Books like Follow the Rabbit-Proof Fence — picked by fans

I was taught by my author daughter that if I am to write a character-driven novel, I should write as the characters, not about them.

As I reflected on my daughter’s advice, I instantly recalled the power of de Rosnay’s portrayal of Sarah’s relationship with her baby brother. She manages to bare the soul of Sarah from her time as a ten-year-old to that of an adult who takes her own life, unable to cope with the consequences of a choice she makes in relation to her young brother.

De Rosnay leads me gently at first into the mind of a ten-year-old girl trying to save her brother from captivity by the Nazis. I could feel her initial desperation morphing into a sense of relief and even satisfaction at her decision to hide him in a secret closet from which he would soon be rescued (in her imagination).

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This is a hugely ambitious and moving novel and one of my all-time favorite reads. The character, Owen Meany, is a tiny man with a shrill, piercing voice who believes he is God’s instrument.

For me as an author, one of the most striking and memorable aspects of this novel was the ingenious and perfectly executed plotting of the story’s grand finale—absolutely mind-boggling the way John Irving pulled it off.

In The Inheritors, William Golding brings to life a creature from the distant past: Lok, a hairy, barely verbal hominid whose small band is the last of their kind. New words and thoughts confuse him, flashes of logic slip out of his grasp, and he discovers the existence of mysterious Others; invaders with the formidable technology of bow and arrow. But The Inheritors is much more than an exciting adventure. The story stays with me because Lok is a mirror of us—of the human urge to try, to fail, to push on despite the odds. We have no idea what the next thousand years will hold. Neither did Lok. But just like him, we can’t help moving forward.

This book is a gut punch of straight-up prose that reads like pure poetry. The story begins during the convulsions of the American Civil War, and tracks a line directly from the 1860s to the 1950s. This is no dry history lesson though. Presidents and generals don’t rate a mention and the heroes are ordinary people. And that’s where the novel shines: it proves that profound thoughts can be expressed in plain language, and the author delivers them here with powerful simplicity. A Shout in the Ruins is an absolute gem of a story that should not be missed.

This is a heartwarming contemporary story about a gay Aboriginal teen exploring his sexuality and falling in love for the first time, set against the vivid backdrop of a fictional, rural Indigenous community. It’s evocative and heady and compelling. It’s one of those stories that makes you want to reach into the book and hug all the characters and tell them everything is going to be okay. Such an important story from a brilliant new voice in Australian YA.

Indigenous populations too have had a raw deal: from settlers who took their land and from those who felt they knew what was best for them. Although among the lesser sinners, sports historians have disregarded their traditional sports and focussed on their participation in sports imposed on them by invading powers. In contrast, Australian Aborigines feature in Roy Hay’s book as sportspersons in their own right. Hay shows that they were human beings who performed a constructive role in Australia’s sporting history. He does this not as a woke, bleeding heart academic but as a historian determined to unearth the ‘true’ story of Aboriginal participation in Australian Rules Football. As an Australian citizen I wanted to read this story.

From the title of this book about "so-called Australia," it’s clear that we are going to hear a deeply subversive account of the politics and history of that country from an Aboriginal perspective.

In addition to providing a powerful critique of colonial narratives about white settler "discovery" that remain dominant in Australian public culture, the authors curate a rich archive of Aboriginal disruption of those narratives.

These have taken the form of not only statue protests of the kind that we have seen in other parts of the world, but also art, music, films, mock ethnographic documentaries, counter-memorials, and more. The book shows how another history of the continent has always been narrated, even if settler audiences have lacked the literacy necessary to understand it.  

Although The Territory was published in the 1940s, the book is as vivid as if it came out last year. Neither a novel nor a history, it is an evocative account of Ernestine Hill’s extensive travels around Northern Australia, the Aboriginal and white people she met, the stories she came across, and the joys and hardships she faced. I view it as essential reading for anyone planning to visit the Top End of Australia. I first read it while I was mapping out the plot of my own book, and was blown away by Ernestine Hill’s evocation of The Territory. 

A bold and broad-sweeping book, written in the 1940s, described as a novel but featuring a mix of real and fictional characters, The Timeless Land is a beautifully imaginative telling of the arrival of the First Fleet in what became Sydney in 1788, as seen through the eyes of the Aboriginal people, the Governor and his officers, convicts and the odd settler. The depiction of the part-real, part-invented Aboriginal people may cause raised eyebrows nowadays, but the book is based on thorough research and written with great imagination and sensitivity. I love the mix of the real and the imaginary, while never distorting the facts. It’s a brilliant way to paint a vivid portrait of a subject, I’ve done it myself (if I may be presumptuous enough to bracket myself with Ms. Dark).

I have a deep admiration for the art of indigenous Australians with their connection to nature and mother earth. I grew up in outback Australia near a pre-historic sacred site with an awe-inspiring cave drawing of a giant serpent. This book, written by several scholars, is a comprehensive resource on Aboriginal art. The illustrations cover traditional bark paintings and cave drawings, some dating back more than 30,000 years. The authors’ analysis of symbols is informative. I consider Aboriginal artists to be the first anatomists. Long before Leonardo, they were drawing the inner structures and organs of humans and animals.