Books like Hellsing Volume 1

I have loved this book since it first scared me as a young reader.

And I think this is still the best of all bloodsucker books ever published. While this classic novel didn’t create the myth of vampires, it sure made them iconic. With his fangs and flowing bat-wing cape, Dracula sets the standard for things that go bump in the night. His single purpose is to scare us, and he is good at his job. He has no redeeming values.

This vampire is no charismatic bad boy hoping to win the girl’s heart—he just wants to drink her blood! The original Dracula is a fiend—horrible, frightening, and dangerous. Which is why the book still works after more than a century.

When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.

I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?

This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.

It made me want to write stories where beauty and horror dance together in candlelight.

Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!

The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.

It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF. 

I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life. 

Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.

When I watched Blood: The Last Vampire, a Japanese horror film based on manga by Mamoru Oshii, I was hooked. I discovered Saya, and manga. Saya is a fierce and beautiful vampire killer who wears a modest Japanese school uniform while hunting. The vampires mostly look like normal people. Some are scared and run, others fight back. Either way, they die. I liked the contradicting image of the innocent-looking schoolgirl who is a ferocious killer, but the story was also thought-provoking. When Saya makes a mistake and kills an innocent person, it showed a dilemma most ‘hero’ stories don’t address. Are we either completely good or always evil? Saya is the inspiration for Shoko, the lead character in my novels, and she struggles with this. Can you serve the gods and also be a killer?

I got this book as a teenager. As a WWII history buff, I read it cover to cover so many times that the cover wore off. This is a complete account of the attack on Pearl Harbor, Hawaii, on December 7, 1941. From the workers dipping soup with their oily hands to eat on breaks while trying to free men from the capsized USS Oklahoma to the use of coke bottles to store donor blood, it is a gritty account of the bravery of the U.S. forces caught by surprise by the attack. While newer books on Pearl Harbor have been published, this one is still my favorite.

This book has helped me think through the relationship between capitalism, modernity, and romantic anti-capitalist movements both in East Asia and beyond. The book deals with intellectual currents in interwar Japan, (the 1920s to 1945) and shows how conservative philosophers developed a theory to “overcome modernity.” These authors, many from the so-called Kyoto School, targeted the rampant consumer culture, the overturning of ethical relations, and other structural changes. However, Harootunian contends that such critiques did not grasp the fundamental dynamic of capitalism and its relation to such cultural shifts and consequently, such philosophers were “overcome by modernity.” This means that such critics of modernity were incorporated into the Japanese fascist military complex, which itself claimed to confront capitalist modernity. At a time, when we see right-wing attempts to confront modernity around the world (Trump, Le Pen, Modi) this book remains extremely relevant.  

A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.

Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.

Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.

Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.

A legal scholar and a political scientist, both Americans who grew up in Japan, explain Meiji and Taisho political history from the standpoint of rational calculation by the leading politicians. This is a convincing narrative of the birth of parliamentary government and the emergence of political parties under the Meiji constitution, 1889 to 1947. The authors explain how the leaders of the various political parties were pursuing their own selfish ends—perpetuation of their own power and status. Without intending to do so, those politicians created a political structure that extremist cliques in Japan’s armed forces were able to subvert.

I especially like this book because it avoids the trap that so many others fall into of imputing benign motives to a nebulous but omnipotent entity spinning out government policies—a “development state,” or whatever you might call it, a cadre of unnamed “policy-makers” who are guided by the abstract arguments of… show more.

Shame and the Captives is by the award-winning Tom Keneally.

I have had the pleasure of meeting Tom, and the edition that I have is signed by him. The novel is set in World War Two and based on the escape of Japanese prisoners of war at Cowra, Australia. The story moves between the camp itself and residents of the town, which gives the narrative a strong base for dramatic tension.

Throughout the novel, Keneally displays his ability to convey the subtleties of each character, which adds depth to the story and feeds questions about the choices made under situations of stress and uncertainty.