War. I was later amazed to learn that an element of the story that Elaine had created to tie the two boys together turned out to really exist–the boy’s watch.

Catton was one of the Civil War’s great historians, best known for bringing the stories of individual soldiers into otherwise sweeping accounts of the American Iliad. Amid this work, he also wrote this little-known short novel, published in 1955, which today probably would be filed in the “young adult” section of your favorite bookstore. It tells the tale of Bob Hayden, a Michigan boy who lies about his age to join a volunteer company and rises to manhood while serving in Virginia with Gen. “Fighting Phil” Sheridan.

I especially like this page-turning book because it vividly describes the effects of viral hemorrhagic fever on patients. The reader can more effectively convey the signs and symptoms experienced by the victims than most writers can. 

This engaging book is even more relevant today, as our world has become smaller, allowing the possibility of airline travel to spread killer viruses from one continent to another in a single day.

Though not published until 2002, after Harvard University professor Henry Louis Gates, Jr. purchased and authenticated the manuscript, the autobiographical novel The Bondwoman's Narrative by Hannah Crafts is widely considered the first book known to have been written by a fugitive enslaved woman. Crafts was the author’s pseudonym, and the novel, estimated to have been written in 1858, parallels the life of Hannah Bond, a woman who is documented to have escaped enslavement on a North Carolina plantation and who, like the novel’s protagonist, eventually settled in New Jersey. The preface and introduction of the published book read like a mystery adventure as Professor Gates reveals his multifaceted strategies to identify the real-life author and the real-life characters of her book.

Landon Carter was a fearsome Virginia tobacco planter, politician, and patriarch, with hundreds of slaves laboring under the lash on his plantation. As I learned from this book, he was also a total headcase. This book is based on the diaries that Carter wrote compulsively, alone, because he didn't have anyone to confide in. (It's lonely at the top.) 

The diaries reveal Carter as an anxious pessimist, constantly going into tailspins because his slaves, his children, and his fellow Virginia gentlemen constantly defied his authority. The icing on this lousy cake was the outbreak of the American Revolution, which upended Carter's world for good. I don't feel sorry for him, but I learned much about power by reading about his struggles and panics.

For centuries, Virginians have told, retold, and embellished terrific stories of their history, some based on truth, others more folklore than reality. As someone who has written her own myths and legends book, it was refreshing to read about them from another author’s viewpoint. Plus, I got to learn some new angles about the lore of Virginia.