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I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
Hodgson's sea-based stories, drawing on his experience as a sailor, have a plausibility that draws me in. The vast emptiness of the ocean is depicted vividly, creating a sense of isolation that adds to the terror of his work. Add to this some of the most bizarre creatures in literature and we have a bleak, enchanting atmosphere. I find the sense of brooding horror really puts me in the scene.
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It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.
Dirk Renswoude is a craftsman and loner of noble birth who has been mistreated by his family. He meets Thierry, a young scholar on his way to study at the university at Basle and they soon discover that they share a fascination with the black arts. Thierry is initially cautious and afraid of blasphemy, whilst Dirk is ambitious and thirsts for power. Dirk leads them on to experiments with mystic circles drawn on the floor in chalk, the chanting of arcane incantations and the evocation of grotesque, demonic visions writhing in the speculum.
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.
From the unsurpassed imagination of the creator of Conan, Robert E. Howard, here are twenty-one tales of suspense, high adventure and Lovecraftian horror.
Foul sacrifices are made to a reptilian God in Hungary, a werewolf prowls the corridors of a castle in strife-torn Africa, criminal masterminds on both sides of the Atlantic vie for world domination, an enchanted ring exerts a terrible influence upon its wearer...
...And, as written in the pages of the accursed Necronomicon and Unaussprechlichen Kulten, the Great Old Ones watch our world from beyond the void - and wait...
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
In Machen's stories, occult experiences are related to place, the environment creating conditions in the mind that open it to receive the ethereal. The connection to nature, billions of years of the natural world, provides countless possibilities for unknown forces to intrude on our reality. Far Off Things is an exploration of psychogeography, informed by Machen's early life in Wales.
Arthur Machen's 1922 collection of essays covers the first part of his life. (It was followed by 1923's "Things Near and Far" and 1924's "The London Adventure.") To the original book has been added a lengthy essay on Machen and his work, as well as a Recommended Works list, covering the essential fiction and non-fiction by this important author. (Of his novella "The Great God Pan," Stephen King said, "Maybe the best [horror story] in the English language.")
I am a marine biologist who studies salt marshes, fishes, crabs, and marine pollution. I fell in love with the ocean as a child and am interested in sharing my love and knowledge with other people. So, in addition to my scientific research, I write books for the general public. This was the first one, and I wanted a second author to help me write in a "user-friendly" way, different from technical writing.
One of nature's unappreciated great gifts is the salt marshes growing along the East Coast from Newfoundland to Florida–a ribbon of green growth, growing intertidally, part on solid land, part in moving water.
This book shows how these marshes develop and grow, what kinds of plants and animals inhabit them, and how they interact ecologically. It also demonstrates how important salt marshes are ecologically, what they do for us, and how we are destroying them. Another book with poetic writing by biologists.
"At low tide, the wind blowing across Spartina grass sounds like wind of the prairie. When the tide is in, the gentle music of moving water is added to the prairie rustle.... "
"At low tide, the wind blowing across Spartina grass sounds like wind of the prairie. When the tide is in, the gentle music of moving water is added to the prairie rustle.... "One of nature's greatest gifts is the string of salt marshes that edges the East Coast from Newfoundland to Florida -- a ribbon of green growth, part solid land, part scurrying water. Life and Death of the Salt Marsh shows how these marshes are developed, what kinds of life inhabit them, how enormously they have contributed to man, and how ruthlessly man is destroying them.
Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
Numerous books were compiled in the 19th century on birds of specific counties, which are now historic documents. My favourite is The Birds of Devon, first published in 1892 by William D’Urban and Murray Mathew, who had known each other since childhood. It has wonderful, evocative descriptions of landscapes and of the immense numbers of birds that could still be seen and heard then, though the authors do give warnings about landscapes being destroyed, in particular by the railways and by the drainage of marshes and moors. Readers today may want to skip their numerous lists, but their descriptions depict a vanished world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I enjoy stories that bring together diverse themes, such as family life, myths and legends, quests, and cutting-edge science, in an uncomplicated way. I love hidden communities, where accepted rules do not apply, allowing the development of original storylines. The suggestion that there is something on the edge of the supernatural, yet grounded in reality, the weirdest of events retaining a rational explanation. My writing has been inspired by the films of David Lynch. I admire his ability to evoke a sense of menace and a fear that things are not as they seem, leaving much to the reader’s imagination.
One of the most daring and original voices I have read in recent years.
I admire Kirsty Logan’s boldness in imagining and describing personal viewpoints and her unique interpretation of possible alternate realities. She shows the courage to commit to ideas and storylines that are original, innovative, and beyond the imagination of most people.
The two darkest stories are "Watch the wall, my darling, while the Gentlemen go by", a menacing tale of abuse, kidnapping, and violence, and "Half Sick of Shadows". The latter is profoundly moving and disturbing and almost unbelievable in its callousness.
A writer whose progress I will follow with interest.
'Gripping . . . You won't put it down' Sunday Telegraph
A shocking collection of dark stories, ranging from chilling contemporary fairytales to disturbing supernatural fiction.
Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child's day out is undercut by chilling footnotes.
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
This obscure 1896 book is a collection of interviews with dead luminaries. At least, that’s what the psychic author alleges. Inside you’ll find conversations with Benjamin Franklin, Abraham Lincoln, Charles Darwin, Ralph Waldo Emerson, Edgar Allan Poe, and others. Discover their wisdom from beyond the veil, and in the case of Ben Franklin, you can enjoy a new set of his famous aphorisms, including this one: “Spiritual knowledge, like gems hidden in the bowels of the earth, is only to be reached by patient upturning of the soil.”
A previous volume, given through the mediumship of Mrs. Horn, entitled Strange Visitors, was so interesting, that it gave pleasure to learn that another volume of a similar kind was in preparation, and that the Spirit editor, Judge Edmonds, desired that it Should be placed in our hands for publication. The matter was found to be insufficient to form a volume of the kind intended, and during the movements of the medium, to secure favourable conditions for receiving further communications, much time was exhausted, as the dates appended indicate. The localities subjoined to the…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I was five when we moved to Australia, and soon after I discovered two things: I am the seventh child of a seventh child, with magic powers including the ability to see ghosts. My mother’s brother Dennis drowned when he was six. Naturally I started talking to him. Mind you, Mum also told me if the wind changed my face would stay like that, so the ghost thing probably wasn’t true either. Technically she only brought two of us to term. Dennis and I still talk, but we don’t have much in common anymore. With that in mind, please enjoy my ghosty best friends book recommendations.
I found this one in a charity shop and read it in a day. It was a while after that I saw the tv series, and a while after that the movie. And it’s another one I still have in my bookshelves.
It’s another story about finding your place in the world, but at the same time, it’s about a timid widow, mother of two, finding herself through the mentorship of the ghost of a well travelled sailor. One who’s there waiting for her at the end of her life, not her bloody husband!
The basis for Joseph L. Mankiewicz’s cinematic romance starring Gene Tierney and Rex Harrison.
Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captain's story as a book, Blood and Swash,…