Here are 100 books that From a Cause to a Style fans have personally recommended if you like
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I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Architecture is always a collaboration between the architect who conceives the project, the builder who must realize it, and the client who starts it—and pays for it The protracted building process, which is often stressful, is always a complicated pas de trois. No one has written about this better than Tracy Kidder, who describes the complex choreography by following (in real-time and in detail) the construction of a family home in New England.
In the New York Times bestseller House, Pulitzer Prize–winning author Tracy Kidder takes readers to the heart of the American Dream: the building of a family's first house with all its day-to-day frustrations, crises, tensions, challenges, and triumphs.
In Kidder's "remarkable piece of craftsmanship in itself" (Chicago Tribune), constructing a staircase or applying a coat of paint becomes a riveting tale of conflicting wills, the strength and strain of relationships, and pride in skills. With drama, sensitivity, and insight, he takes us from blueprints to moving day, shedding light on objects usually taken for granted and creating a vivid cast…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Buildings are a product of the artistic imagination and building technology, but they also depend on political will and cultural capital. Ross King, a skillful storyteller, describes how all these played a role in the construction of the dome of Santa Maria del Fiore in fifteenth-century Florence. Its maker, the great Filippo Brunelleschi, was the first architect in the modern sense, and in many ways the story of Western architecture begins here.
This work tells the story of the largest masonry dome ever built, describing the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. Initially regarded as impossible to build, the construction of the dome, for the cathedral of Santa Maria del Fiore in Florence, became the greatest architectural puzzle of the age, and, when finally completed in 1436, was hailed as one of the great wonders of the world. Also told is the story of the dome's architect, the brilliant and volatile Fillippo Brunelleschi. His ambition and ingenuity, personal rivalries and intrigues are set in the context…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Many books about architecture are like cookbooks, that is, they are written for the cook—the architect—and are concerned with how to make the stuff. But for the lay person, the joy of architecture lies in the actual experience of buildings; good architecture makes you feel good. This classic, written in 1962 by a wise old Dane, is a wonderful guide to the many sensory ways in which we experience buildings, old and new.
A classic examination of superb design through the centuries.
Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience.
In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Kidder’s book is non-fiction, but Eric Hodgins’s 1946 architectural account, although influenced by his own experience of building a house, is fictional; the novel was later made into a hit movie starring Cary Grant and Myrna Loy. It’s a very funny story that exaggerates—but only slightly—the travails faced by anyone undertaking this challenging task. Weathering the challenge, as Mr. Blandings discovers, requires fortitude, patience, and yes, a sense of humor.
The classic tale of leaving the city and building a house in the country, only to find country life isn't so simple. But it is hilarious. Mr. Blandings, a successful New York advertising executive, and his wife want to escape the confines of their tiny midtown apartment. They design the perfect home in the idyllic country, but soon they are beset by construction troubles, temperamental workmen, skyrocketing bills, threatening lawyers, and difficult neighbors. Mr. Blandings' dream house soon threatens to be the nightmare that undoes him. This internationally bestselling book by Eric Hodgins is illustrated by William Steig and was…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.
I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.
It is opinionated, not afraid to criticise as well as applaud.
Clearly demonstrates the specific characteristics that make for comprehensible, friendly and controllable places; 'Responsive Environments' - as opposed to the alienating environments often imposed today. By means of sketches and diagrams, it shows how they may be designed in to places or buildings.
This is a practical book about architecture and urban design. It is most concerned with the areas of design which most frequently go wrong and impresses the idea that ideals alone are not enough. Ideals must be linked through appropriate design ideas to the fabric of the built environemnt itself. This book is a practical attempt to…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings.
The first Danish language version of this book, published in 1971, was very much a protest against the functionalistic principles for planning cities and residential areas that prevailed during that period. The book carried an appeal to show concern for the people who were to move about between buildings, and it urged an understanding of the subtle, almost indefinable - but definite - qualities, which have always related to the interaction of people in public spaces, and it pointed to the life between buildings as a dimension of architecture that needs to be carefully treated. Now 40 years later, many…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.
The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier.
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Beatriz Colomina explores how Adolf Loos set the stage for the occupants of a house to live in. Through a lively discussion of the relationship between private and public areas within the homes that he designed, she discusses the relationships between the open spaces, corridors, light, dark, and view. The comparison is between the home as a place to dwell and the home as a place for performance – a theatrical set.
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. Privacy and Publicity boldly questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
