100 Books Like Harold's Fairy Tale

The only book you need! Compiled over several short stories, you can pack just this one book with you on a trip and be set for your entire trip. It is so fun to have short stories as an option—you can read one if the baby is tired or five if the baby needs time to wind down before bedtime.

This book is not about supply chain, but it is about dragons, and it definitely talks about a behind-the-scenes phenomenon that we see in the world. This is one of those lessons-wrapped-in-a-story books that I think are so effective… you don’t know you’re learning a universal truth about human nature until it jumps up cutely and breathes fire in your face.

In this case, the truth is that refusing to recognize the reality of an unpleasant situation will only make it worse. It’s better to name the dragon in the room and discuss it courageously instead of making blanket statements about why it doesn’t and can’t exist. At the end of the day, acknowledging our shared reality and talking about our struggles is something we can all get better at... because we, like dragons, just want to be seen.

A fact lost in their massive success in children’s books is that Stan and Jan Berenstain started as cartoonists.

In the 1940s and 1950s their work appeared in the likes of the Saturday Evening Post, Collier’s, and McCall’s, and they had a series of best-selling “cartoon essay” books. Their famous bears debuted in 1962 as part of Beginner Books, a line created by Theodor “Dr. Seuss” Geisel, Helen Palmer Geisel, and Phyllis Cerf.

With 1978’s The Spooky Old Tree, The Berenstains created the quintessential early reader, using repetition and predictability, prepositional phrases, rich visuals, and high drama to captivate their young audience (and their parents). “Do they dare? Yes. They dare.”

Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.

Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”

Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”

A new take on the classic “Jack and the Beanstalk.” In this incredible graphic novel, Jack is a rambunctious young boy with a younger autistic sister named Maddy. During a visit to a fair, Jack trades his Mom’s car keys for a box of seeds. Together, Maddy and Jack plant a garden that actually results in attacking vegetables. Attacking with swords!

The character development is really excellent, and this first book ends on a cliffhanger. I love the drawing style and definitely recommend this series.

A delightful blending of strong female characters, lyrism of nature and gardens, historical background of the second world war, and five parallel perspectives over the fate and purpose of a beautiful place, going around a century of transitions. I enjoyed the author’s way of symbolically mirroring the lives of the characters into the garden that connects them unexpectedly and mysteriously, over time. This book is a gentle reminder of how our own destiny may be influenced by total strangers, who are neither aware, nor intentional, about the lasting effects of their actions.

Many of us tend to view gardens only from the surface up.

This book dives underground to show how many living things in the dirt are working hard to help us garden. Worms and insects that we might find “gross” are actually essential for airing the soil and warding off invaders.

Plenty of things grow just fine without human help because they have all the helpers they need under the earth. This book shows how nature goes about its business, plants and insects and animals all working together to green the earth.

Bonus: Neal’s illustrations are anatomical wonders, showing worms and bugs with legs and feelers in a friendly light. Squeamish children (and their parents) might make a few buggy friends as they read.

Louis XIV of France was, like many other European kings and their queens and families, a mad-keen gardener. He had all the resources of his powerful nation, including its army, to help him and the result was the garden of Versailles, probably the most expensive and lavish ever made. It was watered by hundreds of fountains, powered by a set of pumps in the River Seine which was probably the largest machine constructed before the Industrial Revolution. Versailles became the model which kings and aristocrats across Europe aspired to emulate. Ian Thompson tells its history, in detail but in engaging prose. 

Derek Jarmon was a British avant-garde filmmaker, theater designer, and life-long gardener. In the last decade of his life, he built a new garden at a tiny house by the sea in Kent. Prospect Cottage sits on the shingle expanse overlooking the Dungeness Nuclear Power Station and the English Channel. It was an accidental garden, this arrangement of rocks and driftwood, flowers, and found objects. The book sings. Jarmon’s musings and poems wind through a small volume of 140 pages; there are 150 photographs. It is a book about why we garden, how to live, and how to die.

This is a book that I have read and reread several times. The author is not a garden writer but a professor of Italian literature at Stanford University, and Gardens is a unique work in garden literature. Harrison’s essay – erudite, thoughtful, and fascinating – examines the urge to garden throughout history. The book takes you on a journey to all gardens – real and imagined – from the Garden of Eden to the Garden School of Epicurus and the homeless gardens in New York City, to Versailles and the Paradise gardens of Islam. With its wide-ranging topics and cultural references, the book invites repeated readings, especially when I want to think more deeply about what gardening reveals about our human condition.