Here are 100 books that Critical fans have personally recommended if you like
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When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
I thought I should include a book you have no chance of finding without dredging the second-hand book warehouses in Hay, Wales. (Which is where I found it). Like my protagonist, I had no idea about forensic medicine. But I couldn’t begin my studies in this day and age of CSI and DNA. I had to find a textbook that my Dr. Siri might use to solve cases back in the seventies. This was it, plus hundreds of gruesome photos for your coffee table. Like a true scientist, Dr. Simpson affords the dead not a shred of dignity.
One of Dr. Mark Lin's patients is killed by a suicide bomber blowing up a clinic. Everyone points the finger at anti-abortion extremists. Mark, however, has a different theory about the culprit: a secretive healing cult called the Path to Purity.
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
Nobody does gore with more charm than the British, and Becket loves his blood and guts. His victims are barely recognizable. But I selected this novel mainly for its setting at a body farm. I have a card in my wallet offering my organs when I have no further use for them. But the farm is peopled with volunteer cadavers; those who have agreed to donate their bodies for forensic studies. Offering up a live heart is one thing. But you’d have to sign off ownership of the whole kit and kaboodle to science once that heart stops beating. It’s nice to think my body has some use when I’m done with it.
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure.
In this #1 New York Times bestseller Dr. Kay Scarpetta is on a deadly mission that will pull her in two opposite directions: toward protecting her career or toward the truth...
Remains were all that was left of the stowaway. He arrived in Richmond's Deep Water Terminal-the ghastly cargo of a ship from Belgium. The decomposed body gives Chief Medical Examiner Dr. Kay Scarpetta no clues to its identity-or the cause of death. But an odd tattoo soon leads her on an international search to Interpol's headquarters in Lyon, France-and towards a confrontation with one of the most savage killers…
Dr. Mark Lin, a cynical and disillusioned internist, is the target of a hacker known as Doctor Lucifer. Three patients at Ivory Memorial Hospital suffer from medication errors, created by the hacker, yet Mark is forced to take the blame. He knows a computer worm is spreading and crippling network…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
I’m cheating here a bit. I know Kathy and I like her a lot. Unlike me, she is a genius. I don’t need to tell any of her readers that. She is a well-respected forensic anthropologist who goes out of her way to uncover the secrets that the remains conceal. She writes about bones with the same affection we usually reserve for loved ones. I would be delighted to have her run her massive intellect over my skeleton when I’m gone.
___________________________________ A gripping Temperance Brennan novel from world-class forensic anthropologist Kathy Reichs, the international no. 1 bestselling crime thriller writer and the inspiration behind the hit TV series Bones.
Three skeletons are found in a Montreal basement.
The building is old, and the homicide detective in charge dismisses the remains as historic. Not his case. Not his concern.
Forensic anthropologist Dr Temperance Brennan is not so sure. Something about the bones of these three young women suggests a different message: murder.
Soon she finds herself drawn ever deeper into a web of evil from which there may be no escape.…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I felt an affinity with Dr. Melinek partly because we both started our careers right before or right after 9/11 when we were both “learning the ropes” in our respective fields. In Dr. Melinek’s case, she had been working as an ME in New York City for two months before the 9/11 terrorist attacks; I started as a graphic artist at the FBI just two months after, in November 2001.
I loved this book because it gives the real day-to-day experiences of a woman working in what could be a depressing, ghastly environment. However, the author keeps her sense of humor throughout while showing the utmost compassion for victims. I found myself nodding my head in agreement at some of the cases she worked on, especially the one with an unidentified victim.
Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. While her husband and their toddler held down the home front, Judy threw herself into the fascinating world of death investigation-performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy's two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines Flight 587.
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
Lillian is an 84-years old woman walking around New York City on New Year’s Eve.
She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.
She remembers her life in pieces, the way one does, so the reader puts together the mystery.
I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
If the future can be edited—who decides what gets erased? Broken Code is a high-stakes biotech conspiracy thriller where power isn’t seized—it’s engineered.
