100 Books Like From the Ashes

David Robertson is well known as an author for young readers, with two stunning picture books, a pile of graphic novels, and several amazing middle-grade novels to his name. All of those are also amazing! Yep, all of them. This book is the memoir of his experiences growing up in Canada, all explored through the lens of visiting his father’s trapline. Although a Swampy Cree man, he was initially taught to hide his identity, and what I most love about this work and all of Robertson’s work, is how his sense of identity now roots all of his writing. His message is urgent, necessary, and powerful; his words easy to read yet profound. The raw honesty of this memoir make it a terrific read.

With few words and simple images, we journey with a child as she becomes friends with an elderly neighbor who also loves birds, nature, the changing seasons, and expressing that love through art. But as the change of seasons continues, the girl’s elderly friend becomes fragile in health and strength. Even with an ache in her heart, the child discovers the comfort of remembering special times together and gathering together the drawings they shared. At night, while watching the rising of the full round “frog moon,” the child bundles up close to her mother and “My hands feel warm, and the covers feel soft, and I think of my friend until I fall asleep.”

Black Bear, Red Fox is a board book introducing colours in both English and Cree using animals and plants. Julie Flett’s lush, vibrant illustrations highlight the colours so vividly they seem to pop off the page. Board books are associated with very young children, however, this one can be enjoyed by anyone who is interested in learning some words in Cree while enjoying some beautiful artwork. Arden Ogg of the Cree Literacy Network provides an interesting and informative introduction about the use of colour words in the Cree language. There is also a helpful pronunciation chart. If you are looking for colour, this book delivers! Each page is a gorgeous work of art and design.

A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.

This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.

This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.

Indigenous singer-songwriter Buffy Sainte-Marie is a music legend in Canada. When illustrator Julie Flett decided to turn one of Sainte-Marie's iconic songs, Still This Love Goes On, in a picture album, it was like the song was brought to life in a whole new way. Readers (or the small children the book can be read to) are able to travel through Buffy's poignant lyrics and Julie Flett's moving, evocative illustrations and truly feel what the song is about. Plus, you can listen to the song while you look at the book and hear Buffy's haunting, heart-breaking voice. Seeing music while hearing it? Sounds like a perfect introduction to me. 

This is a story of children torn from their homes and forced to live in the horrific conditions of residential schools. Imprisoned and away from the love and protection of families and communities, many were abused for years by people whose words may have preached God’s love but whose actions demonstrated darker intentions. A few children managed to escape while many others were carelessly released to the unforgiving streets of east Vancouver where some managed to navigate their way through life while others succumbed to the demons that haunted them.

Having personally seen the impact this has had on people in my community, including family members, I feel that the characters may be fiction, but the story is a very real example of a shameful time in Canadian history where the effects continue through generations.

This book has inspired generations of paddlers, many of whom (including myself) didn't know that you could put a boat in the water at Minneapolis and paddle 2,250 miles north to Hudson Bay, where you have to watch out for polar bears.

That’s exactly what Eric Severaid and his friend Walter Port, both teenagers, did in 1930. Sevareid later went on to be a famous war correspondent, but this was his first big adventure.

Native Americans have played a strong role in my life over the decades, especially as teachers of wisdom.

Reading Medicine Woman for the first time, I immediately connected with Lynn’s Native American teachers, Agnes and Ruby and learned a great deal through her journey to find her inner power. Her teachers brought forth ancient knowledge by way of the sacred feminine which felt familiar to my heart and soul, familiar to my indigenous people, the Chaldeans, Neo-Babylonians who still speak Aramaic.

Each time I re-read this book, I find something new that speaks to me. 

School Library Journal invited Sandra, three other authors and myself to participate in their May 18th SLJ Day of Dialog to present our upcoming books centered around belonging. My first discovery of Sandra's book, We Belong to the Drum was through this event and collaboration.

Sandra's son is the star of the story, starting in the womb before Nikosis was born. The story centers around his Ancestral connection to the drum and the community found in gatherings and powwows. When Nikosis starts daycare he has separation anxiety and feels lonely in this new environment. Nikosis's mom has the brilliant idea to bring their Cree identity through music and drumming into the classroom which empowered both Nikosis and his peers.

It is a beautiful book of proudly walking in one's identity and communities welcoming that identity.