Here are 53 books that Fortune's Pawn fans have personally recommended if you like
Fortune's Pawn.
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I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
Writing science fiction was the natural result of a lifetime of reading it for pleasure and studying whenever I could as part of my English Lit course at University. When I started writing, it was really important to me as a woman (especially a gay woman) to write female characters that weren’t just strong and likable; I wanted them to be interesting, unpalatable, and tough. Above all, not easy to dismiss. All of the women in the books I’ve listed fulfill at least some of these categories, which is the core of why these novels hold such a special place in my heart.
Someone once told me if you want to read science fiction, you should start at the very beginning and gave me a copy of this book. Written in 1666, I’m not going to pretend this is an easy read but I would recommend it if only because it inspired so many of my favorite contemporary science fiction authors (including China Mieville and Alan Moore).
A woman stranded in a strange and hostile world becomes a military empress, the OG sci-fi action woman.
I admit this book originally felt like doing my homework, but by the time I finished, I immediately went on a literary criticism deep dive, finding every article and essay I could about this text and its (remarkable) author. I came out feeling like an evangelist, and now I bore people at parties talking about it.
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the…
As a planetary scientist and college professor, I love the adventure of finding something new, the wonder of strange worlds, and the magic of mysterious discoveries that behave logically in a way that I can figure out. Unsurprisingly, that is what I like in my fiction too. I also love a story that explores the nature of the interaction between people, particularly in friendship or romance (all proper of course—I’m an old-fashioned guy). The books on this list are all touchstones in my own journey into science and life, and I hope that you can find in them the delight, wonder, insight, and motivation that I have found.
This fun story from the 1990s revived my youthful joy in reading at a time when the busy-ness of adulthood had stolen it away. Siri has forgotten who she is and is swept into multiple space adventures as she tries to reconstruct her lost memories and regain the power and place she once held with her people. In the process, she finds friendships (the Drapsk!) and romance (Morgan!), and comes to understand herself better.
In reading this book, I realized that the science fiction stories I like best are ones that deal with relationships, mystery, and discovery and not just complicated technologies and their implications for society. I realized that I could have fun reading again if I had some fun science fiction with adventure, romance, and exploration!
The tenth anniversary edition of Julie Czerneda's debut science fiction novel, the story of a woman on the run, from the law, her own people, and an unknown pursuer. Her memory taken from her by a stasis block, Sira must stay free long enough to regain her identity and the full use of her telepathic powers-for failure may cost not only her own future but that of her entire race.
As a planetary scientist and college professor, I love the adventure of finding something new, the wonder of strange worlds, and the magic of mysterious discoveries that behave logically in a way that I can figure out. Unsurprisingly, that is what I like in my fiction too. I also love a story that explores the nature of the interaction between people, particularly in friendship or romance (all proper of course—I’m an old-fashioned guy). The books on this list are all touchstones in my own journey into science and life, and I hope that you can find in them the delight, wonder, insight, and motivation that I have found.
High school student Kip Morgan wins an internship at an oceanographic institute in Hawaii where he, with help of new friend Julie Scott, overcomes multiple personal and engineering challenges to solve an archaeological mystery and raise a sunken ship from the sea floor. This story from the 1970s was key in guiding me toward a life of science, and the portrayal of a realistic, mentored research experience gave me a vision for what I might do in my own journey through college and into science.
I loved the exotic location, scuba diving, and seafloor exploration, mystery, adventure, and romance!
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I love fantasy novels because they highlight the disparities between reality and individual perception, whether between the reader and the text or among the characters within it. All the books I listed pull the reader from the actual into the fantastic world I prefer! This is probably why I spent my time as an author, editor, and professor in the Department of English at the University of Maryland, teaching courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien.
I loved Mary Norton’s book for its narrative hook: size. This is Gulliver’s Lilliput without the satiric political overtones. The main characters are a miniature Edwardian family called the Clocks because they live underneath one. The father, Pod, his wife, Homily, and their daughter, Arietty, are so small they fit under the floorboards of a human-sized house.