Harper “Brass” Brasfield, a Memphis attorney barely holding her life together, stumbles onto a case that exposes a disturbing experiment: behavior-altering gene edits designed to control who…
By the late nineties, I had lost faith in the industry where I had made a living for twenty years. Deregulation on Wall St and in the City had left investment banking with a business model riddled with conflict of interest. The rewards spiralled out of control and the businesses became too complicated for the regulators to supervise. I have a doctorate in history and had been a top-ranked investment analyst in several sectors. I took an idea to Penguin and my first book, The Death of Gentlemanly Capitalism, was published in 2001. I've since written six more, and contributed regularly to the Financial Times and BBC.
Discrete, mysterious, and powerful, Wall St’s great financial institutions shaped corporate America in the 20th century and none more so than Lazard Freres. But towards the end of the century, as competitors scaled up, Lazard was distracted by a power struggle involving hard-charging Wall St bankers and an inscrutable French billionaire. Who really played the winning hand? This book reveals all!
A grand and revelatory portrait of Wall Street’s most storied investment bank
Wall Street investment banks move trillions of dollars a year, make billions in fees, pay their executives in the tens of millions of dollars. But even among the most powerful firms, Lazard Frères & Co. stood apart. Discretion, secrecy, and subtle strategy were its weapons of choice. For more than a century, the mystique and reputation of the "Great Men" who worked there allowed the firm to garner unimaginable profits, social cachet, and outsized influence in the halls of power. But in the mid-1980s, their titanic egos started…
Hollywood and celebrity gossip can be a fun diversion, from their fabulous clothing and closets to their ability to influence a worldwide audience. It is something I have long been drawn to and love to be immersed in. The idea of fame has always intrigued me. Is it good? Bad? Somewhere in between? Sometimes, the very pop star who the world is idolizing can be tortured behind the scenes—maybe even by fame itself. I am intrigued by the ways one goes from anonymity to notoriety, as well as the ways fame can change one’s life.
This was an enjoyable read, first and foremost, because of Meg Cabot’s witty writing style—she always makes me chuckle. I also loved this young adult novel because the main character gets to temporarily experience a vastly different life.
From Never Been Kissed, where Drew Barrymore’s twenty-something character goes undercover as a teenager, to Freaky Friday, where a mother and daughter trade places, I adore seeing characters live life in someone else’s shoes. That was a big part of why I wrote my book where Skye gets to trade in one life for another—even if it isn’t exactly by choice.
In this book, the main character, Em, gets a true peek into the life of a celebrity, and she realizes all she really wants is to be herself. This is book one in a three-part series. I haven’t read the others yet, but they look just as fun.
Two worlds collide when super-gorgeous celebutante Nikki and tomboy brainiac Em find themselves thrown together - literally. Forced to live the life of a glamorous supermodel, will Em be able to keep her old life, and those she cares about, a secret?
Airhead is the first in a brilliant, funny and thought-provoking trilogy from Meg Cabot, the author of the million-selling The Princess Diaries.
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Most books about the USSR, World War II, and refugees, feature saintly people suffering in noble silence. Something Unbelievable reminds us that the Soviet citizens fleeing Communism and Nazis were all individuals, not one-dimensional ciphers. They were sometimes vain, sometimes selfish, sometimes bored, and sometimes frustrated. They were real, flesh and blood, petty, complicated human beings who lived through the unthinkable… while still managing to think about sex, romance, jealousy, and betrayal. The granddaughter in Something Unbelievable is moved to learn all this and more about her grandmother’s evacuation to Asia during World War II. And so is the reader.
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel.
“A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had…
Didn’t Get Frazzled captures with distressing accuracy the gauntlet idealistic college grads must face to secure an MD and, against the odds, come out of it a better human being.
Medical student Seth Levine faces escalating stress and gallows humor as four years of medical school shatter all preconceived notions…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of…
