100 Books Like Galatea

The genius that lies behind the best collections of short stories, such as Angela Carter's "The Bloody Chamber," relies on developing a theme in the stories that is inherently dependent upon the reader's response.

In "The Bloody Chamber," Carter re-tells fairy tales such as Red Riding Hood and Cinderella, from a feisty feminist point of view meant to evoke both horror and a bit of revenge from most feminist readers. How that combination of horror and revenge affects our psyches is most revealing to the readers as to how they react to the new version of a very old, if not myth-based tale from the patriarchal cultures of the past where women were mistreated and abused on a regular basis.

My favorite was the re-telling of Red Riding Hood called "The Company of Wolves," a prelude to her next tale called "Wolf-Alice"!

The genius that lies behind the best collections of short stories, like Neil Gaiman's stories in "Trigger Warning," relies on a developing theme in the stories that is inherently dependent upon the reader's response.

As the title suggests, the stories in "Trigger Warning" are designed to "trigger" a response from the reader in terms of what claims are "things that upset us."

Gaiman says that the triggers are "like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked."

Fortunately, and perhaps most interesting, is the fact that this does not happen with all the stories for one person. One story will trigger these emotions and thoughts and another may not.… show more.

The myth of "Circe" haunts the ancient world. This novel was a new beginning to a wonderful tale well told and written. I would recommend it.

A wonderful retelling of the story of the great warrior Achilles and his partner Patroclus and the siege of Troy by Greek armies to rescue the famously beautiful Helen. Told from the point of view of Patroclus, a prince who is banished by his father after inadvertently killing another young boy and sent to live under the guardianship of Achilles' father. In the original version of this story, Patroclus and Achilles are the best of friends. In the version crafted by Madeline Miller, the relationship between them becomes romantic. After an idyllic time spent in the mountains under the kind and knowledgeable tutelage of a centaur named Chiron, fate leads them both to the battlefield outside the impenetrable gate of Troy. Another departure from the original story is that a physical vulnerability that can be exploited is not featured. The Achilles Heel in Miller's novel is not a body part,… show more.

Although this is not Mary Renault’s first novel set in Bronze Age Greece, it’s a classic.

She retells the story of Theseus in his own words, but not as a simple hero tale. Set long before the Trojan War, much takes place in Minoan Crete where Theseus performs his first heroic act.

Renault depicts the advanced Minoan culture and Mother Goddess religion intriguingly and gives fresh interpretations, from the character of Theseus himself to the Minotaur in the Labyrinth and what follows.

First read while I was a college student (not for a class), this book inspired me to one day create my own mythic retelling.

It is always delightful to read this re-telling of the Odyssey by the esteemed Canadian author Margaret Atwood.

I found the voice of Penelope as the narrator of her own story most effective. The set-up of Penelope as a shade in the underworld who dishes the dirt on what really happened when Odysseus returned home seemed very clever to me. Penelope is witty and humorous in her sceptical, if fond, description of her hero’s antics, but I also appreciated that the queen continues to wrestle with guilt over the murder of several of her handmaids.

I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!

Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.

It really brings to life how Shakespeare and Agnes's world in Stratford-upon-Avon might have been, and makes you feel how the pain of a child's loss was felt no less keenly hundreds of years ago.

The ‘girls’ are the Trojan women, voiceless in Homer’s Iliad except, briefly, Andromache, Cassandra, and Hecuba.

Women drive the plot, from Helen, the Spartan queen abducted by the Trojan prince Paris, who is blamed for starting it, to Briseis, the Trojan captive Agamemnon takes from Achilles, but they say little.

Most of the chapters in Silence of the Girls are first-person in Briseis’ voice, with interspersed third-person chapters focusing on Achilles and Patroclus. We see the war from a broad, realistic perspective, but the tragedy in the center is of the women—as the Greek playwright Euripides recognizes in his play ‘The Trojan Women’ among others.

Pat Barker gives us the full, moving story in this novel and its sequels, The Women of Troy and The Voyage Home.

I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.

I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.