88 Books Like Extraordinary Popular Delusions and The Madness of Crowds

Henry Mayhew’s sprawling record of nineteenth-century London can be overwhelming, but his ear for the vernacular and eye for weird detail means that the reader can dip in and find something.

London’s population exploded in the nineteenth century, bulked out by a huge number of itinerant workers. Mayhew interviews these people–in the prologue to the first volume, he describes himself as a "traveller in the undiscovered country of the poor"–and because he gives no judgment on their lives, the book feels more like a modern documentary.

The voices are one thing; Mayhew’s statistics are another–"expenditure in ham sandwiches supplied by street sellers is £1,820 yearly…a consumption of 436,800 sandwiches." Anyone who thinks that Dickens’ writes grotesques should read this. The first book that really brought old London alive for me. 

I know Dickens is an obvious choice, but he’s so good, and there’s so much to choose from, from legal London in Bleak House to the Thames scavengers at the start of Our Mutual Friend. But if you’re going to choose one–and you really should–take Little Dorrit.

First, the story is great all the way through, from the opening in Marseilles to the cataclysmic downfall of the House of Clennam. It’s strongly moral, with Dickens’ ironbound support for the underdog and his ever-present ability to make the reader seethe at injustice (I struggled to finish Martin Chuzzlewit, for example, because Seth Pecksniff made my blood boil so hard) and has less of the sugary sentiment that pollutes a lot of his other books.

It’s funny, moving, and for a modern-day Londoner, it's interesting because so much of the landscape remains in place; you can still visit Bleeding Heart… show more.

London, allegedly, is vibrant, fashionable, taut, chromatic. However, most of us don’t live in the fleshpots; most of us live quiet, decent lives in the miles and miles of suburbs that cover almost two-thirds of the city’s area and house more than half of its population.

This book is a suburban comic novel (set in Holloway) written by George and Weedon Grossmith, originally published in Punch magazine in 1888. It records the daily events in the lives of Charles Pooter, a London clerk, his wife Carrie, his son William (who changes his name to the more aspirational Lupin), and their friends. We’re clearly meant to laugh at the Pooters and their pretensions, but actually, Charles, Carrie, and William are good people, if occasionally silly.

One of the ideas I tried to stick to when we wrote our book is that nothing is ugly, and no one is boring; it’s all… show more.

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.

The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy. 

The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid. 

The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom. 

Who doesn’t immediately fall in love with Bridget Jones upon meeting her?

This book is full of laughs, tears, and now parenthood! I adored the other books in the Bridget Jones series, and this didn’t disappoint. If, like me, you like to read about a woman who feels ‘real’ and relatable, this book is just divine.

Bridget Jones is the sister to all of us women who need to hear that someone else goes through such highs and lows.

Much like Italian filmmakers managed to create the spaghetti western by riffing on the genre from an ocean away, English pulp writers created the Piccadilly Western: violent, cynical, sometimes even too edgy for its own good. The Adam Steele books often verge on tastelessness with their violence and insensitivity, but that’s relieved by a sort of dark humor—often groan-inducing. It can be a lot to take, but for those who prefer too much to too little… Adam Steele is definitely not too little. The first book has Civil War hero Steele going outlaw to avenge his murdered father, with his best friend as the lawman hot on his trail. 

I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.

I love the book as it is the sort I can pick up if I only have a few minutes to read.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.