Books like Foch in Command — picked by fans

Holger Herwig sheds new light on the Battle of the Marne (September 1914) in his exhaustively researched, yet fast-paced and readable account. For English readers, the Marne does not always gain the attention it deserves (British participation being relatively minor), but Herwig shows just how terrible the fighting was and why the French were able to snatch victory ‘from the jaws of defeat’. Because Herwig was able to utilise both German and French sources, it presents a fully rounded, three-dimensional portrait of one of the most decisive battles of the modern world, which ended Germany’s hopes of victory in the west in 1914. 

There is little that has not been said about this readable, engaging, and deeply moving account of the disaster on 1 July 1916 – the worst day in the history of the British Army. Middlebrook’s book was a revelation when it first appeared; utilising recollections and stories from veterans, whom Middlebrook met and interviewed, giving it an immediacy and power that captivated readers. The book charts the birth and development of Britain’s New Armies and their subsequent destruction on the Somme. Piece-by-piece Middlebrook examines how the battle was planned and prepared, before going on to detail the progress of the fighting at set-times, allowing us to grasp the ebb and flow of the battle. This remains a much-loved classic. 

Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war. 

Boff’s book, impressively researched with extensive use of rare primary sources, and winner of two impressive British book awards, examines the war life and times of Bavarian Crown Prince Rupprecht. In high command on the Western Front for the entire war, Rupprecht remained in position to witness the limitations of Prussian generalship, especially in 1914 and 1918; the growing preponderance of allied strength after U.S. entry in 1917; and divisive home front politics throughout Germany. He lost not only the war, but also a son, as well as his throne, which was swept away in the revolutionary upheaval at the war’s end. 

Conventional histories give the French a free pass concerning the causes of World War I: the French leadership is commonly described as being literally out-of-touch (on a battleship coming back to France). Schmidt’s brilliant archival research shows that the French were fully aware that the Austrians were going to issue an ultimatum to the Serbs and encouraged the Russians to support a Serb refusal and a Russian military attack on Austria. (My addendum: the French plan is a mirror image of the Russian plan – the French would tie down the Germans in the West and the Russians hordes would overwhelm the Germans in the East.)

Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night. Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journey is not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees… show more.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.

As a fan of Catholic history and historical fiction, this story is surely one of my favorites. Set during the Great War, WWI, twenty-one-year-old Julia has her heart set on meeting her future husband. She makes and purchases expensive gifts for him–she's ready. Surely, she will meet her beloved soon.

When Julia is sent overseas with the Red Cross, she finds herself caring for injured soldiers in a field hospital in France. As she matures, Julia begins giving the gifts she'd made or purchased to the injured soldiers. A touching addition to this book was the addition of beautiful sonnets between Julia and her beloved. 

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.