Here are 100 books that Harlots, Hussies, & Poor Unfortunate Women fans have personally recommended if you like
Harlots, Hussies, & Poor Unfortunate Women.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Two events happened around the same time, 1950-51, that made me want to go to sea. One was seeing the movie Down to the Sea in Ships and the second was a 30-minute boat ride on the sea. I was about 9-years old at the time. I think I must have identified with the boy (Jed) in the novel and unlike my younger brother, I enjoyed the thrill of the wind and waves and I wasn’t seasick. From then on, I had a lifelong love of the sea, serving with the Merchant Navy, having my own seagoing boat and for 22 years teaching navigation and sailing knowledge to Sea Cadets.
You do not have to be a lover of seafaring novels to enjoy Dana’s memoir and his vivid descriptions of people and places. Two Years Before the Mast is a masterpiece of writing. As an Englishman, I have always enjoyed reading American prose; Steinbeck, Hemingway, Melville, they seem to write clearly and to the point without the long-windedness of some authors.
How times have changed since the days when Dana was a seaman, (even when I was at sea in the 1950s 60s, and 70s) to today’s conditions for seafarers. My nephew who is a chief engineer with BP has the same amount of leave as the time he spends at sea, (4 months max) with the internet, skyping, and Netflix. He is highly paid and flown home first class. My contract was for 12 months, no leisure facilities on the ship, a letter now and then, and a train…
‘Two Years Before the Mast’ is a memoir by the American author Richard Henry Dana, published in 1840, having been written after a two-year sea voyage from Boston to California on a merchant ship starting in 1834. A film adaptation under the same name was released in 1946. It is the true story of Richard Henry Dana’s voyage aboard the merchant vessel the ‘Pilgrim’ on a trip around Cape Horn during the years 1834 to 1836. Dana was a student at Harvard when a case of the measles affected his vision. He left school and enlisted as a sailor on…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself. …
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
I love this story because, for me, it’s a perfect example of why a ship is such a great platform for storytelling, a moving stage for a compelling cast of characters to act out the drama of their past and present lives while heading into an uncertain future.
The Star of the Sea is a "coffin ship," the name given to the leaking hulks that transported a million emigrants from Ireland to America during the Great Famine of the 1840s.
It’s a historical novel but for me, a timeless story about emigration and the human condition, of refugees fleeing the monsters of their past, war, famine, disease, whatever, into what they hope will be a brighter future, and of what happens to them on the way.
Rediscover Joseph O'Connor's monumental #1 international bestseller.
In the bitter winter of 1847, from an Ireland torn by injustice and natural disaster, the Star of the Sea sets sail for New York.
On board are hundreds of fleeing refugees. Among them are a maidservant with a devastating secret, bankrupt Lord Merridith and his family, an aspiring novelist and a maker of revolutionary ballads, all braving the Atlantic in search of a new home. Each is connected more deeply than they can possibly know.
But a camouflaged killer is stalking the decks, hungry for…
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
Sometimes you don’t need glossy colour photographs of plants to be transported to green pastures. Ruth Kassinger charts her journey from complete plant novice to houseplant addict enchantingly with stories of visits to nurseries across the US as she learns about the plants she longs for and how they are grown. Before long, her conservatory fills with treasures, each with a story to tell. You come away inspired and encouraged to follow in her footsteps to create your own green patchwork of plants even if you live in the smallest apartment in the most inhospitable climate.
Paradise Under Glass is a witty and absorbing memoir about one woman's unlikely desire to build, stock, and tend a small conservatory in her suburban Maryland home. Ruth Kassinger's wonderful story of the unique way she chose to cope with the profound changes in her life-a book that will delight readers of Eat, Pray, Love and I Feel Bad About My Neck-is interwoven with the fascinating history of conservatories from the Renaissance orangeries to the glass palaces of Kew.
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew…
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I rarely read a book twice. I read this one three times. The romance between Ramelle and Celeste always makes me swoon and reminds me of the kind of love I want in my life.
Brown is an outstanding story-teller, and I loved all of the Southern malpropisms, traditions, and memes scattered throughout the novel. I enjoyed the romance, the mystery, and the characterization of the South, this book pushed me to visit Savannah, where her words came to life.
Perched right on the Mason-Dixon line, tiny Runnymede, Maryland, is ripe with a history almost as colorful as the women who live there—from Celeste Chalfonte, headstrong and aristocratic, who murders for principle and steals her brother’s wife, to Fannie Jump Creighton, who runs a speakeasy right in her own home when hard times come knocking. Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing…
I selected the five works below, as each highlights different themes explored in my latest work. Taken together, this collection delivers a well-rounded, multi-dimensional view into a world that is often simplified in popular culture but far more complex, courageous, and human than most people realize. These books illuminate different facets of law enforcement—from the raw courage required in moments of crisis to the resourcefulness demanded in prolonged investigations.
Above all, these works stand out for their honesty and realism, revealing both the triumphs and the tolls of a career committed to protecting others. Together, they provide readers with a deeper appreciation of the people, the pressures, and the evolving landscape of modern law enforcement.
David Simon’s Homicide stands as one of the most honest and most vivid looks at police work ever put on paper.
Simon drags us into this violent and chaotic world as few could, based on a year he spent alongside detectives in the Baltimore Police Department’s homicide unit. This insider access produces an immersive experience that unfolds in dramatic fashion.
What absolutely leaps off the page is the weight of the implications of such violent crimes and what it demands of the detectives investigating. These are men and women gripped in a desperate vice, toiling relentlessly in the darkest corners of the city, absorbing grief, frustration, and exhaustion while trying to bring answers to families who are desperate for them.
Simon doesn’t overdramatize the work. He doesn’t need to. He brings us inside the grind: sleepless nights, leads that don’t pan out, political machinations, and the quiet toll the constant…
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
I love most of Anne Tyler’s novels, but this is my favourite. It contains my all-time favourite boy-girl friendship in Barnaby and Martine, who work together. I completely recognise and relate to their colleague-type banter, full of inside jokes, winding each other up, and covering up for each other. I love that Martine is a bit moody - recognisably human - and that she has Barnaby’s back when no-one else does.
No matter how many times I’ve read this, when Barnaby finally realises how important Martine is to him, I always get tears in my eyes.
A NEW YORK TIMES NOTABLE BOOK •NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his…
