Here are 100 books that Flora fans have personally recommended if you like
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In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Shirley is set in author Shirley Jackson’s rambling Victorian house in Vermont, adjacent to the Bennington College campus. This is a story of psychological intrigue and intertwined creative and destructive influences, families in trouble, and ghostly presences. The story is narrated by a young faculty wife, Rose. She and her husband, a new professor at the College, live with Jackson and her husband, Professor Stanley Hyman. The house and the household are attractive and sinister, emotionally fraught and seductive. Merrell and I met as classmates in the Bennington Writing Seminars. We exchanged manuscripts for our then novels-in-progress. Now, as I re-read Shirley, I remember our walks past the house.
NOW A MAJOR MOTION PICTURE STARRING ELIZABETH MOSS AND MICHAEL STUHLBARG!
“Susan Scarf Merrell brilliantly weaves events from Shirley Jackson’s life into a hypnotic story line”* in this darkly thrilling novel about the author of The Haunting of Hill House and The Lottery.
Two imposing literary figures are at the heart of this captivating novel: celebrated author Shirley Jackson and her husband, Stanley Edgar Hyman, a literary critic and professor at Bennington College. When a young graduate student and his pregnant wife—Fred and Rose Nemser—move into Shirley and Stanley’s home in the fall of 1964, they quickly fall under the…
Across America, a wave of brutal, inexplicable killings leaves hardened detectives and desperate federal agents grasping for answers.
But what appears to be vigilante terror is something far more ancient - an invisible war between the forces of light and the agents of darkness, playing out on the streets of…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Wright Morris believed that we are “inhabited” by the places where we have lived.
The Home Place is set on the plains of Nebraska where Morris was born.The text is combined with his photographs of farm buildings, farmhouse interiors, farming implements, cooking utensils, and furniture. Narrator Clyde Muncy returns from New York to the farm in Nebraska where he grew up, bringing his own family. He re-experiences the farm through the eyes, ears, and especially noses of his city wife and children. When his son sniffs a croquet ball and says it smells like the subway, Muncy observes, “Two thousand miles from New York a city boy turns up something in a farmyard, it smells damp and earthy, like a storm cave, so he calls it the subway smell.” Morris eschews sentimentality. His plain prose and black-and-white photographs are austere, like the farm itself. “Home is where you hang…
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers.
This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.
During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me.
It's a classic old-fashioned haunted house story - set in a big box Swedish furniture superstore. Designed like a retail catalogue, Horrorstor offers a creepy read with mass appeal-perfect for Halloween tables! Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Bracken glassware, and vandalized Liripip sofabeds-clearly, someone or something is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-til-dawn shift-and they encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
The Amazing Afterlife of Animals
by
Karen A. Anderson,
My book is for anyone grieving the loss of a beloved pet. If your heart feels shattered and you are searching for understanding, comfort, and connection, these chapters were written with you in mind.
I share uplifting and life-changing stories that help you move beyond the devastation of grief, including…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
My real name is Susan Berger and I'm a certified bookaholic. I'm also an actor and I love my work. Being older has been very lucky for me. I wrote children’s books as Susan J Berger. COVID closed my publisher and I'm not actively submitting at the moment. I write romance as Susan B James because I didn’t want my children to have to acknowledge that their mother knew anything about sex. Falling in love and living happily ever after is an ageless state. But in romance novels heroines are mostly under thirty. I happen to be chronologically gifted myself. And many of my favorite romances feature older heroines. I think we need more.
Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.
Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.
Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.
Andie Miller is ready to move on with her life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, North asks one last favor: Since the death of a distant cousin, he's become the guardian of two orphans who have already driven away three nannies. North needs someone to take care of the situation―and he knows Andie can handle anything.
Carter and Alice aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Adam Nevill is a British horror writer – you may know of him through The Ritual which was made into a successful film a few years ago.
This is an earlier work and tells the story of Stephanie – down on her luck and reduced to taking a cheap, seedy room in an even seedier house where it is soon apparent that there is something horribly wrong. The chilling and menacing atmosphere of the building is overwhelming, while the landlord is certainly not on the level.
As for his ghastly cousin…. Then there are the noises… Something is going on here that transcends the norm. It’s unnatural, maybe supernatural, and things are about to turn a lot worse when Stephanie digs deeper. This is a house like no other. And the truth of it will take her beyond her wildest fears.
Recently filmed, this is one of Adam Nevill’s most…
Winner of the August Derleth Award, No One Gets Out Alive is the ultimate haunted house thriller from horror writer Adam Nevill.
Darkness lives within . . .
Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.
It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire,…
Jose Castillo is a cynical, wise-cracking Cuban-American who restores classic cars. He’s also a private eye whose sarcastic ways sometimes get him into trouble.
One day, in the process of installing a four-barrel carburetor on a 1965 Mustang, into his shop walks trouble—in the shape of a mysterious, beautiful woman…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Gaby Triana excels at creating and transmitting atmosphere. She transports you into the swamps, oppressive heat, terrors, and scares of the Florida she has created in her Haunted Florida trilogy of which this is the final part.
In City of Spells, Queylin Sanchez runs a shop selling incense, charms, and all manner of items designed to appeal to those interested in the occult, but when an elderly man crosses the threshold and enlists her help in ridding his home of an unwanted ghost, she accepts the commission and sets in motion a frightening chain of events that threaten her sanity and her life – in fact, much more than that is at stake as she unravels the sinister and disturbing truth.
I can assure you, the tradition of Southern Gothic is alive and well in this author’s capable hands. If you haven’t read any of Gaby’s work yet – it’s…
A haunted Old Florida home. A ghostly woman in white. Witchcraft from Miami's darker side.When a mysterious old gentleman enters Queylin's trendy new age shop, she hopes he'll buy incense, sage, maybe a nice rose quartz pendulum for his wife. Instead, the man enlists her help getting rid of La Dama de Blanco, a ghostly woman in bloody white dress who's been haunting his 100-year-old Palmetto Bay estate.But when Queylin's rituals and spells uncover terrifying secrets hidden in the walls of the old mansion, she realizes La Dama de Blanco is only the beginning of the haunted home's evil legacy.