Here are 100 books that Eternity's Escape fans have personally recommended if you like
Eternity's Escape.
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I am a dystopian author who loves using writing to spread awareness about different social issues in society. As an avid reader, I feel like nowadays, the quality of literature has decreased. Authors have been focusing more on how close to trending topics and easy-to-read a book is than on its depth, themes, or any kind of element that is crucial in storytelling. This is why many recently published books have been difficult for me to connect with. As an author myself, I want that to change. Here’s a list of books that are so well written that it’ll feel like you’re riding a rollercoaster—of emotions.
Since Capsule was actually written by a teenager, anyone from Generation Z will be able to relate to this gut-wrenching tale about friendships and memories better left forgotten. Each character is both unique and human, and the writing makes you stare into space in awe. This novel throws difficult-to-swallow truths at the reader, and leaves them without oxygen with a fantastic ending. For anyone who has struggled, this book is for you.
#1 AMAZON NEW RELEASE • “Torrefranca has crafted a highly immersive and up-to-date work of fiction with plenty of techno twists and dangerous, exciting turns to offer its readers.” —Readers’ Favorite
Two students from Brookwood High School mysteriously go missing on the same night.
The first is Peter Moon, a heartless pescatarian who bashes students from Brookwood on his blog, turning everyone against him. The second is the adored Kat Pike, an audacious girl desperate to boost her adrenaline. Three days pass. No leads.
Indifferent to the disappearances, sixteen-year-old Jackie Mendoza remains immersed in her virtual…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I readTinker Tailor Soldier Spyfor the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spyis told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era.
This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin.
The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.
Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.
Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.
From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.
*** A Granta Best of Young American Novelists 2017 ***
The Tsar of Love and Techno begins in 1930s Leningrad, where a failed portrait artist employed by Soviet censors must erase political dissenters from official images and artworks. One day, he receives an antique painting of a dacha inside a box of images due to be altered. The mystery behind this painting threads together the stories that follow, which take us through a century and introduce a cast of characters including a Siberian beauty queen, a young soldier in the battlefields of Chechnya, the Head of the Grozny Tourist…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
A unicorn believes she’s the last of her kind and undertakes a quest to find where the others have gone. This might be my favorite book!
It plays with the fantasy genre in a way that few books can. It seamlessly mixes the whimsical with the mundane and it gives us memorable characters who are unique twists on old tropes.
What I love most about this book is seeing life through the eyes of the unicorn protagonist. She’s a timeless creature—unaging, unchanging—who finds navigating a mortal world to be puzzling, inconvenient, and, at times, terrifying.
Can you imagine being immortal and suddenly being forced to confront your own impossible mortality? Read this book and you will.
Experience one of the most enduring classics of the twentieth century and the book that The Atlantic has called “one of the best fantasy novels ever.”
The unicorn lived in a lilac wood, and she lived all alone...
...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
This gorgeous book is both metaphoric and literal. A young boy learns about dragons (and himself, his grandmothers, and life) on a mythical bedtime story-walk to find two very different paths.
I love the message here (and that it isn’t too in-your-face message-y; the story is really primary). But the art is so gorgeous that I could dive back into it over and over again for that alone.
Lean in close, my darling bao bei, and I will whisper a most precious secret about a powerful magic that lives inside you.
Brought to life with lavish and ornate illustrations, The Truth About Dragons follows a young child on a journey guided by his mother's bedtime storytelling. He quests into two very different forests, as his two grandmothers help him discover two different, but equally enchanting, truths about dragons. Eastern and Western mythologies coexist and enrich each other in this warm celebration of mixed cultural identity.
I was an avid reader of science fiction as a teenager and developed a love of science and how elegantly and yet how alive and ever-changing it is as we learn more. It explains the world. I couldn’t settle on any one field: physics, biology, neuroscience, astronomy, geology? So I began a writing career where I could draw on my faithful reading of Science News and popular science books. Scientific inaccuracies in fiction still irritate me (don’t get me started), and to the best of my ability Ι ground stories in what we know with some confidence, though science will always be a moving target. My recent book, Mixed Harvest, embeds fiction in archaeology and anthropology.
