100 Books Like Far Off Things

Hodgson's sea-based stories, drawing on his experience as a sailor, have a plausibility that draws me in. The vast emptiness of the ocean is depicted vividly, creating a sense of isolation that adds to the terror of his work. Add to this some of the most bizarre creatures in literature and we have a bleak, enchanting atmosphere. I find the sense of brooding horror really puts me in the scene.

The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.

Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.

If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.

These days, books about London are strewn about thicker than leaves in Vallombrosa, but this was the first definitive book. Writing about London as if it was indeed a legendary person plays to Ackroyd’s great strengths: a sense of history, of place or psychogeography, and a multi-disciplinary approach, incorporating the many voices and experiences of Londoners throughout the ages to capture the soul of this great city. 

By launching this genre, Ackroyd really showed me the way. When I was first commissioned to write Necropolis, I had some misgivings. Would anyone really want to read a book about London cemeteries? Then I went into Oxford Street Waterstones and saw an entire wall of London books, and realized that this was an entirely new genre and one which welcomed me in.

I was also extremely apprehensive when Ackroyd reviewed Necropolis for The Times. I spread the paper out over… show more.

I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.

Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.

It’s a book full of surprises and provocative ideas.

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

This book is another that has a similar vibe to The Dresden Files and my books. This one had a really unique take that I liked, mixing in ghosts with the other supernatural creatures and elements. The main character has some fun, memorable quirks that I enjoyed, and the plot had some great twists that I didn’t see coming. The world is really broad, and there’s a lot more to uncover about how things work, so I liked that it didn’t tell everything in the first book, so it left me with the desire to read more.  

Lobsang Rampa was a Tibetan Monk that took over the body of an Englishman in order to accomplish his destiny in teaching Westeners the Wisdom of the Ancients.

I found this book at 18 years old while searching for the meaning of life, needing to know that what I experienced and could do was not an overactive imagination. As I read the book, a great calmness settled into my soul. All the information related was confirmation that I knew all these concepts already. Now I had the terminology to go with it. It was such an exciting discovery.

If you wish to learn ancient knowledge in a nutshell, this is the book to start with.

This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.