100 Books Like Four Letters of Love

I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.

I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.  

Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Reading went on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.   

Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom. 

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.

Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.

Christmas brings memories of other Christmases and can, therefore, be as much a melancholy time as a wonderful one.

The last story in James Joyce’s Dubliners ends with this burden of memory, and within a marriage, strikes a note of separation at the time of festivity. Before then, he brings to life for us Christmas parties, Edwardian Dublin in late December, conviviality, and the pain and delight of music.

It’s as good a story as anyone ever wrote and as Christmassy in its sadness as Dickens is in its joy.

A post-Donna Tart’s Secret History-esque tale of literary mystics who make up a secret society at Trinity College Dublin which tends, unfairly, to get left behind in analyses of Irish ‘Celtic Tiger’ fiction.

This is fiction from or dealing with the abrupt and accelerated modernity that hit Ireland like a cultural torpedo in the early 2000s, and quite a lot of it fails to capture the discombobulation of living through that time.

The First Verse is a campus novel about sexy secretive students and shady deeds which also plots a queer geography of Dublin’s gay scene as well as illustrating the emotional tension that exists in Dublin between city centre and its polarised northern and southern suburbs.

Dublin is such a mannered city, caught in Georgian poses while falling apart as postmodernity obliterates its value system, that it surprises me there aren’t more Dublin novels about baroque subcultures. McCrea is… show more.

This Stella prize-winning novel is so mysterious, the ominous atmosphere shudders off the page.

It’s a modern-day parable about ten women who are abducted and held prisoner in the Australian desert. Gradually they realised the common thread between them is they’ve all been involved in a sex scandal with a powerful man.

Wood ingeniously takes to the patriarchy with a blow torch. It’s breathtakingly powerful. Reading the final line, I shut my eyes and my heart hurt. In a good way. 

"Would it be said they were abandoned or taken, the way people said a girl was attacked, a woman was raped, this femaleness always at the centre, as if womanhood itself were the cause of these things? As if the girls somehow, through the natural way of things, did it to themselves."

Having a parent walk out on the family is the stuff that nightmares are made of. Yet, Roddy Doyle pulls it off in this masterpiece that has been my gold standard in writing humour for the twenty years since I read it.

Nine-year-old Paddy Clarke is trying hard to brag and battle his way through a regular childhood, even as he goes back to a home that threatens to break apart. The parents he loves are at war with each other, and he dreads the day his Da will leave and he will be called in to be "the man of the house." Inevitably, this day comes along. 

This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.