Here are 100 books that For Colored Girls Who Have Considered Suicide fans have personally recommended if you like
For Colored Girls Who Have Considered Suicide.
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I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.
I love this book for many reasons, but to start, I love that the title is a poetic metaphor, I love that the story is almost a hundred years old but still speaks to the rebellious spirit alive within young readers, and I love that the book is loosely based on Zora’s real life and the real place of Eatonville, Florida.
I love that readers get to experience the past and can envision their own future while reading this book. I laughed, cried, and found pieces of myself within the quotes snitched to this story.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.
I loved this book by K.Y Robinson because the short collection possessed power on every page, and K.Y’s exploration of vulnerability, navigating emotions, and expressing sexuality helped me understand myself in a way that I didn’t before being introduced to her work.
The Chaos of Longing provided company during a time when I believed I was alone in this world and grew into a lifelong poetic companion as I continue to grow into myself.
The Chaos of Longing is a brutally honest exploration of desire-physical, emotional, and spiritual. This revised and expanded edition contains over 50 pages of all-new material.
Organized in four sections - Inception, Longing, Chaos, and Epiphany - K.Y. Robinson's debut poetry collection explores what it is to want in spite of trauma, shame, injustice, and mental illness. It is one survivor's powerful testimony, and a love letter "to those who lie awake burning."
I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.
I first fell in love with Alex Grey’s art before I found his book that described his career and experiences that solidified the themes he has chosen to explore throughout his craft.
The Mission of Art was an incredible read that took me on a journey of art appreciation, self-discovery, and the concept of creativity. My favorite part of the book includes the illustrations and backstory behind their conception.
I appreciate that Alex reminded me and other readers that all art deserves to exist as evidence of humanity & culture and should not be limited to what is “good” or “bad,” but it should all be accepted for what it is. (Cause it says a lot about who we are as people and the current time we live in)
This is an inspirational book about art's power to bring about personal catharsis and spiritual awakening. Alex Grey's reflections combine his extensive knowledge of art history and his own first-hand experiences in creating art on the boundaries of consciousness. Included are practical techniques and exercises that can be used to explore the spiritual dimension of art. Challenging and thought-provoking, The Mission of Art will be enjoyed by everyone who has ever contemplated the deeper purpose of artistic expression.
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.
As an independent author and creative, at times I lose sight of my personal “why” and motivation for creation.
I love Black Women Writers at Work by Claudia Tate, because it served as a reminder of the importance of diversity, the range writers can have, and the longevity creative output can maintain with the support of their audience. I appreciated that Claudia asked each author specific questions related to their work and not just generic questions related to the topic and technique of writing.
This book was not only entertaining for me, but extremely informative. I loved it so much that I started with the audiobook and was gifted a physical copy!
"Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard." -Claudia Tate, from the introduction
Long out-of-print, Black Women Writers At Work is a vital contribution to Black literature in the 20th century. Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks. Alexis Deveaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Tillie Olson, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Shirley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women…
America is the greatest ideal in history: “all men are created equal…” Sadly, Americans have never quite lived up to America. Only twice (Reconstruction and the Civil Rights Movement) have they even tried. As a black man, I live daily with the fruit of that failure, so I have an obvious personal investment in the subject. But I’m also drawn intellectually by an appalled fascination with the idea that any human beings can believe themselves superior by dint of their paint job or religion, or sex organs, or how they choose to use said sex organs. Why are we like this? That question has long vexed my reading and writing.
There are other books on African-American history, some arguably even more authoritative. But this was the only one that felt to me as if the writer had dipped his pen in fire.
Lerone Bennett, Jr., traces African-American passages from the great kingdoms of early Africa through the 1619 encounter with Jamestown settlers that changed everything, up until (depending on which edition you read) about the middle 1980s and does so with a fierce moral urgency and poetic passion that drew me into the story and, more to the point, that implanted the story into me.
