100 Books Like Etiquette & Espionage

I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.

I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude. 

Fantasy has been at the heart of our friendship for as long as we can remember. We are Adelina Cortese Pons and Valentina Branca, co-authors of our book, listed below, and our journey as writers began when we were eleven, sharing a single copy of Harry Potter and the Chamber of Secrets, reading it aloud, taking turns with each chapter. That love for fantasy only grew stronger over the years—through travels, studies in International Relations, and countless late-night writing sessions. Today, despite living an ocean apart, we still meet every Friday to write together, crafting new worlds and unforgettable stories because, for us, fantasy is more than a genre—it’s home.

I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city. 

People behave rationally and irrationally. Observing and thinking about human nature is the sport of my lifetime. In literature and art, I worship real wit. I thirst for the unusual, the deadpan, the acknowledging of one thing while another slips in unseen. Wit has been, for me, a shield and a tool for good. I try not to use it as a weapon because wit as a weapon often damages a wider target than one intends. I strive to endow my fictional women, my protagonists, with sharp yet understated wit that spares no one, not even themselves. Especially not themselves. The books I recommend here live up to my standards.

I have been an avid sci-fi/fantasy lover and tabletop gamer my whole life. Many of my best memories involve me inventing stories explaining why my buddy’s armies and mine were duking it out on the battlefield or interpreting what the dice rolls really meant for my character. Today, I write for one of my favorite game universes, Kings of War. I have made a living out of stories by writing them or teaching about them. I love making my universes believable while still maintaining integrity to their original source material. I also love making flawed, relatable characters to give readers hope as they read about them overcoming those flaws.

Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.

I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude. 

Spy stories have always captivated me. This fascination grew after I learned that throughout history, many women worked behind the scenes as key spies. How cool is that? So, I decided to write a girls' spy school set in Jane Austen's world. Junior Library Guild said this about A School for Unusual Girls, “An outstanding alternative history series entry and a must-have for teen libraries.” Scholastic licensed the series for their school book fairs. Ian Bryce, the producer of Spiderman, Transformers, Saving Private Ryan, and other blockbusters, optioned it for film. To date, more than 600,000 copies of my award-winning historical novels are in the hands of readers around the globe.