Books like Everyday Matters

This lavishly illustrated book takes the reader around the world, visiting cities through the drawings of more than 100 artists. Along with the founding of the Urban Sketchers non-profit organization, this book helped create an enormous, global groundswell of people who draw what they see on-site using a variety of media.

This is another book I got early on in my sketching career. I love James Hobbs's sketching style. He uses a thick black pen for the most part, and his style is simple–the perfect inspiration for a beginner.

He also includes examples of many other sketchers’ work–all of which emphasise that you do not need to have perfect drawing skills to capture the world around you. As someone who did not do very well in art at school myself, I found this book to be my permission slip to draw anyway.

I learned from this book that drawing is a way to record and understand the world in your own way, not a test on how accurately you can copy it in your sketchbook.  

Tommy Kane is an insane artist and this book collects together some of his beautiful sketches from all over the world, from both observation and his imagination.

I feel like I am leafing through his sketchbooks. The book is large and beautifully produced so that you can see the artwork in all its glory. Tommy does have another book of drawings, too, which I have yet to purchase, but I am sure I will at some stage!

Tommy has an amazing sketching style influenced by MAD magazine and veganism. I could look at his work forever. Indeed, I regularly get his book from the shelf and leaf through it. 

Koosje is an incredible art educator, and I was so excited to see she had created a book. This book is super thick and juicy. She shares her sketches from her life, along with exercises and inspiration on how to do the same.

I have followed Koosje for many years, and I love her lighthearted “anyone can do it” approach to teaching and inspiring others to keep a sketchbook of their life. I often return to this book to look through Koosje’s sketches and remind myself of both the value and pure joy sketching your life can bring.

Growing up in New York City, I’ll never forget my first experience, at around the age of seven, with people literally living underground. Our subway stalled in a tunnel in front of an abandoned station. The lights went off in the car and the platform outside was cast in an eerie orange glow by a single bulb.

Suddenly, a figure emerged from the shadows, charged my subway car, and started banging wildly and laughing maniacally, just on the other side of the glass to me. This continued for what felt like a million years before the train came back to life, and we moved on.

Decades later, I discovered this book about a parallel city below mine where people like that man live an alternative existence in miles and miles of dark warrens underground. I’m obsessed with it.

I teach interior design, so the importance of personal spaces is something I could talk about all day. To me, homes reflect our identity. They reveal our inner world and contain our treasures and precious belongings. They protect us and help us to make sense of our crazy lives.

Erica Bauermeister shows the work of renovating a house and building a life. I loved every detailed description. 

Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets. 

To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).

Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America. Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.

Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.

The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.

As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me. 

I’ve lived in New York City all of my life. I sang doo-wop in Washington Square Park in Greenwich Village when I was a teenager, and then folk rock with my group, The New Outlook.

If ever there was a time-travel ticket to a past and a place that I knew so well I could still see the sun glinting through the tree leaves, hear the din of the eateries as I walked by, and, most important, still hear the music by people vastly more famous than me, music that actually defied any given time or place, it would be David Browne's book, Talkin' Greenwich Village.