Here are 100 books that Forensic Medicine fans have personally recommended if you like
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When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
Nobody does gore with more charm than the British, and Becket loves his blood and guts. His victims are barely recognizable. But I selected this novel mainly for its setting at a body farm. I have a card in my wallet offering my organs when I have no further use for them. But the farm is peopled with volunteer cadavers; those who have agreed to donate their bodies for forensic studies. Offering up a live heart is one thing. But you’d have to sign off ownership of the whole kit and kaboodle to science once that heart stops beating. It’s nice to think my body has some use when I’m done with it.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
If only half of Cook’s medical exposures were true, we would probably never voluntarily go to a hospital again. But his forensic pathologists (a married couple team) go out of their way to prove him right. And in this 2008 thriller there are enough warnings about looming pandemics to make a reader wonder why covid came as such a surprise. The cadavers told us to be wary.
New York City medical examiners Laurie Montgomery and Jack Stapleton return in this stunning new novel from the 'master of the medical thriller' (New York Times) a ripped-from-the-headlines tale of an innovative doctor's dangerous downward spiral.
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure.
In this #1 New York Times bestseller Dr. Kay Scarpetta is on a deadly mission that will pull her in two opposite directions: toward protecting her career or toward the truth...
Remains were all that was left of the stowaway. He arrived in Richmond's Deep Water Terminal-the ghastly cargo of a ship from Belgium. The decomposed body gives Chief Medical Examiner Dr. Kay Scarpetta no clues to its identity-or the cause of death. But an odd tattoo soon leads her on an international search to Interpol's headquarters in Lyon, France-and towards a confrontation with one of the most savage killers…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
I’m cheating here a bit. I know Kathy and I like her a lot. Unlike me, she is a genius. I don’t need to tell any of her readers that. She is a well-respected forensic anthropologist who goes out of her way to uncover the secrets that the remains conceal. She writes about bones with the same affection we usually reserve for loved ones. I would be delighted to have her run her massive intellect over my skeleton when I’m gone.
___________________________________ A gripping Temperance Brennan novel from world-class forensic anthropologist Kathy Reichs, the international no. 1 bestselling crime thriller writer and the inspiration behind the hit TV series Bones.
Three skeletons are found in a Montreal basement.
The building is old, and the homicide detective in charge dismisses the remains as historic. Not his case. Not his concern.
Forensic anthropologist Dr Temperance Brennan is not so sure. Something about the bones of these three young women suggests a different message: murder.
Soon she finds herself drawn ever deeper into a web of evil from which there may be no escape.…
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
After I decided to include this old favourite of mine, I discovered to my great delight that Bodies Politic is about to be reissued in paperback. Roy Porter was the most prolific, fluent and insightful academic I have ever been privileged to know, and decades ago, his lectures inspired me to recognise how much fun historical research can be. In my own work, I have focused strongly on images – not only in textbooks, but also in journals, art galleries and albums. As Porter expertly discusses, studying caricatures is immensely enjoyable but also invaluable for uncovering concealed controversies, which provide crucial indicators of what people really thought.
In a historical tour de force, Roy Porter takes a critical look at representations of the body in death, disease and health, and at images of the healing arts in Britain from the mid-seventeenth to the twentieth century. Porter's key assumptions are that the human body is the chief signifier and communicator of all manner of meanings religious, moral, political and medical and that pre-scientific medicine was an art which depended heavily on ritual, rhetoric and theatre. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped…
I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.
A clever introduction to Victorian pharmaceuticals and remedies, this is a companion book for the popular BBC television series. It provides an explanation of the natural substances used for healing, and how they were made into marketable and regulated medicines for sale at the apothecary shop. The emphasis is on safety, because the authors don’t want you trying arsenic and mercury-based compounds at home, and indeed they leave out a great many useful Victorian remedies, particularly those containing opium! But the knowledge about how apothecary shops worked, and what the pharmacist did to turn plants and other substances into medicine, is invaluable.
Ties in to a fantastic new four-part BBC series from the makers of the hit Victorian Farm
Shows how many products on sale in our high street chemists today can trace their origins back to nineteenth century formulations
Full of fascinating facts, remedies and recipes to try at home
Victorian Farm sold over 40,000 copies (Nielsen Bookscan figures)
This is the story of consumer medicine - how high street healthcare emerged in just 50 years and how we still rely on hundreds of formulations and products that can trace their origins back to the nineteenth century.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been fascinated by history since I was a fairly sickly child, which means I was gradually drawn towards the history of medicine. Add to that having a hereditary blood clotting condition and you can see why this topic appeals to me! I have a BA and a PhD in History from University College London and have held posts in the universities of Cambridge, Newcastle, Reading, and then at The Open University. I’ve also held visiting professorships in Vienna, Texas, and Minnesota and have published six books as well as editing others. I’m sort of retired but still writing and lecturing.
