Here are 100 books that The Dream of the Ridiculous Man fans have personally recommended if you like
The Dream of the Ridiculous Man.
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I've been reading science fiction since the age of seven, when I first read Madaleine L’Engle’s A Wrinkle in Time. Then it was Podkayne of Mars by Robert Heinlein,A Rite of Passage by Alexei Panshin, Dune by Frank Herbert, The Lord of the Rings by J.R.R. Tolkien, etc. My list is in honour of Women’s History Month and to recognize the gifted female writers of the past who faced discrimination in the publishing world and yet still triumphed. When I started writing fiction, with my medical background, it had to be about medicine. Thus The Grace Lord series was born. My protagonist, Dr. Grace Lord, is a fearless and compassionate combat surgeon.
Murasaki Shikibu was a lady of the Heian Court of Japan in the eleventh century and has been credited with creating the first novel ever written.
The Tale of Genji has stood the test of centuries. It reveals a world of political machinations, danger, passionate intrigue, and forbidden love in an exotic setting of a time long forgotten. Genji is the son of an emperor and, once you read him, you will understand why his tale is still so popular today.
In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world’s first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.
Genji is the favorite son of the emperor but also a man of dangerously…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
Why not start with the oldest surviving long-form narrative there is. While purporting to account for the late reign of the very real King of the very real Sumerian city-state Uruk, the epic of Gilgamesh—very like the epics that the Greeks would offer some 4 to 14 hundred years later—trots out a world replete with the goddesses, monsters, magical drums, forests, and sacred undersea plants. The flavor of this world is first and most memorably signaled by the deliberate creation of a rival for its protagonist. Sculpted from river clay, then sexually domesticated by a temple maiden, the wild man Enkidu fights his way into a lifelong bromance with Gilgamesh that eventually confronts each with his own mortality. Again, for being the oldest such tale we know of, and for having to be chiseled on tablets, the whole thing holds up as a very living document, wildly entertaining, psychologically…
An English-language rendering of the world's oldest epic follows the journey of conquest and self-discovery by the king of Uruk, in an edition that includes an introduction that places the story in its historical and cultural context.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
The Bible, by committee. Well, sure. Provided we can leave to others—or maybe just to each individual reader—the problem of deciding which parts are the history, which the myth, and which seem to be, let’s just say, imaginatively conceived (and which of these can claim the firmest purchase on the Truth we should probably also leave to the reader), the Good Book remains the deconstructed prototype for the kind of literary braid we’re talking about, the all-time album of mirrors, fashioned from pretty much all the same genres we still write in—poetry, philosophy, allegory, parable, vignette, epistolary, horror, and IKEA instruction manual.
Regarding the blend of the natural and supernatural, the moment I’ve been looking at with students recently—this for a class I’ve offered on the subject of mental health and literature—is the meeting of Jesus and the Gerasene Demoniac,…
The top-selling ESV Thinline Bible is ideal for use at home and on-the-go. At one inch thick and available in multiple designs, there is a perfect ESV Thinline Bible for everyone.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
No, not the Donna Tartt novel, which I also like a lot, but the 6th-century text from which she copped her title, the one by Procopius about the reign of Justinian and Theodora (admirably and unflinchingly translated by Richard Atwater). I have a weak spot for the work of “contemporaneous” historians, especially when their self-interest is so patent. The great virtue of such texts is that they remind us: as wild and wonderful as the human imagination may be, there’s some stuff you just can’t make up. In the case of Procopius, however, it’s not clear that he isn’t making this stuff up, the Secret History being an alternate account of his experience in the Imperial court, the one he kept in a locked drawer just in case the Barbarians ever took over and needed proof he wasn’t just a toady to the former regime.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Procopius of Caesarea (in Palestine) is the most important source for information about the reign of the emperor Justinian and his wife Theodora. From 527 to 531 Procopius was a counsel the great general of the time, Belisarius. He was on Belisarius's first Persian campaign, and later took part in an expedition…
I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.
Cameron Battle has to be one of the most tenderhearted characters I’ve ever read.
