100 Books Like Essays of Elia

I love the rawness of Samantha Irby’s writing—she says it like it is. When I read her essays, I’m peeking in on her uncensored thoughts about the mundane, which are unrefined, real, and hysterical to me. Like many of us, I enjoy reading/hearing someone not trying to “polish a turd.”

While reading her book, my mind equally thinks: "I CANNOT believe she just wrote that” and “Tell me MORE.” 

I love Max, he always makes me laugh because he is so naughty and mischievous. He is utterly unafraid of going against the grain of social propriety, or admitting to his own selfish motives, jealousies, and contrariety. He has a wonderfully conversational style that engages the reader without pandering. (I should also admit that I wrote the introduction to this collection).

No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.

I could potentially recommend any of Sedaris’ early works. Pick one, you won’t regret it.

Sedaris has a way of taking our most mundane lives and making them hilarious. His style can be best described as memoirs meet standup comedy. We’ve all had those weird, awkward family moments. Sedaris does a great job of making them funny. Warning: people tend to look at you rather oddly and give you space when you listen to the audiobook while out walking alone. 

Sloane Crosley’s first collection of literary essays is a hilarious celebration of emerging adulthood.

Her vulnerability and clever wit are on display as she navigates the hijinx of making a life in New York City. Crosley’s distinct writer’s voice has stuck with me through my transition from teacher to author. 

Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.

Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’

I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.

This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.

The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.

A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.

I found this delightful, well-written account of great interest and reference. It covers the widespread passion for all aspects of natural history during the Victorian era, how the collectors of ferns, seashells, birds’ eggs, and skins, butterflies, beetles, orchids, and all manner of curiosities from the natural world, pursued their hobbies. This general acceptance by society led to the formation of clubs, articles, and even specialist journals and popular lectures by amateurs and scientists.

Beautifully illustrated, this book, even though constrained in its timeframe, provides a wonderful introduction to the topic. Since I cover many of the people and motives included here, I much enjoyed another writer’s perspective on them.

This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.

Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.