Here are 100 books that Groceries by Herbert Scott fans have personally recommended if you like
Groceries by Herbert Scott.
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A poet for fifty years, I'm proud to say that nobody's ever said, "I didn't understand your poem." The rhythms, images, and words in these books are in plain English. They have feeling and authenticity in common. They make connections. After a reading once, a woman said, "I feel as if I know your whole family." I feel the same about the authors of these books. I'm also interested in my quirky kind of American Jewishness at a time when it's in the news but complicated and misunderstood. Some of the books I chose reflect that.
I love this book because it goes straight for the gut.
These poems tell the truth no matter what. I never have to wonder what they mean. I love how authentic the poet is and how she gives everyday life a mythic quality, whether she's talking about her eggs and childbirth, or her awful parents, or going fishing with her kids.
This 45th anniversary hardback collector's edition of the bestselling debut collection of poetry by Sharon Olds includes a new interior design and an introduction by Diane Seuss. Satan Says received the inaugural San Francisco Poetry Center Award in 1980.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
A poet for fifty years, I'm proud to say that nobody's ever said, "I didn't understand your poem." The rhythms, images, and words in these books are in plain English. They have feeling and authenticity in common. They make connections. After a reading once, a woman said, "I feel as if I know your whole family." I feel the same about the authors of these books. I'm also interested in my quirky kind of American Jewishness at a time when it's in the news but complicated and misunderstood. Some of the books I chose reflect that.
I love this book because it's about being a Jewish American woman in the same everyday way that I am.
There are so few books about that experience, not being religious, but about a culture and a spirit and little things that are woven into the fabric of life: Yiddish words and certain foods and ethics and values that we don't even think about.
When I read these poems, they lift me up and make me feel at home at the same time. You don't have to be Jewish to love them! And that's a Jewish joke.
A prize-winning collection of old and new poems that celebrate the Jewish experience, about which the poet Lyn Lifshin writes: "An exquisite book. The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."
Lifshin continues, "These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment' and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments,…
A poet for fifty years, I'm proud to say that nobody's ever said, "I didn't understand your poem." The rhythms, images, and words in these books are in plain English. They have feeling and authenticity in common. They make connections. After a reading once, a woman said, "I feel as if I know your whole family." I feel the same about the authors of these books. I'm also interested in my quirky kind of American Jewishness at a time when it's in the news but complicated and misunderstood. Some of the books I chose reflect that.
I love this book because it was the first book of poetry I ever read that made me realize I could get it, that poems could be about me, women, feelings, relationships, my experience. It blew my mind.
I was an English major, and when the professors talked about modern poetry by men, I always felt baffled. These were poems I could understand and relate to. I read them shouting with joy, even though they were not happy poems.
It was okay to write and read poems about all kinds of feelings, and they didn't have to be in mysterious language. The language of these poems is wonderful, but it's also clear.
From Wikipedia: Sexton's eighth collection of poetry is entitled The Awful Rowing Toward God. The title came from her meeting with a Roman Catholic priest who, although unwilling to administer last rites, told her "God is in your typewriter." This gave the poet the desire and willpower to continue living and writing. The Awful Rowing Toward God and The Death Notebooks are among her final works and both centre on the theme of dying.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
A poet for fifty years, I'm proud to say that nobody's ever said, "I didn't understand your poem." The rhythms, images, and words in these books are in plain English. They have feeling and authenticity in common. They make connections. After a reading once, a woman said, "I feel as if I know your whole family." I feel the same about the authors of these books. I'm also interested in my quirky kind of American Jewishness at a time when it's in the news but complicated and misunderstood. Some of the books I chose reflect that.
I loved this anthology of poems for its authenticity and depth of feeling.
It was written by and for widows—of all genders and ages, in all kinds of committed relationships. The anthology demonstrates that there are an infinite number of ways to grieve and survive.
I have given this book as a gift to a number of friends dealing with the loss of a spouse or partner (not necessarily right away!), and they have told me they got a lot of comfort from it.
I think the quality of the poems and how different from every other every voice and experience described is give the book as a whole enormous power. It says, "This is something we all go through, we can each find our own way to grieve, and we are not alone."
The Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other.",
The Widows' Handbook is a collection of poetry from…
I have been researching, curating, and writing women’s history for 30 years. I curated the suffragette exhibition Purple, White, and Green at the Museum of London. I wrote The Suffragettes in Pictures; Love and Dirt: The Marriage of Arthur Munby and Hannah Cullwick; Elsie and Mairi Go To War: Two Extraordinary Women on the Western Front; The Criminal Conversation of Mrs Norton, and Rise Up, Women! The Remarkable Lives of the Suffragettes.
I am a public historian, devoted to sharing my research and writing with all. I am a keen podcaster, Youtuber, and guest on television and radio. You could say I’m a heroine addict.
I hope you love my recommendations.
At last! A book that places Byron’s wife, Annabella Milbank, and mathematician daughter, Ada Lovelace, centre-stage instead of the dusty wings of all previous books about this notorious and complicated man. It is the perfect book for anyone interested in Byron and his world, and more importantly for readers keen to consider a more nuanced account of his wife and daughter.
In 1815, the clever, courted, and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet.
Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild…
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
I’m hooked when authors get to the heart of how someone finds their passion. That’s what Don Tate does as he spins the tale of how an enslaved boy, forbidden to learn to read and write, became a sought-after poet. Children will cheer for George as he teaches himself to read and becomes a published poet. They will hold their breath as George returns to his enslaver, and they will share his joy at his eventual freedom. Tate’s storytelling — this picture book biography brilliantly encompasses the hope, tension, and satisfaction of a story — shows that George’s physical bondage could not imprison his dreams. Through George’s fascinating story, children surely will be inspired to follow their own dreams.
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George loved words. Enslaved and forced to work long hours, he was unable to attend school or learn how to read.
But he was determined―he listened to the white children's lessons and learned the alphabet. Then he taught himself to read.
Soon, he began composing poetry in his head and reciting it aloud as he sold fruits and vegetables on a nearby college campus. News of the enslaved poet traveled quickly among the students, and before long, George had customers for his poems. But George was still enslaved. Would he ever be free?
Award-winning author-illustrator Don Tate tells an inspiring…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Bolaño wrote two epics: The Savage Detectives and the much more widely read 2666. Savage may be a sloppier novel—it follows two fictional founders of a fictional poetic movement called the visceral realists who are trying to track down the mysterious founder of the movement—but it’s also a novel about the elusiveness of meaning. With a lot of sex and violence thrown in for measure. The frame-story narrative informed my own, although I employed a lot less sex.
Winner of the Herralde Prize and the Romulo Gallegos Prize. Natasha Wimmer's translation of The Savage Detectives was chosen as one of the ten best books of 2007 by the Washington Post and the New York Times.
New Year's Eve 1975, Mexico City. Two hunted men leave town in a hurry, on the desert-bound trail of a vanished poet.
Spanning two decades and crossing continents, theirs is a remarkable quest through a darkening universe - our own. It is a journey told and shared by a generation of lovers, rebels and readers, whose testimonies…
I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.
I love this book despite feeling frustrated by the excessive detail. Turner brings Chaucer’s cosmopolitan world and diverse literary works to life by focusing on places and spaces significant to him. I especially enjoyed the chapter on Households, where Chaucer was sent to serve in his adolescence, like many of his contemporaries, as page-boy, valet, entertainer, general factotum. I also learnt about his international travels, as a diplomat, prisoner of war, member of Parliament, and the sadness of his unfulfilled private life.
The last two chapters recount Chaucer’s final year living in the precincts of Westminster Abbey, his sudden death, relatively obscure burial, subsequent reburial in Poet’s Corner, and elevation as Father of English Literature, which Turner controversially challenges, placing him in a European cultural background.
An acclaimed biography that recreates the cosmopolitan world in which a wine merchant's son became one of the most celebrated of all English writers
Geoffrey Chaucer is often called the father of English literature, but this acclaimed biography reveals him as a great European writer and thinker. Uncovering important new information about Chaucer's travels, private life, and the circulation of his writings, Marion Turner reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. From the wharves of London to the frescoed chapels of Florence, the book recounts Chaucer's…
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is…
THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt...Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay's only historical novel, and…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!
A stunning picture book biography from Monica Brown and illustrator Julie Paschkis about one of the world's most enduring and popular poets, Pablo Neruda
Once there was a little boy named Neftalí who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words. Neftalí discovered the magic between the pages of books. When he was sixteen, he began publishing his poems as Pablo Neruda.
Pablo wrote poems about the things he loved―things made by his friends in the café, things found at the marketplace, and things he saw in nature. He…