He’s a sweetheart, and just the right hero for this African-inspired fantasy as Cameron portals with his friends into the world of Chidani. There are dangers at every turn, but Cameron handles them all by trusting in his friends, his compassion, and his desire to learn what happened to his parents.
Along the way, I was inspired by Cameron learning more about his family ancestry as well as his own identity.
Percy Jackson meets Black Panther - this blockbuster middle-grade fantasy adventure is perfect for fans of Amari and the Night Brothers.
Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron's only connection to his parents, who disappeared one fateful night two years ago.
Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends, Zion and Aliyah, decide to open it again,…
I have been fascinated by the weather since as a schoolboy I avidly followed the cricket scores and the fate of tomorrow’s match. This co-dependence of my passion for cricket with the state of the weather turned into a professional career as, first, a research scientist and then later a professor of geography, I studied the idea of climate and the many ways in which it intersects with our social, ecological and imaginative worlds. As human-caused climate change became a defining public and political issue for the new century, my interests increasingly focused on understanding why people think so differently about the climate, its changes, its future trajectory—and what to do about it.
This short punchy book is written by ex-policy advisor Alex Evans, following his disillusionment with high power international climate politics. Having worked for the British Government and for the UN Secretary-General in the 2000s, Evans realised that scientific evidence and rational arguments were not enough to change the world for the better. In The Myth Gap, he therefore makes the case to recognise – or else to create – different stories, or myths, which provide the orientation and motivation for different people groups to act out change in their own different worlds. No one story will do the job; we need many.
Why, with absolutely no idea what Brexit actually meant, did the UK vote for Brexit? Why, rather than vote for the best-qualified candidate ever to stand as US President, did voters opt for a reality TV star with no political experience? In both cases, the winning side promised change and offered hope. They told a story voters longed to hear. And in the absence of greater, more unifying narratives, then true or not, voters plumped for the best story available. Once upon a time our society was rich in stories. They brought us together and helped us to understand the…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
Although I write in many genres, fantasy was my first love in reading. I fell in love with the possibilities of a boundless world. And as the years went on, I realized that fantasy could be more than just dragons and sorcery. Fantasy was this big umbrella that housed all the impossible dreams. So, I gravitated toward the genre. I also have an affinity for fun things. I don’t like to be sad, so I prefer movies, music, games, and books that revolve around fun and humor.
Although this isn’t the first book in the series, I find it the most fun. I have a deep love for the myth series because it was the first series of books I ever read. They are a very traditional fantasy story about a wizard, his dragon, and a demon he pals around with. But, it is a tongue-in-cheek comedy rather than a serious epic tale.
The series reads fine out of order and you could start anywhere, but this one is my favorite.
Skeeve is feeling rather restless and suddenly remembers the treasure map he bought on his last adventure. Knowing Aahz's lust for money, he shows him the map. Quicker than a Deveel at the Bazaar of Deva can take your possessions, they were off to find the Golden Cow! There were a few problems, aren't there always. Tanda decides that she is in on the hunt; for a share, of course. Since Aahz is not too up on vortexes, just dimensions, they have to visit a shifter at the Bazaar for directions - he/she/it gets a five-percent cut of the treasure…
In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.
The comparative mythologist, Joseph Campbell is probably best known for A Hero with a Thousand Faces, but it’s another book—Pathways to Bliss—that I turn to like a travel guide to my own spiritual journey. In prompting readers to explore archetypes to help them create their personal mythology, Campbell believes that life should be a journey to finding our bliss. This is a book about personal growth for people who want to self-discovery in a larger—mythical—context.
Joseph Campbell famously defined myth as “other people's religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment — or, as he called it, bliss. For Campbell, many of the world's most powerful myths support the individual's heroic path toward bliss.
In Pathways to Bliss, Campbell examines this personal, psychological side of myth. Like his classic best-selling books Myths to Live By and The Power of Myth, Pathways to Bliss draws from Campbell's popular lectures and…
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, they’ll do the same for you.
I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.
Vogler’s book—heavily influenced by Joseph Campbell’s Hero with a Thousand Faces—showed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warrior’s journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.
I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
The Oxford Companionis an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companionoffers ideas from Abraham to Ziusudra.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In The Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our…