All their ingenuity is devoted to adapting their smallness to the world of Big People while preventing them from being “seen” by them. Everything they use must be “borrowed” from the bigger world and adapted to their circumstances. Matchboxes become dressers and chests of drawers; postage stamps serve as wall hangings and pictures; a thimble does duty as a soup tureen, while an actual tureen becomes a bathtub.
The discovery of a fully furnished doll’s house has become an occasion for wholesale redecoration. A crisis comes when Arietty is “seen” by the human…
Puffin Classics: the definitive collection of timeless stories, for every child.
'Don't move!' said a voice, and the voice, like the eye, was enormous but somehow, hushed - and hoarse like a surge of wind through the grating on a stormy night in March. Arrietty froze. 'So this is it,' she thought, 'the worst and most terrible thing of all: I have been "seen"!
The Borrowers live in the secret places of quiet old houses; behind the mantelpiece, inside the harpsichord, under the kitchen clock. They own nothing, borrow everything, and never forget their most important rule: you must never,…
I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
While this book is more literary than plot- or character-driven, it deals with the loss of memory and self, and the struggles to reclaim those parts of oneself. It reads like a dream, or a series of dreams – as the reader you’re not entirely sure what is important and what isn’t, but the beautiful prose and interesting situations keep things going.
"The day every person on earth lost his and her memory was not a day at all. In people's minds there was no actual event. . . and thus it could be followed by no period of shock or mourning. There could be no catharsis. Everyone was simply reset to zero."
On Day Zero, the collapse of civilization was as instantaneous as it was inevitable. A mysterious and oppressive movement rose to power in the aftermath, forcing people into isolated communes run like regimes. Kayle Jenner finds himself trapped on a remote beach, and all that remains of his life…
The past is a powerful thing. It’s what we turn to when confronted with the question “how did we get here?” When I began my journey as an author in earnest, that was the question I was facing, and it was the one I wanted my characters to explore. But one book wasn’t enough to satisfy me, and I went searching for other titles that scratched that same itch of examining and confronting our pasts to work out our future. For me, these books were the ones that struck that cord the hardest.
Imagine, if you will, a classic pulp sci-fi hero, standing bold on the cover of a dimestore paperback, raygun in one hand, a beautiful woman in the other, and dangerous aliens all around him. Now imagine it's many years later, and that hero is now a deadbeat relic of a bygone era, and the heroism of his glory days has become little more than inspiration for cheap entertainment. The hero of Will Save the Galaxy for Food is confronted with the reality of the world leaving him behind, and has to figure out what he can do about it. Or even if he should do anything.
A not-quite epic science fiction adventure about a down-on-his luck galactic pilot caught in a cross-galaxy struggle for survival! Space travel just isn't what it used to be. With the invention of Quantum Teleportation, space heroes aren't needed anymore. When one particularly unlucky ex-adventurer masquerades as famous pilot and hate figure Jacques McKeown, he's sucked into an ever-deepening corporate and political intrigue. Between space pirates, adorable deadly creatures, and a missing fortune in royalties, saving the universe was never this difficult!
From the creator of Mogworld and Jam!
Benjamin Richard "Yahtzee" Croshaw is a British-Australian comedic writer, video game journalist,…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Here we enter the topic of time travel, a concept very dear to me from both a fictional, moral, and scientific point of view. Many novels have attempted to show how one change in the past could change our future. Elton’s novel struck me for its originality in picking a notorious historical event largely ignored by fiction when it comes to time travel and alternate history. The assassination of the Franz Ferdinand of Austria is used not just as the spark of World War I but as the start of the ideological and warmongering terror that would spread through Europe. The novel is an example of man’s fixation with trying to find one cause for all problems when maybe there are multiple causes going back years and years. The search is as vain as the main character’s attempts to change history.
It's the 1st of June 1914 and Hugh Stanton, ex-soldier and celebrated adventurer is quite literally the loneliest man on earth. No one he has ever known or loved has been born yet. Perhaps now they never will be.
Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.
Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But…