100 Books Like Funny Girl

Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.     

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

Woody made fun of movie novelizations in Manhattan, but they have a special charm, especially when written by the director.* Tarantino’s gripping novel captures the changing of the guard in Hollywood ’69 as only a native son could, with special attention paid to Manson’s floppo music career.

The book also features some intense scenes that aren’t in the flick. For instance, in one chapter, Manson Family acolyte “Pussycat” creepy crawls into an elderly couple’s home at midnight and strips naked in their bedroom while they sleep and then…yeah, well, try not turning the pages, I dare ya. 

*(Another fine example is The Last Days of Disco, With Cocktails at Petrossian Afterward by Whit Stillman.)

Half of the brother duo behind Dumb and Dumber and There’s Something About Mary, Farrelly studied writing in the 1980s and penned a fairly forgotten novel called Outside Providence. He followed it with his second fiction work in the late-1990s, serving as a fictionalized account of himself broke, starving, and trying to break into Hollywood. I can listen to Peter talk all day on podcasts and interviews because he’s so natural and honest. Those traits translate here, with a story centering around a sympathetic protagonist trying to find his way. With real stories like how Farrelly wrote for Seinfeld and was introduced to Los Angeles by someone trying to leap from a building, any writer will instantly connect with this breezy human story about creativity in your twenties. 

Did you remember when Jill Peel won an Oscar in 1950s Hollywood, and then destroyed her career by standing up to sexist producers? Then past her prime, she attempted a creative comeback by embarking on her directorial debut? Of course not! It’s all fiction, of course. But with McMurtry at the helm, you can’t help but mistake it for real life. One of my all-time favorite writers, the talented Texan manages to capture Hollywood, sexism, and complex people in an honest way. If you’re a fan of the everyday situational humor exuding in his works like Terms of Endearment and The Last Picture Show, you’ll thoroughly enjoy this still very relevant look at aging and gender in the motion picture industry. 

This one is pure fun. It’s hard to believe no one thought to make a female chemist the star of a cooking show before! The story is witty and original, artfully combining the hard truths of being a scientist and a TV personality in male-dominated fields, with femininity and motherhood.

Sexism is rampant (obviously, it’s the 1950s), and the challenges the protagonist faces often seem insurmountable. Garmus takes these difficult themes seriously, while delivering them with humor and a lightheartedness that makes for a refreshing read.

My favorite thing about this book is its realness and authenticity. I have been a fan of Curtis Sittenfeld’s work since reading Prep, her first book. This particular story follows the romance between a comedy writer, Sally, who doesn’t consider herself conventionally attractive, and a famous male singer, Noah. Sittenfeld based the show where Sally works on Saturday Night Live, which was an interesting touch.

This doesn’t feel like a fantasy or as if it could never happen, thanks to Sittenfeld’s relatable characters and situations. Instead, it uncovers the fun, sexy parts of dating a famous celebrity as well as the less-than fun-parts—such as when photos of the couple are shared in the media and Sally’s appearance is dissected by the public. Overall, this was a playful, quick read!

Lizzy Dent’s books nail that winning combination of funny and heartfelt. I loved Lizzy’s debut, The Summer Job, as it’s such a great mix of witty and audacious, but full of warmth too.

This book, her latest, has the same ingredients: an outrageous opening, a luscious romance, and a thorny workplace situation. Her prose is sharp, the jokes keep coming, and her characters are people you want to hang out with. Plus, the revenge really is sweet…

I love bad-ass women who take the world by storm. I love it when they’re funny. I love it when they share their journey. Amy Poehler, badass writer/comedian, wrote her memoir in the form of a self-help book. The self-help aspect is in disguise, though. You’re supposed to think it’s a memoir/fun celebrity tell-all, but it’s way more than that. It’s a bossy bitchy blueprint on how to get through life with humor and honesty and loads of funny stories. 

Some of her advice: Talk To Yourself Like You’re Ninety and Treat Your Career Like A Bad Boyfriend. Amy’s snarky, smart, and silly stories about her successes and failures inspire me to be a badass, too. Humor and snark and advice. Yes, please!

Have you seen Nanette? If not, go watch it right now. I’ll wait.

Okay. Now that you’ve seen Gadsby’s Netflix special, you either get it or you don’t (and you either love Gadsby or you don’t). Gadsby, who grew up queer in a small, intolerant community, and who was later diagnosed with ADHD and ASD, recounts some of her formative experiences in order to construct a portrait of an artist in the 21st century.

Ten Steps to Nanette is at turns painful, hilarious, depressing, and inspiring. And: there are footnotes! (I used footnotes too in one of my novels and I do believe the footnote is a good and loyal friend to the writer with ADHD).