Books like Fearless

William Carlos Williams’ book The Desert Music was published first in 1954 and later collected in volume two of New Directions’ The Collected Poems of William Carlos Williams. It remains one of William Carlos Williams’ most tender, innovative, and emotionally exigent books.

The so-called desert music becomes, among other things, an enactment and valuing of the “inescapable and insistent” background soundscapes in our lives. Geographically, the poems of the title sequence are situated in the Chihuahua Desert, where Williams, after having suffered a stroke, travels between Juárez, Mexico, and El Paso, Texas.

From characteristically astute descriptions—for instance, of a twisted wild mustard flower (that I still see in my mind’s eye)—the poems segue into meditations on art, love, and mortality. 

I love the way Sue William Silverman has refused to be silenced and has instead encouraged other writers, particularly women writers, to lean into their vulnerability and claim and craft their voices, on and off the page.

This book conveys both big-picture elements of craft, like voice and structure, and also helps readers think about language and metaphor. It provides so many helpful tools and so much encouragement to both beginning and more advanced writers. 

One of my favorite sayings (by G.K. Chesterton) is, “If a thing’s worth doing, it’s worth doing badly.” With these well-chosen words, Chesterton converted me to “imperfectionism.” It’s not that as imperfectionists we should aim to do things badly, but that we should aim to do necessary things and accept that we’re going to make mistakes on the way. Guise’s writing isn’t always elegant. However, he puts the case strongly that perfectionism is not something to humble-brag about, and is a “disorder of the mind.” More importantly, though, he offers detailed, practical, easy-to-implement steps for developing an imperfectionist mindset where we “lose our crippling fear of not doing [things] well.”

This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.

I loved the creepy island hospital and the use of weather as a character.

This is the book that convinced me to dive into romantic suspense after writing only contemporary romance for many years. I’d always been tempted to branch into this genre, but I wanted to delve more into psychological suspense and character development, ala Hitchcock. Yet most of what I saw on the market took the constant-action thriller approach to storytelling, often at the expense of character development. Then I read this book. The characters were complex, the plot was compelling but left breathing space in between the action for character development, and the romance was a slow burn. So I took the plunge into suspense—and have never looked back.

You’re largely in the same boat with Longarm as you are with Slocum. The main differences is that Longarm’s name isn’t as good a euphemism (his name isn’t even really Longarm, it’s Custis Long) and that he’s a U.S. Marshall, not an outlaw like Slocum. Sort of like James Bond in the Wild West… wait, that’s James West of Wild Wild West… sort of like James West without the steampunk gadgets. Longarm goes from town to town, bringing bad men to justice and taking bad girls to bed. 

Although this series has the dubious distinction of provoking an “I can do better than that” reaction in me. In Longarm on the Border—installment 2, as there are actually two books by that title in this four-hundred-strong and only recently ended series—the main character finds himself in a threesome. Maybe it’s that these are the adult westerns not being published… show more.

In this emotional tour de force, a judge falls in love with the federal marshal who protects him during a terrorism-related trial. He’s kind, caring, and ethical; he’s intelligent, hardworking, and competent; and he knows all too well that in many people’s eyes, none of that matters. That betrayal feels painfully familiar; his spectacular vindication, cathartic.

While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.

I love the war dog, Cody. He has PTSD that makes his rear leg shake, but he is otherwise brilliant with a big personality. He’s not the main character, but he steals the show. Jake (the main character) takes Cody everywhere.

What happens?

Electronic murder, regular murder, Mob wars, kidnapping, police brutality, deadly drones, terrorists, and tons of action. And then there’s the Italian mob, the Russian mob, the FBI, the U.S. Marshalls Service, the Secret Service, the CIA, and the San Francisco PD and the stories about the hero, Jake, a former CIA assassin pulled back into service. Plus, the ladies are everywhere, good girls, bad girls, and victims.

Exciting story, and you’ll never forget the dog.

A crowded troop train is heading across a desolate stretch of tracks through the Rocky Mountains. It’s the dead of winter 1873 and you can almost feel the chill seeping into the railcars. The troops are headed to Fort Humboldt to relieve the cholera-stricken garrison. In addition to the troops, the train’s passengers include a powerful governor, the daughter of the fort’s commander, and a US marshal escorting an outlaw prisoner. But people and their stories aren’t what they seem. A passenger is murdered. Time is running out and a lot of people are going to wind up dead before the end of the story. A masterful thriller by MacLean.