Here are 100 books that Hafiz and His Contemporaries fans have personally recommended if you like
Hafiz and His Contemporaries.
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My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.
Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.
I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.
Of all the great civilizations of the ancient world, that of Persia is one of the most remarkable but least understood. This is a study of the country's origins and why it collapsed so dramatically with the Arab invasions of the seventh century. Josef Wiesehofer, provides a comprehensive survey of the Persian Empire under the Achaeminids, the Parthians and the Sassanians. By focusing on the primary Persian sources - written, archaeological and numismatic evidence from Persia - he avoids the traditional Western approach which has tended to rely so heavily on inaccurate, and sometimes prejudiced, Greek and Roman sources.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
I have been to Iran twice for long journeys to historic sites. Like so many other travelers, I was captivated by the landscape of high mountains and parched plains and by the extraordinary buildings erected in the deep past.
Canepa’s book enabled me to travel again (in my mind) to the great palaces and sacred sites where each of the classical dynasties made its mark. Once again, I was struck by the absence of temples (before late antiquity) and by that hallmark of Iranian architecture, the ayvan, a great vaulted chamber open on one side from which a shah could gaze upon his people.
The Iranian Expanse explores how kings in Persia and the ancient Iranian world utilized the built and natural environment to form and contest Iranian cultural memory, royal identity, and sacred cosmologies. Investigating over a thousand years of history, from the Achaemenid period to the arrival of Islam, The Iranian Expanse argues that Iranian identities were built and shaped not by royal discourse alone, but by strategic changes to Western Asia's cities, sanctuaries, palaces, and landscapes. The Iranian Expanse critically examines the construction of a new Iranian royal identity and empire, which subsumed and subordinated all previous traditions, including those of…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
I well remember following the sequence of events–a terrible fire that killed 430 trapped in a cinema in Abadan, riots, mass shootings by the army, strikes, politicization, and Islamicization of students–which culminated in the Islamic Revolution of 1979.
Like many others I was both excited and filled with foreboding at the time. To read Desmond Harney’s eyewitness account is to be carried right into the middle of things. I was utterly gripped as the Iranian middle classes grasped at forlorn hopes and as those hopes faded away in the face of the ‘single-mindedness, implacability, fierce puritanism and commanding authority’ of Ayatollah Khomeini.
The author, a former British diplomat, was living in Tehran during the build-up to the Iranian Revolution and kept a day-to-day account of the events he witnessed, as the priest and the king - the Ayatollah Khomeini and the Shah - squared up to each other. The author's faithfully recorded responses - of hope, fear, confusion, scepticism and ultimately despair - reflect with substantial accuracy the spirit in Iran as the country swung from being a docile, Western-orientated ally to an unpredictable, brooding, revolutionary state. Harney had access to all elements of Iran's political elite, including the Shah, and was…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
Everywhere I went in Iran in 1998 and 2002, there were huge wall paintings of martyrs who had been killed in the war against Iraq (1980-88). Mass attacks led to appalling casualties.
I returned a vicarious Iranian patriot. Christopher de Bellaigue, who speaks good Farsi, took me far deeper into post-revolutionary society in his numerous conversations with individuals from many different milieux, including two who had fought and survived the war.
I regard him as the best guide to the temper of contemporary Iran and the reasons for the fall of the secularizing regimes of the shahs (not least the sudden order in 1936 for women to cast aside the chador, which is likened to an order to go out topless in the west).
A superb, authoritatively written insider's account of Iran, one of the most mysterious but significant and powerful nations in the world.
Few historians and journalists writing in English have been able to meaningfully examine post-revolutionary Iranian life. Years after his death, the shadow of Ayatollah Khomeini still looms over Shi'ite Islam and Iranian politics, the state of the nation fought over by conservatives and radicals. They are contending for the soul of a revolutionary Islamic government that terrified the Western establishment and took them to leadership of the Islamic world.
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
Kooshyar Karimi wrote this stunning memoir so beautifully it blew me away. Now a Sydney-based doctor and writer, he grew up as a Jew in Muslim Iran, hiding his origins from a brutal regime, always with a humorous eye.
It is such a powerful story of survival, torture, and spying, plus forced deceptions and betrayal of others for helping desperate female rape victims. The struggle for redemption and eventual escape make his journey an unforgettable one.
Whilst many stories have come out of Iran in the last few decades, nothing matches the grittiness of this portrayal of life in the crumbling alleyways and damp cellars of an Iranian slum district--the extreme poverty and desperation, and the regular betrayals and compromises, even within families, in the fight for survival. Born on the back seat of a police car in the subzero temperatures of a bleak and icy winter's night, Karimi summons extraordinary and unwavering dedication throughout his childhood to break free of this hopeless existence, culminating in the achievement of his dream to become a surgeon. But…
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence.
Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world.
While 'winning' might be considered a fundamental part of the human objective, what constitutes winning and how one might achieve it remain somewhat abstract, in war as in any other human endeavour. 'Winning' militarily at the tactical level - in a firefight or a battle - has always been more quantifiable than at the strategic level. At the strategic level, success might be measured by means of three big ideas: ownership; intervention for effect; and fighting for ideas. The divergence between success at the tactical level and the political context of the war creates a challenge at the operational level…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I firmly believe we each have a unique story to tell, to record in order to help others and to record a history. I love the ordinary person who lives an extraordinary life. So many people don’t realize how wonderful they are. It is also cathartic to write your story, in doing so you forgive others as you forgive yourself for decisions poorly made.
This all-American woman loved an Iranian student 25 years her junior. Her story takes you on an adventure, sparing no details of the emotional roller coaster ride, even learning his language. They created a bridge between East and West. She immersed herself to see life and Iranian customs through his eyes, willing herself to understand, hoping to influence him with American ways. Reading her story you will witness an extraordinary marriage and wonder if you could ever possibly do the same.
Afshin, a captivating Iranian graduate student, rents a room in Miriam Valmont’s home. Landlady and tenant share an immediate and fast-growing attraction, despite the fact that Miriam is twice Afshin’s age. When Afshin proposes a temporary Islamic marriage, Miriam readily agrees, driven by desire and curiosity. What shocks her, though, is the role Afshin invites her to play at the end of the marriage so that he, as a Muslim, can continue to express affection. The Bird and the Fish is the story of two people with radically different lives who find a way to honor a passionate love.
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
This monumental two-volume collection, published in 2021, contains 110 accessible essays by some of the most prominent scholars of Achaemenid Persian history. It introduces the ancient evidence, including written sources, artistic materials, and archaeological remains, for every major region from the Indus to the Nile and the Aegean, and ably surveys the disciplinary history of the modern study of ancient Iran. Thematic chapters trace numerous aspects of Persia’s imperial world, including geography, languages, gender, religion, court dynamics, administration, communications, war, diplomacy, economics, art, science, and many more. The narrative chapters place the empire’s rise and fall, including but hardly limited to the Persian-Greek wars, into a longer context of Ancient Near Eastern empire formation, setting up valuable insights through comparison with Assyria, Babylonia, and other predecessors.
A comprehensive review of the political, cultural, social, economic and religious history of the Achaemenid Empirem
Often called the first world empire, the Achaemenid Empire is rooted in older Near Eastern traditions. A Companion to the Achaemenid Persian Empire offers a perspective in which the history of the empire is embedded in the preceding and subsequent epochs. In this way, the traditions that shaped the Achaemenid Empire become as visible as the powerful impact it had on further historical development. But the work does not only break new ground in this respect, but…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
The Persian empire’s size and diversity impose special challenges for modern study. The major sources are written in a wide variety of ancient languages, including Old Persian, Elamite, Babylonian, Aramaic, Biblical Hebrew, Greek, and Latin, and many texts were initially studied in specialist publications with limited accessibility outside a small circle of scholars. Kuhrt’s sourcebook did a tremendous service to scholars and students alike by gathering reliable translations of a wide range of written evidence from the Persian empire, replete with supporting notes and bibliography for further reading. It includes substantial selections from Greek historians of Persia, including Herodotus, Xenophon, and the Alexander biographers, but ensures that readers are able to contextualize these texts alongside internal materials reflecting the full diversity of Persian empire and society.
Bringing together a wide variety of material in many different languages that exists from the substantial body of work left by this large empire, The Persian Empire presents annotated translations, together with introductions to the problems of using it in order to gain an understanding of the history and working os this remarkable political entity.
The Achaemenid empire developed in the region of modern Fars (Islam) and expanded to unite territories stretching from the Segean and Egypt in the west to Central Asia and north-west India, which it ruled for over 200 years until its conquest by Alexander of Macedon.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.
Iran is a land of contradictions. It is an Islamic republic, but one in which only 1.4 percent of the population attend Friday prayers. Iran's religious culture encompasses the most censorious and dogmatic Shi'a Muslim clerics in the world, yet its poetry insistently dwells on the joys of life: wine, beauty, sex. Iranian women are subject to one of the most restrictive dress codes in the Islamic world, but make up nearly 60 percent of the student population of the nation's universities. In A History of Iran, acclaimed historian Michael Axworthy chronicles the rich history of this complex nation from…