It was a great idea to make Harvey come to life by imagining what he’d have written in his diary! This is a well-researched book which gets across how much more there was to Harvey than just the circulation of the blood. His family, his work on the development of the embryo, his role as a physician to King Charles I, and his encounters with witches – a great story – as well as a convincing sense of the sort of man he was and of the times in which he lived.
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
This superb biography is an engrossing account of the mysterious title surgeon and the doctor’s fascinating world. James Miranda Barry joined the British Army in 1813 as a regimental surgeon and served in colonial posts for the next fifty years. But Barry had been born Margaret Bulkley, an anatomical female—a surprise revealed after the doctor’s death.
Was Barry’s masquerade strategic, the doctor’s only route to a medical career? Was Barry a transgender person? I wondered if the “truth” would remain a mystery. Rachel Holmes persuaded me that the probable answer lies in a document “gathering dust” in Edinburgh’s medical school archives, a revelation she saves for the last chapter.
A reissue of Rachel Holmes's landmark biography of Dr James Barry, one of the most enigmatic figures of the Victorian age.
James Barry was one of the nineteenth century's most exceptional doctors, and one of its great unsung heroes. Famed for his brilliant innovations, Dr Barry influenced the birth of modern medical practice in places as far apart as South Africa, Jamaica and Canada. Barry's skills attracted admirers across the globe, but there were also many detractors of the ostentatious dandy, who caused controversy everywhere he went. Yet unbeknownst to all, the military surgeon concealed a lifelong secret at the…
I’ve always adored science, and spent my teenage years searching for female role models in the sci-fi and popular science books I loved. I started out at university studying Aerospace Engineering, but upon discovering a severe allergy to lab reports, transferred to a Frankensteinian degree of my own making entitled, “Narratives of Science in Fiction and History,” which examined the interactions of science fiction and scientific history. Fascinated by nineteenth-century paleontology in particular, and wanting to learn more about women’s involvement in science during this period, I proposed as my final year project a joint creative writing/research project which would eventually become my first novel, Our Hideous Progeny.
Marie Benedict has written several novels now about overshadowed women in history, and this one might be my favorite.
Rosalind Franklin was the talented chemist whose experiments in X-ray crystallographic imaging were crucial to uncovering the double helix structure of DNA – a discovery, of course, long attributed exclusively to her former colleagues Francis Crick, James Watson, and Maurice Wilkins.
Benedict does a fabulous job of portraying the difficulties Rosalind faces as a female scientist in this era, constantly disrespected by many of her male colleagues and denied formal recognition by the scientific establishment.
I was fascinated (if at times infuriated on Rosalind’s behalf!) by this book, and also enjoyed the insight into Rosalind’s life as a Jewish woman in Europe in the shadow of WWII.
"Brings to life Franklin's grit and spirit...an important contribution to the historical record." ―The Washington Post
The new novel from the New York Times bestselling author of The Mystery of Mrs. Christie!
She changed the world with her discovery. Three men took the credit.
Rosalind Franklin has always been an outsider―brilliant, but different. Whether working at the laboratory she adored in Paris or toiling at a university in London, she feels closest to the science, those unchanging laws of physics and chemistry that guide her experiments. When she is assigned to work on DNA, she believes she can unearth its…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.
The development of anesthesia was met with confusion, dismissal, and even derision. While today we are accustomed to the idea of the patient being asleep, at the time it was seen as similar to operating on a dead body. Without the indications of pain or relief, how was the surgeon to feel what he was doing? And in its earliest days, some forms of anesthesia could be dangerous, the patient dying if the dosage wasn’t correct or they had an adverse reaction. But for the patient, and for surgeons who needed more time for an operation, anesthesia was an unequivocal blessing that took away pain and made life-saving procedures possible.
The introduction of anaesthesia to Victorian Britain marked a defining moment between modern medicine and earlier practices. This book uses new information from John Snow's casebooks and London hospital archives to revise many of the existing historical assumptions about the early history of surgical anaesthesia. By examining complex patterns of innovation, reversals, debate and geographical difference, Stephanie Snow shows how anaesthesia became established as a routine part of British medicine.
