88 Books Like Diary of a Nobody

Henry Mayhew’s sprawling record of nineteenth-century London can be overwhelming, but his ear for the vernacular and eye for weird detail means that the reader can dip in and find something.

London’s population exploded in the nineteenth century, bulked out by a huge number of itinerant workers. Mayhew interviews these people–in the prologue to the first volume, he describes himself as a "traveller in the undiscovered country of the poor"–and because he gives no judgment on their lives, the book feels more like a modern documentary.

The voices are one thing; Mayhew’s statistics are another–"expenditure in ham sandwiches supplied by street sellers is £1,820 yearly…a consumption of 436,800 sandwiches." Anyone who thinks that Dickens’ writes grotesques should read this. The first book that really brought old London alive for me. 

I know Dickens is an obvious choice, but he’s so good, and there’s so much to choose from, from legal London in Bleak House to the Thames scavengers at the start of Our Mutual Friend. But if you’re going to choose one–and you really should–take Little Dorrit.

First, the story is great all the way through, from the opening in Marseilles to the cataclysmic downfall of the House of Clennam. It’s strongly moral, with Dickens’ ironbound support for the underdog and his ever-present ability to make the reader seethe at injustice (I struggled to finish Martin Chuzzlewit, for example, because Seth Pecksniff made my blood boil so hard) and has less of the sugary sentiment that pollutes a lot of his other books.

It’s funny, moving, and for a modern-day Londoner, it's interesting because so much of the landscape remains in place; you can still visit Bleeding Heart… show more.

This isn’t a London book per se, although the city features fairly regularly. Instead, it’s a hybrid examination of how a mob thinks and the ways people behave when they live cheek-by-jowl.

Mackay’s seminal work is still relevant, especially the chapters on financial manias like the Tulipomania and the South Sea Bubble; People Never Learn seems to be his main lesson.

The book is hard to describe but includes some of the weirder urban crazes. In the chapter on Popular Follies of Great Cities, for example, he discusses slang trends. Apparently, asking, ‘Has your mother sold her mangle?’ would reduce everyone to fits in mid-19th century London. As he notes, ‘the popular humours of a great city are a never-failing source of amusement’ 

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.

I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.

The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy. 

The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid. 

The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom. 

This poignant, tragi-comedy of a novel is both relatable and uplifting.

And though the protagonist is going through a bit of a crisis, it’s ultimately a story of a woman finding herself and coming into her own.

Grace’s relationship with her teenage daughter is so well described – as mum of a teen girl I recognised the sadness she felt when she realised her daughter needed her less than she’d used to.

Only one night with a handsome stranger in London? This has been my dream forever, and once I read this blurb, I immediately one clicked.

Sandi Lynn made me feel like I was literally living this, and I found it almost impossible to drag my eyes away. I wanted this book to continue forever, and if you haven't read it already, you need to.

With Charles Dickens investigating, I had to check this out. The author’s imaginative use of Dickens as a sleuth is rooted in facts new to me. I didn’t know he had set up a sanctuary for fallen women, for example. Having read much Dickens, I found the voice authentic. His Victorian world, so intense in his novels, was equally immersive here – the poverty, the dirt, the inequality – and I became thoroughly involved in the story and the unfolding investigation. If an author can draw me into their world and hold me… this did, due to impressive detailed research. I was particularly struck by the compassion visible in this Dickens which made me realise how much his books also demonstrate this aspect of his character.

Leaving Piccadilly for the moment, we have the adult western. As if the name of the genre and the name that starts every book title isn’t enough, it’s published by Playboy. And as you might have guessed from there being four hundred of these books, put out damn near monthly since the seventies, it’s a bit of a fool’s errand to single out any one book. They’re somewhere between the formulaic nature of needing to be a Western with literally obligatory sex and violence, and the author being a house name that’ll change with any given volume, who by necessity will have his own idiosyncratic take on the material. 

One book, you might get a writer that’s really into delivering the sex appeal promised by the cover. Another time, you’ll get someone who just wants to write a Western (if that: people weren’t writing these things for their health,… show more.