Here are 25 books that Finn's Little Fibs fans have personally recommended if you like
Finn's Little Fibs.
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My southern mama raised me to be honest; she always knew the truth and spoke the truth. I soon found out that being honest could clear my name—or get me in trouble. It could draw me closer to my friends—or hurt their feelings. Now that I’m grown and have children of my own, I understand and appreciate my mama’s emphasis on truth-telling from an entirely new angle. And as a writer, honest storytelling helps me write more authentic characters and connect more authentically with my readers. In my personal and professional life, my “honest” upbringing has helped me recognize other truth-tellers—and the not-so-truthful. (I’m eyeballing you, politicians!)
This book is NOT about telling the truth—well, not at first glance, anyway. And because the author is a little sneaky in his presentation, he caught me…hook, line, and sinker. Klassen, author/illustrator extraordinaire, pulls me into the story, daring me to turn the page and see the fate of the thieving main character. What I didn’t expect, though, was the betrayal from a “trusted” source.
Learning who can be trusted to be honest is almost as hard as learning to be honest ourselves. I’ve experienced that lesson a few times in my life—and I’d rather not learn it again. This story makes me laugh and think. It is highly recommended for those who like a good lesson hidden in the weeds. (For the record, I do not want any of these characters to run for office.)
A sneaky fish learns a lesson in crime and punishment in the bestselling, multiple award-winning sequel to I Want My Hat Back.
Winner of the Caldecott Medal and Kate Greenaway Medal 2014
From the creator of the bestselling I Want My Hat Back and Sam and Dave Dig a Hole comes the story of a tiny fish who proudly wears a blue hat. It fits him perfectly. Problem is, trouble could be following close behind... So it's a good thing that the enormous fish he took it from won't wake up. And even if he does, it's not as though…
My southern mama raised me to be honest; she always knew the truth and spoke the truth. I soon found out that being honest could clear my name—or get me in trouble. It could draw me closer to my friends—or hurt their feelings. Now that I’m grown and have children of my own, I understand and appreciate my mama’s emphasis on truth-telling from an entirely new angle. And as a writer, honest storytelling helps me write more authentic characters and connect more authentically with my readers. In my personal and professional life, my “honest” upbringing has helped me recognize other truth-tellers—and the not-so-truthful. (I’m eyeballing you, politicians!)
This is my go-to book when suggesting read-alouds for teachers and parents who want a charming and engaging story about honesty and compassion.
I love Libby (the main character) for many reasons. She embodies so much of what I was taught as a child about “telling the truth” and also experienced much of what I did before I learned the difference between hurtful and helpful words. My inner child can relate to the character’s missteps—as can my adult self—thus the reason I recommend it for all ages. (As a side note, and for all the right reasons, I also recommend Libby for President.)
From Coretta Scott King Award–winning author Patricia C. McKissack comes a humorous and poignant picture book about the right time to tell the truth.
“Tell the truth and shame the devil,” Libby’s mama has told her. So whatever is Libby doing wrong?
Ever since she started telling only the truth, the whole world seems to be mad at her. First, it’s her best friend, Ruthie Mae, who gets upset when Libby tells all their friends that Ruthie Mae has a hole in her sock. Then Willie gives her an ugly look when she tells the teacher he hasn’t done his…
My southern mama raised me to be honest; she always knew the truth and spoke the truth. I soon found out that being honest could clear my name—or get me in trouble. It could draw me closer to my friends—or hurt their feelings. Now that I’m grown and have children of my own, I understand and appreciate my mama’s emphasis on truth-telling from an entirely new angle. And as a writer, honest storytelling helps me write more authentic characters and connect more authentically with my readers. In my personal and professional life, my “honest” upbringing has helped me recognize other truth-tellers—and the not-so-truthful. (I’m eyeballing you, politicians!)
I can truthfully say that I felt an immediate sense of connection with sweet little Ruthie and how she felt after she lied. When I was in third grade, I cheated on a test. I felt awful for the rest of the day—until I told my mama what I had done. She took me right back to the school to tell the teacher. The relief I felt telling the truth overrode most of the worry I had about getting in trouble.
I recommend this book to anyone who has given in to temptation but felt bad enough to tell on themselves despite the consequences. (We need more people in politics who are willing to admit their mistakes. Maybe Ruthie can be Libby’s vice-president?)
Laura Rankin touches on an important childhood issue of lying with gentleness and humor, offering a reassuring look at how standing up for the truth can help cut even the biggest mistake down to size.
Ruthie loves little things-the smaller the better. So when she finds a teeny tiny camera on the school playground one afternoon, she can hardly believe her luck. She wants to keep the camera in the worst way, but there's one little problem: It isn't hers.
Ruthie swears to her teacher and to her classmate Martin that she got the camera for her birthday. But deep…
My southern mama raised me to be honest; she always knew the truth and spoke the truth. I soon found out that being honest could clear my name—or get me in trouble. It could draw me closer to my friends—or hurt their feelings. Now that I’m grown and have children of my own, I understand and appreciate my mama’s emphasis on truth-telling from an entirely new angle. And as a writer, honest storytelling helps me write more authentic characters and connect more authentically with my readers. In my personal and professional life, my “honest” upbringing has helped me recognize other truth-tellers—and the not-so-truthful. (I’m eyeballing you, politicians!)
I love this book for several reasons, not the least being the feeling of nostalgia I get just from the illustrations. With one look at the Bear family on the cover, I am transported back to hiding under the covers to read after lights out, and the storyline brings back memories of all the summer fun with our church youth group.
The author doesn’t dance around the issue of lying—and that takes me back to my childhood, as well; we did not tap-dance around the truth! As a person of faith, I also appreciate that the text uses some wisdom scripture from Psalms as an anchor.
