Books like Gertrude and Claudius

Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.

If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!  

I grew up reading Treasure Island by Robert Louis Stevenson, and found this book about the woman who changed his life riveting.

I also loved it because Stevenson sails to French Polynesia and I have sailed to French Polynesia and written a book about it. So there are many connections for me. Plus, it’s about the real life of scorned woman, Fanny Van de Grift Osbourne who flees San Francisco and her philandering husband and eventually falls in love with Stevenson.

An adventure that is history. Yes please! 

I mentioned that I love a well-crafted update of a classic tale. Twisted Fate is Shakespeare’s The Tempest in modern dress, moved across the Atlantic to Staten Island with a brief stop in the Bahamas. I was hooked immediately when protagonist Laina, a bookshop owner grieving the death of her beloved brother, is a last-minute fill-in at her cousin’s Bridezilla wedding (wearing the gown of the absent pregnant bridesmaid, which keeps falling down). Laina over-imbibes at the reception and (briefly) even sets herself on fire. Hey, we’ve all been there...as events progress, there’s fate, mistaken identity, misplaced love, and of course the requisite tempest. Only great character development can immerse me in a story. This author’s dry humor is a deft foil for that. Which isn’t always the case; comic romances can suffer from cliches and worn caricatures. Not this book; it’s a gem.    

Immersed in a boarding school with my parents living on another continent, I searched for comfort and found it in Charlotte Brontë’s novel of a young orphan struggling to make her way in Victorian England.

Although considered by some to be shocking when it was published in 1847, it was a sensation and has never been out of print since. 

"Do you think," she cries to the rich Mr Rochester, the man she loves, "because I am poor, plain and little, that I am soulless and heartless? You think wrong – I have as much soul as you – and full as much heart."

Complete with Gothic frills, brooding landscapes and high drama, leavened with intelligence and psychological acuity, Jane Eyre is a love story which contains one of the great cries for equality in literature.

Who could fail to respond? I certainly did, and I remember it every time… show more.

The second book in The Thief series, The Queen of Attolia is also, IMO, the most romantic.

It starts with a bang, Eugenides of Edis, the thief who can steal anything, is caught spying on the queen of Attolia, the sworn enemy of his own queen. Attolia’s brutal punishment of her rival’s cousin sends Eugenides into a downward spiral of regret and self-loathing.

Yet, when his cunning and skills are the only thing that stands between victory and defeat, Eugenides once more must rise to the call and try to steal the most precious prize of all, the queen’s heart.

An impressive world building, a lovable, if irritating, protagonist, and a most inventive and clever plot make for an unforgettable read.

This was the first biography of Queen Victoria that I read and, to date, it remains the best! Effortlessly combing in the personal with the political, it not only portrays Victoria as a Queen but also as a woman, who could simultaneously be one of the most dominant monarchs of the 19th century, and as nervous as a child. A brilliant portrayal of a fascinating character, playing a major role in one of the most interesting eras in history!

Found in the British Library, where I would be quite happy to move in on a permanent basis if only they would let me.

I’ve read many excellent biographies of medieval women there, including Kimberley LoPrete’s Adela de Blois, Alison Weir’s Queens of the Conquest, Kari Maund’s Princess Nest of Wales, and Lois L. Honeycutt’s Matilda of Scotland. Clarkson’s biography is eminently readable.

In lucid and concise prose garnished with maps, genealogies, a good index, and bibliography, this book paints a fascinating picture of King Alfred’s daughter.

I read this book many years ago as it covers the imprisonment and execution of Queen Anne Boleyn.

With its immense detail, it is one of the few books you need to read on this later period of Anne's life. Best of all, the author has reassessed the evidence and done away with romantic misconceptions. It is therefore an utterly reliable resource. The storytelling is superb, easy to read, and, again, hard to put down.

I return to it again and again for reference material but it still makes a gripping holiday read.

As a fantasy reader, you will often come across the same ideas regurgitated in a slightly different form. Not that I have anything against that – some of them are still amazing stories – but when there is a slightly different voice to the storytelling, it is very refreshing. That’s what I found with Dragon Queen, the first in The Silver Kings series.

Some have argued that this series is chaotic and focuses on too many characters, but I found it delightfully action-packed with dark plots, political scheming, and incredible world-building and scenery that played out through my imagination as I read. 

It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings – chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence. 

Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.