I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Diana Gabaldon does not write romance novels. It’s her fault I write the kinds of novels I do. When she started the story of Claire and Jamie Frasier, I don’t think even she knew that she was writing a story about a marriage—a real marriage. Its ups, its downs, its smiles, its frowns, to borrow from My Fair Lady. I never reread books, but these? These I reread every single time she puts out a new one because the story of a marriage undergoing what all marriages do is riveting, believable, and unbelievable at the same time, and worth every single moment of your reading time and mine.
#1 NEW YORK TIMES BESTSELLER • The first book in Diana Gabaldon’s acclaimed Outlander saga, the basis for the Starz original series.
One of the top ten best-loved novels in America, as seen on PBS’s The Great American Read!
Unrivaled storytelling. Unforgettable characters. Rich historical detail. These are the hallmarks of Diana Gabaldon’s work. Her New York Times bestselling Outlander novels have earned the praise of critics and captured the hearts of millions of fans. Here is the story that started it all, introducing two remarkable characters, Claire Beauchamp Randall and Jamie Fraser, in a spellbinding novel of passion and…
Skye O’Malley is one of the first heroines I encountered who lived by her own code, a startling development in a romance. In addition, Bertrice Small was the first to bridge romance and steamy; our Skye is definitely that. She’s delightful, delicious, de-lovely, and I really admire her outré behavior with England’s capricious Elizabeth Regina. She ends up the head of a clan of brothers and a worldwide sea-faring enterprise as well as a lover, a mother, and a remarkable human being. In addition, there are six more about her next generation, Skye’s Legacy. Small’s research into the Far East is exemplary given a time long, long before Google.
From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary.
Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.
Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring…
Four sisters. Four buildings. Four visions of what women can—and need—to be, do, and have.
Jezebel is the youngest of the Bailey sisters. Yes, that Bailey of Barnum &— fame. Heiresses to multimillions of their father’s nouveau riche wealth, the four have been raised in direct antithesis to the fainting…
Sarah Brandt is, in a squirmy twist for her upper-crust Knickerbocker New York City parents, a turn-of-the-century midwife, widowed and curious about everything. Women of her ilk don’t work. She meets Metropolitan Police Force detective Frank Malone and is his answer to prayer as well as his personal torment. The two meet each other uncannily all over town in this series from the Battery to the Bowery to the Bronx and back again; she, ever helpful, he, ever cynical, until their lives collide in a magically different, far more intimate way. The situations are always intriguing and built around impeccable Gilded Age research.
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city...
After a routine delivery, Sarah visits her patient in a rooming house-and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl's room. She discovers that the victim is from one of the most prominent families in New York-and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit…
Sixteenth-century Italy. A much-sought-after courtesan, Fiammetta Bianchini, and her confidante, foil, and pimp Bucino, a dwarf, resettle in Venice after the sack of Rome and establish her prowess in and amongst the glitterati of the time. Over time, the two outcasts grow apart. Their connection frays, almost to irreparable. Dunant’s research brings Venice’s glitz and its grunge alive. There are four others, not really in a series per se, but alike enough because they share the Renaissance that they group loosely together. A courtesan was one of the few women of the time who owned herself. For me, an absolute necessity in subversive heroines. Those nice girls who follow the rules of the time or the place are meh-meh-meh.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
Mademoiselle Geraldine’s Finishing Academy for Young Ladies of Quality. A finishing school? Um, ye-ees. For spies. Spies? Uh-huh. On a dirigible. A—what? In a culture where vampires and werewolves are part of society. Wrapped in a huge steampunk bow. Etiquette and espionage. Curtsies and conspiracies. Waistcoats and weaponry. Manners and mutiny. What could possibly go wrong? (What can’t?) Gail Carriger’s Parasolverse is their entirely diabolically magical setting. Her writing is laugh-out-loud clever, witty as Noel Coward, deeply principled, and there are tons more. I started with the Alexia Tarabotti seven and read every single one. I’d do it again, too. Her heroines make my heart go pitter-pat. With glee.
It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to finishing school.
Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners-and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.
But Sophronia soon realizes the school is not quite what her mother might…
Four sisters. Four buildings. Four visions of what women can—and need—to be, do, and have.Jezebel is the youngest of the Bailey sisters. Heiresses to multimillions of nouveau richewealth, the four have been raised in direct antithesis to the fainting flowers of womanhood to be found in the notoriously fickle, corrupt Gilded Age Society in which they live.
These women think for themselves, dream big, speak up, and take no prisoners. Four towering yellow-brick buildings on Chelsea’s 23rd Street cause Jezebel to propose that the four go eyes-wide-open into the business of vice to mask their real purposes, their true callings, their nefarious agendas, their mystical imaginings—to answer and fulfill the four real greatest needs of women in their generation.
See President McKinley or Die Trying
by
Fedora Amis,
It’s 1898. Eighteen-year-old Jemima McBustle stands at the crossroads of life. She can marry a “Man of Substance” and float through life in luxury. Or she can follow her idol Nelly Bly—forge her own way in a man’s world as a stunt reporter. After finessing a job at a St.…
Wed in an arranged marriage to a man nearly fifty years her senior, sixteen-year-old Eileen O'Connell goes from being one of five unmarried sisters to becoming the mistress of Ballyhar, the great estate of John O'Connor, one of the wealthiest and most influential men in Ireland.
