Books like Galatea — picked by fans

The genius that lies behind the best collections of short stories, such as Angela Carter's "The Bloody Chamber," relies on developing a theme in the stories that is inherently dependent upon the reader's response.

In "The Bloody Chamber," Carter re-tells fairy tales such as Red Riding Hood and Cinderella, from a feisty feminist point of view meant to evoke both horror and a bit of revenge from most feminist readers. How that combination of horror and revenge affects our psyches is most revealing to the readers as to how they react to the new version of a very old, if not myth-based tale from the patriarchal cultures of the past where women were mistreated and abused on a regular basis.

My favorite was the re-telling of Red Riding Hood called "The Company of Wolves," a prelude to her next tale called "Wolf-Alice"!

The genius that lies behind the best collections of short stories, like Neil Gaiman's stories in "Trigger Warning," relies on a developing theme in the stories that is inherently dependent upon the reader's response.

As the title suggests, the stories in "Trigger Warning" are designed to "trigger" a response from the reader in terms of what claims are "things that upset us."

Gaiman says that the triggers are "like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked."

Fortunately, and perhaps most interesting, is the fact that this does not happen with all the stories for one person. One story will trigger these emotions and thoughts and another may not.… show more.

The myth of "Circe" haunts the ancient world. This novel was a new beginning to a wonderful tale well told and written. I would recommend it.

I love the way Miller treats mythic figures as sharing reality with humans.

Who can forget blue-green Thetis coming out dripping from the sea to meet her son, the hero Achilles? This is how the ancients wrote about the gods, and it's terrific to see it making a comeback after a hundred years or so when myth was treated as a source for psychoanalysis.

I was not so much inspired by this book (it came late) as encouraged and confirmed in my own treatment of otherworldly figures. They are there, for those with the eyes or imagination to see.

I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.

I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.

When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.

It is always delightful to read this re-telling of the Odyssey by the esteemed Canadian author Margaret Atwood.

I found the voice of Penelope as the narrator of her own story most effective. The set-up of Penelope as a shade in the underworld who dishes the dirt on what really happened when Odysseus returned home seemed very clever to me. Penelope is witty and humorous in her sceptical, if fond, description of her hero’s antics, but I also appreciated that the queen continues to wrestle with guilt over the murder of several of her handmaids.

I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!

Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.

Another bell-ringer is this wonderful novel which upturned everything I’d thought about Shakespeare’s wife. 

It so deftly weaves what is known with what is imagined. Away with Anne Hathaway! Meet Agnes Shakespeare. The ending of the book was terrific, and they managed to capture that in the film.

The ‘girls’ are the Trojan women, voiceless in Homer’s Iliad except, briefly, Andromache, Cassandra, and Hecuba.

Women drive the plot, from Helen, the Spartan queen abducted by the Trojan prince Paris, who is blamed for starting it, to Briseis, the Trojan captive Agamemnon takes from Achilles, but they say little.

Most of the chapters in Silence of the Girls are first-person in Briseis’ voice, with interspersed third-person chapters focusing on Achilles and Patroclus. We see the war from a broad, realistic perspective, but the tragedy in the center is of the women—as the Greek playwright Euripides recognizes in his play ‘The Trojan Women’ among others.

Pat Barker gives us the full, moving story in this novel and its sequels, The Women of Troy and The Voyage Home.

I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.

I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.