Here are 100 books that Four Letters of Love fans have personally recommended if you like
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Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.
I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
Nick and Lesley Albert yearn to leave the noise, stress and pollution of modern Britain and move to the countryside, where the living is good, the air sweet, with space for their dogs to run free.
Suddenly out of work and soon to be homeless, they set off in search…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Readingwent on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.
An orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in seventeenth-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure.
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom.
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter,…
Nick and Lesley Albert yearn to leave the noise, stress and pollution of modern Britain and move to the countryside, where the living is good, the air sweet, with space for their dogs to run free.
Suddenly out of work and soon to be homeless, they set off in search…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
Julian Barnes dramatizes the tortured inner life of the Soviet Union’s greatest composer.
Dmitri Shostakovich was by all accounts a nervous wreck: a twitching, blinking, sweating mess. He lived in the glare of Stalin himself as the most prominent Russian composer in the 1930s and ‘40s, during the Great Terror.
What I return to is the way Barnes takes us inside Shostakovich’s mind as he tried to balance writing music with life-or-death politics. Some of the compromises he made, like denouncing Igor Stravinsky’s modern compositions, haunted him. "He had betrayed Stravinsky, and in doing so, he had betrayed music. Later, he told Mravinsky that it had been the worst moment of his life."
A Daily Telegraph / Financial Times / Guardian / Sunday Times / The Times / New Statesman / Observer Book of the Year
'BARNES'S MASTERPIECE.' - OBSERVER
In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
As the song goes: “It ain’t whacha say, it’s the way how’s ya say it.” And that’s what I love about all five of these books. It isn’t exactly the place, or the time, or a particular character; it’s the style.
Joyce’s early stories, though, do cast magic over a certain time and place and make them come alive as if they were written yesterday.
The Dead, probably the best known of them, and made into a touching movie (John Houston’s last), is a great example of the feeling Joyce could evoke in us, the readers, with the carefully chosen words of a poet.
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.
The Lemon Man is Patrick Callen, a bicycle-riding hitman with mild O.C.D. in Dublin, Ireland whose carefully ordered life is totally upended when he becomes the accidental caretaker of a baby boy. Now he’s got to balance his daily to-do list of errands and murders-for-hire with his unexpected domesticity, which impacts him and his work in ways he never expected…and that could get him killed.
Praise for THE LEMON MAN:
A Deadly Pleasures Magazine Top 10 Paperback of 2022: "If you are a fan of quirky characters, you will…
When I start a new book, my aim is to write something completely different from what I’ve written before. It’s challenging, but also important to keep things fresh. To me, a blank slate before each story is thrilling. To start with nothing, and end with something wholly original. This Never Happened, my third book, began with a feeling we’ve all had before: the feeling of not belonging. I asked myself, “What if I really didn't belong here, but was meant for somewhere else entirely?” From there, I created a character who grows increasingly unsure of his own identity and reality, themes that are also present in my selection of books below.
Mistakenis the tale of two boys (Kevin and Gerald) who are remarkably similar in appearance, though far from similar in affluence and background. The story is set in Dublin and told from the point of view of Kevin, now older and having just attended Gerald’s funeral. It slipstreams through past and present, and at nearly every corner it leaves Kevin questioning his own identity and memories, and wondering if perhaps the boys’ connection had even greater implications than he thought. In my book, there is a fictional novel within the novel, about twins who aren’t twins, and it is loosely inspired by the meeting of Kevin and Gerald in Mistaken.
Neil Jordan is an underrated talent, and his writing is superbly atmospheric here.
Menace both real and imagined haunt two Dubliners in this “unsettling . . . seductive” modern Gothic “that ultimately leaves one gasping” (Irish Times).
“Vampires, secrets, the mysteries of identity: the obsessions that run through the director Neil Jordan’s films are at the center of his beautifully enigmatic novel . . . of two look-alike men who feed off each other’s souls all their crisscrossed lives” (The New York Times).
Kevin Thunder and Gerald Spain have grown up on opposite sides of the Dublin economic divide. Kevin’s father is a bookie and his mother takes in lodgers on the city’s…
Growing up, I didn’t understand the hypersensitivity I felt to my own inner world and the outer. Highly alert to both interoceptive and exteroceptive data, I often felt overstimulated and overwhelmed by the intensity to which I experienced my own feelings, the feelings of others, and sensory inputs. I thought there was something wrong with me because being a feeler is generally seen as a weakness.I now write novels about quiet, sensitive, introspective young people for others who feel like I did, as a way to share the true power within this way of being, which I have discovered to be a gift, not a curse over time.
The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.
With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.
This is the story of Brida, a young Irish girl, and her quest for knowledge. She has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom, who begin to teach Brida about the spiritual world. She meets a wise man who dwells in a forest, who teaches her about overcoming her fears and trusting in the goodness of the world; and a woman who teaches her how to dance to the music of the world, and how to pray to the moon. As Brida seeks her…
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.