100 Books Like Freedom Over Me

The time is nearing for the lemming community to take the great leap—to run to the cliffs and keep going, plunging into the water below. Why? Because that’s what lemmings do. In his brilliant allegory, Alan Arkin explores what happens when one young lemming asks, “Can lemmings swim?” What happens when one suddenly realizes he’s uncomfortable with following the crowd and has the courage to say, This isn’t right and I don’t want any part of it. Arkin’s book has always been a source of hope for me, hope and belief in the power of the individual resisting what sometimes feels like society run amok.

This classic is about the need to speak up when someone sees something wrong. The story mirrors what many seemingly good people did not do during the WWII Holocaust. This story is told about different groups of animals, which is easier for young readers to understand. When the Terrible Things come to take away one group, the others feel relief. But one by one the Terrible Things take away another group. During this time no one speaks against what’s happening. They are just happy their time hasn’t come. By the time the Terrible Things come for the last group, there is no group left to protest and save them. The author wrote this book to “encourage young children to stand up for what they think is right, without waiting for others to join them.” That’s exactly what children in my books do and what I want to encourage in readers.

“They say the people could fly. They say that long ago in Africa some of the people knew magic. And they could walk up on the air like climbin on a gate. And they flew like blackbirds over the fields.” These beautiful words and those that follow have remained in my heart from the moment I first discovered this story in Hamilton’s 1985 folktale collection. The inspiring messages of hope, faith, and the innate desire for freedom are powerfully conveyed through Hamilton’s fine storytelling and the Dillons’ elegant art. I love the feeling of triumph as “old and young who were called slaves” join hands, rise in the air, and fly away to freedom.

In Georgie Radbourn’s America, baseball (even the mention of it) is illegal, Winter is eternal and everyone over the age of eight must work in factories. All this because of dictator and embittered former baseball player Boss Swaggart. The people fear Swaggart and his Factory Police too much to resist. Georgie is born into this world, so he knows nothing else. Still, something in him rebels.

Shannon’s Orwellian tale is about baseball, yes, but it’s more than it appears (as is true of the best books). It’s about how we often don’t grasp how much we love something until it’s taken away. It’s about how, without the things that give us hope, spring never comes. It’s about how one brave person can triumph and inspire courage in others.

This is one of the funniest, and saddest, books ever. When Kenny starts telling the story, it’s dead winter in Flint. Michigan. Cold enough to make your spit freeze. Momma, who grew up in Alabama, begins yearning for the South. By reputation, Momma’s momma is the strictest, meanest grandma ever. Kenny - who’s never met her - decides Grandma Sands must look like a troll. Dad and Momma decide that Grandma Sands is the perfect person to straighten out big brother Byron, who shows signs of turning into a juvenile delinquent. So... Join the Watsons. Get in their car (also known as the Brown Bomber), listen to the tires roll onto I-75, and imagine what’s going to happen when Byron meets his doom.

I immediately fell in love with Cassie Logan, the spunky, resourceful main character in this classic novel. But by the end of the book, I had as much affection for her courageous mother, Mrs. Logan, a teacher who, in depression-era Mississippi, runs a school for African-American kids.

Among her pupils are some her own children, which I know from personal experience can be complicated. Of all the powerful themes in this book, an important, but often overlooked one is the power of teachers and schools to build community and respect for self and others.

Readers should know this book, written by a Black woman based on her childhood experiences, uses strong racial epithets, and young readers could benefit from thoughtful discussion with an adult.

“Nine robed figures dressed all in white,” begins this haunting story of the Ku Klux Klan arriving in the small town of Bumblebee, North Carolina. The year is 1932 and the town is, of course, segregated. Black and White. A line in the soil―just like the neighborhood street of my childhood in Springfield, Virginia that divided my Korean family from the white family who fought and failed to keep us from moving into our home. The reader will step into eleven-year-old Stella Mills' shoes and feel all her fear and anger over the injustices of her world that highlights voting rights. But young Stella harnesses her anger through words (much the way I did as a child) by creating a fantasy newspaper column called Stella Star’s Sentinel. Why didn’t I think of that? I only had my blue diary with a gold clasp. In Stella’s ‘newspaper’ she expresses how… show more.

I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended. 

I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally.  Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.

It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.

Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view. 

But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.

I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow… show more.

Philip J. Schwarz’s Twice Condemned adeptly analyzes the history of enslaved African Americans' relationship with the criminal courts of the Old Dominion from roughly 1700 to the end of the Civil War.  Based on over four thousand trials from the colonial, early national, and antebellum periods, no other book does such a comprehensive job of analyzing the prevalence, longevity, and variety of behavior attributed to slave convicts. This book also provides a detailed picture of how one slave society evolved, and along the way, it uncovers previously unexamined aspects of slave culture, and of slave owners' attitudes toward the "domestic enemy" in their midst.  Schwarz argues that the judicial system for slaves served two purposes: it helped slave owners control slaves and enabled authorities to sanction criminal behavior. This dual function of slave trials mirrored the two kinds of slaves' behavior judges tried to suppress.

When focused on slave… show more.