A controversial, scholarly attempt at synthesizing and organizing the foundations of world mythologies may seem a strange selection. It’s certainly an enormous task, and Witzel could be wrong, but this sweeping book tantalizes and enriches any open mind with an interest in mankind’s story on Earth: two great separate migrations out of Africa carried differing concepts of the world’s origins. The first made its way around India to Australia. In this story, the world had no origin, it always existed in Dreamtime. Mankind emerged into time and joined all creatures and their landscapes. The second migration into Europe and Asia brought the foundations of Western traditions. The story is more familiar: an all-powerful deity created the world out of chaos or primordial waters, fashioned and breathed life into human beings, and thrust them into a world of constant struggle and conflict. If for some reason that doesn't sound familiar, reread …
In this comprehensive book Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia'). By comparing these myths with others indigenous to sub-Saharan Africa, Melanesia, and Australia ('Gondwana Land') Witzel is able to access some of the earliest myths told by humans. The Laurasian mythologies share a common story line that dates the world's creation to a mythic time and recounts the fortunes of generations of deities across four or five ages and human beings' creation and fall, culminating in the end of the universe and, occasionally, hope for a new world.…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
Although I write in many genres, fantasy was my first love in reading. I fell in love with the possibilities of a boundless world. And as the years went on, I realized that fantasy could be more than just dragons and sorcery. Fantasy was this big umbrella that housed all the impossible dreams. So, I gravitated toward the genre. I also have an affinity for fun things. I don’t like to be sad, so I prefer movies, music, games, and books that revolve around fun and humor.
Although this isn’t the first book in the series, I find it the most fun. I have a deep love for the myth series because it was the first series of books I ever read. They are a very traditional fantasy story about a wizard, his dragon, and a demon he pals around with. But, it is a tongue-in-cheek comedy rather than a serious epic tale.
The series reads fine out of order and you could start anywhere, but this one is my favorite.
Skeeve is feeling rather restless and suddenly remembers the treasure map he bought on his last adventure. Knowing Aahz's lust for money, he shows him the map. Quicker than a Deveel at the Bazaar of Deva can take your possessions, they were off to find the Golden Cow! There were a few problems, aren't there always. Tanda decides that she is in on the hunt; for a share, of course. Since Aahz is not too up on vortexes, just dimensions, they have to visit a shifter at the Bazaar for directions - he/she/it gets a five-percent cut of the treasure…
I’m probably too dishonest to write a real non-fiction book, but the sort of non-fiction book that has some wiggle room for me to “improve” on reality when I think it needs tightening up, or a little more schmaltz—that’s the strange twilight area the books I write live in, and all irresponsible history books dwell in this neighborhood. Remember, kids, as long as you make it clear when you’re lying, it still counts as non-fiction!
GdS and HvD have assembled in this book such an overwhelming superflux of fascinating tidbits about ancient history, literature, and myth that reading it you barely notice that every conclusion they come to is completely bonkers and necessarily false.
There really can’t be any connection between ancient civilizations in Polynesia, Mesoamerica, India, and Finland—but the fact that someone dug up stories about whirlpools (!) from each place and located points of convergence among them is amazing! I feel like such a killjoy even bringing up my objections (that cloud doesn’t really look like a castle! that Rorschach blot doesn’t really look like your mother!) that I’ll just shut up. Hamlet’s Mill is a great work of science fiction, the most exhaustively detailed what if? you’re likely to find.
A truly seminal and original thesis, this is a book that should be read by anyone interested in science, myth, and the interactions between the two. In this classic work of scientific and philosophical inquiry, the authors track world myths to a common origin in early man's descriptions of cosmological activity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then forgotten, were really a form of pre-literate science. Myth became the synapse by which science was transmitted. Their truly original thesis challenges basic assumptions of Western science and theories about the transmission of knowledge.
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This is a short, easy-to-digest book, but what a genius book it is! While the other books are specifically about Greek myths, Armstrong deals with the question of myth across all cultures.
Her definition of a myth is one of the profoundest I have come across, and I regularly quote it: “A myth, it will be recalled, is an event that–in some sense–happened once, but which also happens all the time.” Hence why we can talk about the Oedipus complex and such-like: for they happen all the time.
As long as we have been human, we have been mythmakers. In A Short History of Myth, Karen Armstrong holds up the mirror of mythology to show us the history of ourselves, and embarks on a journey that begins at a Neanderthal graveside and ends buried in the heart of the modern novel.
Surprising, powerful and profound, A Short History of Myth examines the world's most ancient art form - the making and telling of stories - and why we still need it.
The Myths series brings together some of the world's finest writers, each of whom has retold a…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
The Oxford Companionis an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companionoffers ideas from Abraham to Ziusudra.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In The Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our…