Traces black history from its origins in western Africa, through the transatlantic journey and slavery, the Reconstruction period, the Jim Crow era, and the civil rights movement, to life in the 1990s. Reprint. 35,000 first printing. $20,000 ad/promo.
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
Although Sula is my favorite Toni Morrison protagonist, I’ve found the most profound revelation of power in the four women I consider the collective protagonist of A Mercy. Florens is the primary protagonist, but the communal self she forms with the others leaps off the page.
In a society where men value independence, I rooted for these women as they leaned into interdependence: Rebekka, white Mistress of the house; Lina, the Native American servant; Sorrow, the servant suspected of being mixed-race and feeble-minded; and Florens, the enslaved black girl taken as payment for a debt.
This multiracial cast pools their skills to survive in a society suspicious of any woman sans man. A Mercy seems timely to me as America still struggles to accept women and minorities as partners.
NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.
One of the New York Times’s 100 Best Books of the 21st Century
In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
This book was actually written before Baraka’s turn to Marxism, but as a social history of African American music, it is more than exemplary of a style of writing that takes the relationship of cultural form to its conditions seriously.
How Baraka moves between the music and the social conditions of Black musicians changed what I thought engaged musical analysis could be.
"A must for all who would more knowledgeably appreciate and better comprehend America's most popular music." — Langston Hughes
"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music—through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."
So says Amiri Baraka (previously known as LeRoi Jones) in the Introduction to Blues…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance.
In this heartwarming second-chance romance, a woman returns home and discovers that, when it comes to finding love, there's no place like home.
Since leaving her North Carolina town and the boy who broke her heart, Dakota Jones has focused on making it big as a journalist. But when a mistake in her personal life gets splashed across the tabloids and causes her to lose her job, she has no choice but to return home until she can figure out what to do next.
Dexter Roberts never forgot Dakota, and he's always regretted the way things ended between them. Now…
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.
Lorene Cary tells her own story of attending an elite boarding school through a talent-search program for low-income students of color. Lorene’s experience shows vividly the costs of being a token in a setting of privilege.
This vivid memoir was dismaying to me as someone who wants students to have opportunities to realize their potential by having access to top-quality schools.
In 1972 Lorene Cary, a bright, ambitious black teenager from Philadelphia, was transplanted into the formerly all-white, all-male environs of the elite St. Paul's School in New Hampshire, where she became a scholarship student in a "boot camp" for future American leaders. Like any good student, she was determined to succeed. But Cary was also determined to succeed without selling out. This wonderfully frank and perceptive memoir describes the perils and ambiguities of that double role, in which failing calculus and winning a student election could both be interpreted as betrayals of one's skin. Black Ice is also a universally…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I chose this focus because it fulfills one of my main goals of writing—to empower young readers by showing how what they do matters. Even the simplest actions can have huge consequences, no matter what someone’s age is. Whether someone saves another person’s life, like Allen Jay did, or stand up to a bully, doing what’s right makes a difference. Also, I like to right children into history so they understand that they’ve always played a key role in bettering this world.
Many have studied how in 1963 African Americans marched to gain equality, especially in southern towns, like Birmingham, Alabama. But I never knew that the first main march involved thousands of children and teens who marched so their parents wouldn’t lose their jobs. These brave youth found the courage to face their fears and the hatred of whites who fought to keep them separate and unequal. Their protest march encouraged adults to join them. Hateful efforts to stop the march were broadcast across the country, ultimately changing the direction of the civil rights movement. Bold pictures show everyday children and civil rights leaders finally gaining rights to playgrounds and diners and eventually better schooling. An important story, simply written—and about children who made a difference.
This powerful picture book introduces young readers to a key event in the struggle for Civil Rights. Winner, Coretta Scott King Honor Award.
In 1963 Birmingham, Alabama, thousands of African American children volunteered to march for their rights after hearing Dr. Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.
Frank Morrison's emotive oil-on-canvas paintings bring this historical event to life, while Monica Clark-Robinson's moving and poetic words document this remarkable time.
