68 Books Like Grandfather Tang's Story

As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.

As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.

I am, first and foremost, someone who cares deeply about the world, people, and learning. I have been passionate about ideas, curiosity, and innovation since I was a child and since starting our company and writing four books, have had the privilege of helping over 400 organizations and 700,000 people to unlock their genius by not being experts but by being curious about the world around them and other people. I am also a teacher, speaker, and community volunteer who is keen to help people find their own unique brilliance.

I started writing maths books because I wanted to share my love of the subject with people who had never really engaged with it at school. I soon discovered that the hardest part is getting somebody to start reading the book in the first place. Why read a book about maths unless you’re already into maths? Over the years I’ve found that the best way of engaging adults in maths is by linking it to things they are interested in – ‘the maths of everyday life,’ if you will. When you add to that a combination of stories, humour, and surprises, I’ve found it’s possible to reveal the joys of mathematics to a much wider audience.

I’ve been told I live under a rock. I don’t know much about popular media, I can’t name any actors, and when I catch onto a trend, it’s usually five to six years after said trend has died out. People alert me of my lack of knowledge like it’s a bad thing, but I think if they could see all the books they’re missing out on, they’d feel otherwise. There are hundreds of thousands of fantastic stories that are neither glamorous nor gritty enough to make it to the forefront of the internet, and every time I find one, it changes my life. Living under a rock: 10/10 would recommend.

I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.

Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.

I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down. 

Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles. 

One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.