Books like Far Off Things — picked by fans

Hodgson's sea-based stories, drawing on his experience as a sailor, have a plausibility that draws me in. The vast emptiness of the ocean is depicted vividly, creating a sense of isolation that adds to the terror of his work. Add to this some of the most bizarre creatures in literature and we have a bleak, enchanting atmosphere. I find the sense of brooding horror really puts me in the scene.

The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.

Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.

If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.

These days, books about London are strewn about thicker than leaves in Vallombrosa, but this was the first definitive book. Writing about London as if it was indeed a legendary person plays to Ackroyd’s great strengths: a sense of history, of place or psychogeography, and a multi-disciplinary approach, incorporating the many voices and experiences of Londoners throughout the ages to capture the soul of this great city. 

By launching this genre, Ackroyd really showed me the way. When I was first commissioned to write Necropolis, I had some misgivings. Would anyone really want to read a book about London cemeteries? Then I went into Oxford Street Waterstones and saw an entire wall of London books, and realized that this was an entirely new genre and one which welcomed me in.

I was also extremely apprehensive when Ackroyd reviewed Necropolis for The Times. I spread the paper out over… show more.

I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.

Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.

It’s a book full of surprises and provocative ideas.

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

I’ve never seen this take on demons before! I’m a sucker for a unique story line and Jeniffer delivers time and time again.

Compassion, intrigue, magic, action, and deception all form part of this series and the characters are hilarious! I love this world that she’s built and I can’t wait to see if she continues to build on it. 

Carl Jung is the person who actually coined the term “synchronicity” and was the first to recognize it as an important connecting principle between the unconscious and the outer world. He observed that such events occur when the archetypal processes of the collective and personal unconscious correspond to objective events in the real world. Here, for example, he reports the now-famous case of the patient who dreamed of a scarab beetle, a creature that represented transformation to the ancient Egyptians, only to find a similar beetle tapping on Jung’s consultation room window the next day, as the patient described the dream to him.

For Jung, virtually all authentic instances of synchronicity involve the archetypal unconscious and reflect mythic themes. This book includes a number of the first and best examples in synchronicity literature.

Corinna Treitel’s Science for the Soul did for the occult what Goodrick-Clarke’s Occult Roots of Nazism did for Ariosophy, providing the first comprehensive account of the wide array of occult doctrines and esoteric sciences that flourished in Germany and Austria at the turn of the twentieth century.

While she does include a chapter on occultism in the Third Reich, Treitel is careful not to blame occultism for Nazism, showing how Theosophy and Anthroposophy (the progenitors of Ariosophy), astrology, parapsychology, spiritualism, and other esoteric doctrines provided a socially and politically diverse group of Germans a range of alternative beliefs and practices to help make sense of a modernizing, post-industrial, “disenchanted” world.

One of the two best books, with Anne Harrington’s Reenchanted Science, on the history of German occultism and “border science”.