I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.
I loved the pacing of the book. It kept me turning pages. I wanted to know more about Lillian Ross. For a debut book, I was impressed with the characterization of Lillian. I wanted to know what made her tick.
The entire book was a study of the mind, why it does what it does, how it sometimes continues to make the same mistakes, and how untreated trauma keeps cycling over and over.
When true crime author Allison McKinnon is offered the chance to capture the untold story of Lillian Ross, a convicted double murderer, she is sure it’s the story of her career. Little does she know that Lillian’s story mirrors traumatic events from her own life and she is left wondering if her path will lead to the same inevitable conclusion. Lillian Ross, a woman born into a wealthy family, is on Death Row, sentenced to death for murder. After years of silence, she has chosen Allison to write her story. Together, the women explore Lillian’s troubled past to reveal the…
My career path led through tenure as a police detective working multiple death investigations and into forensic medicine, where I worked with the late Dr. Joseph Burton (a person I sensed was the smartest I had ever met) and Dr. Jan Garavaglia of “Dr. G: Medical Examiner” fame. A case of a homeless person’s murder triggered my interest in writing crime thrillers. I was hooked. To date, I have three published novels, received a contract for one, due for release in early 2025, and other manuscripts ready for submission likened to the five novels on my list.
Although I had not read anything written by Susan Hunter, I’m glad I bought this one. I liked this story based on the mindset the author gave Leah Nash. I sensed Leah’s hesitancy in the beginning (a well-thought-out reason), but her determination to help a friend get answers in an old death case drove her onward and led her to places of best-kept secrets.
The case resonated with me because, like Leah, once I sense the truth within reach and find it, I hold on and never let go. The evidence shouted at me (my background helped me see it). I became concerned Leah might not ever see it until she did.
Teenager Heather Young disappears from the small town of Himmel, Wisconsin. Everyone believes her boyfriend killed her, but no one can prove it.
Twenty years later, Leah Nash is pulled into the cold case by an old friend.
She finds the answer—and the shocking truth shatters her world.
DANGEROUS PLACES is the third standalone book in the Leah Nash series of complex, fast-paced murder mysteries featuring quick-witted dialogue, daring female characters, and plots with lots of twists and turns.
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What readers are saying about Susan Hunter and DANGEROUS PLACES:
Ever since I can remember I had a special love for western romance books. My mom has written several books set in 1800s America and that probably stirred me in that direction as well since I love her books (they're in German, which is why I couldn’t recommend them). Regency has become my second historical fiction genre, which is probably why I write and read both time periods. I'm a German-born US-Indie author and total romance fanatic. I write Christian Romance set mostly in the above time periods. I'm a massive Harry Potter fan, have been married to my husband for nearly 18 years and we have two teenage sons.
This was a sweet regency novella. I enjoyed the characters and plot, even though it was a bit rushed at times and the ending a bit abrupt, but it was a delightful read and kept me hooked enough that I wanted to know what would happen next. I will definitely be reading more from this author.
Can something beautiful grow from a marriage born of spite?
When Cori Featherbottom accepts her neighbor’s shocking marriage proposal, she has no idea that he still loves her sister—until after the wedding. Guarding her heart, she determines to make the most of her loveless relationship and find a friend in her husband.
Adam Arnett does the only thing he knows for certain will remove a title-hungry flirt—he marries her sister. It doesn’t take long before he finds himself attracted to his new bride, but when her sister tries to throw a wrench in their budding relationship he must fight to…
I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.
Ms. Wesley didn’t publish until she was seventy, which I find inspiring. She produced ten slim interconnected novels. Like the heroine of Delicious although a century later, this one cooks. She cooks for elderly ladies, visiting for a week or two to stock their freezers with fabulous meals. Her less innocent sideline is “visiting” with men. These occupations earn her enough to keep her fatherless son in an excellent private school. Then, the unthinkable happens: two men who were previously unknown to each other discover they may be sharing the same mistress. The problem is they thought their arrangements were exclusive. A comedy of manners ensues. Wesley’s prose cuts like a finely honed knife. And she does her cutting with very few words. I so admire that skill!
Hebe sits in the darkness and listens to her hypocritical grandparents and her older siblings discuss how her unexpected pregnancy must be terminated to avoid the shame it will bring. Determined to raise her child, she flees into the night with only her mother's jewellery to support her.
Twelve years later she is living happily alone in Cornwall, whilst her son attends an expensive private school. Hebe has harnessed her two great talents - cooking and making love - to make a living for herself, but when the separate strands of her life become intangled the even tenor of her…
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
This gazetteer for monarch-aholics is the work of the witty and waspish Kenneth Rose (1924-2014), the royal biographer whose insights have set the standard for the rest of us. Embedded in the heart of the Establishment, Rose had the ability to skewer its every weakness. Duchesses, Diana, Dimbleby (Richard) and Charlotte, George V’s pet parrot – all are here, bearing out the words of Queen Elizabeth II’s non-royal grandmother, Cecilia Bowes-Lyon: "As far as I can see, some people have to be fed royalty like sea-lions fish."
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
Here is the finest and fiercest-ever fusillade of anti-royal protest – complete with weeping Queen on the cover. Just as Elizabeth II was settling to celebrate her first 25 years on the throne, the impertinent Scottish Member of Parliament for Fife, Willie Hamilton (1917-2000), rattled out this broadside of hard-hitting complaint against royal conceit and idleness. Hamilton combined compelling statistics on palace extravagance with his own radical sense of right and wrong. He grudgingly admired Queen Elizabeth, the Queen Mother, as "a remarkable old lady." But he dismissed Princess Margaret as "a floozy" – and Prince Charles as "a twerp." The MP claimed that his busy postbag from the British public ran 7-3 daily against the Crown.
