100 Books Like End of Story

I’m a firm believer that a fulfilling, interesting, adventurous life isn’t just for the young, and that’s one thing I loved about this book and its dual storyline between a young woman and her grandmother.

It reminded me that a change in perspective often does wonders and that love can often be found in unexpected places. 

Years ago, before we had books out in the world or even deals to publish them, I once saw Gretchen Schreiber describe her book as The Breakfast Club set in a hospital. I was immediately beyond sold, and since then, I’ve enjoyed watching every step of that book coming into existence.

This novel explores something about chronic illness and disability that I think about often–the way we almost divide ourselves into two people. For Ellie, that’s who she is in the hospital versus who she is outside of it. For me, that’s one person who’s allowed to be sick and one who isn’t. 

As a person with strong ties to biology, I love that in this book, vampires and werewolves are no more magical or supernatural (and therefore also no more immortal) than any human; they just came from different branches down the evolutionary tree.

What I really liked were the dialogues–the sarcasm, verbal power games, and dry humor. And the character development, where an isolated person learns that opening up and accepting friendship and the feeling of belonging requires courage because it also makes one more vulnerable.

Cara Bastone is one of my auto-buy authors; any of her books would make this list. Her magnetic prose and fully realized characters always draw me in. In this book, Eve discovers she’s pregnant after a one-night stand.

I’m not usually a fan of pregnancy romance, but this story captured my heart and made me sob by the end. And the hero, Shep, is one of my favorite romance heroes ever! I love how Cara writes about men with big hearts who aren’t afraid to show their feelings, and Shep fits that description to a T. 

Ahh, Tia Williams, how I love thee. Out of the two perfect New York-set romances she has written, this one is the one that has a somewhat unexpected magic realism twist. This Harlem-based beauty follows two timelines—the present day of our protagonist Ricki, an impulsive, artistic florist with a mission to revitalize Harlem with flowers, and the 1920s jazz-soaked Harlem Renaissance era of our romantic hero Ezra, a grumpy, mysterious jazz musician.

The perplexing nature of how their worlds intersect and the deep passion of their relationship gives this romance so much fire and drive. It’s also very much a love story to Harlem, with a fabulous sub-plot about Ricki’s community initiative and how her colorful friends get on board. I honestly couldn’t put this one down!

I am a sucker for lifelong friends to lovers with a bit of the taboo, and this book delivered!

Our hero is a sexy hockey player with a dark past, and our heroine is a dancer with an overprotective and controlling family. When, on her wedding day, she learns the jerk she’s being forced to marry has been cheating on her, she runs right into the arms of her childhood crush and friend Jasper, who offers to whisk her away so she can figure out what to do and how to face her parents.

Jasper and Sloane were made for each other from page one, and I loved rooting for them! Add in the delightful small-town vibes, the belonging that comes from being part of an amazing, tight-knit family, and some steamy times, and it’s a recipe for an all-nighter (reading, that is).

Though this story is part of a… show more.

This book made me laugh, cry, and swoon…so it’s basically everything I want from a romance. It’s about living in the present and realizing that all of our experiences shape who we are. Every element of this story is pitch-perfect, in my opinion, with just the right balance of introspection, heart, and humor.

The characters are endearing and relatable, and I was rooting for them the whole time.

Okay, this book has a plot that you may find a bit difficult to believe, but that’s what I love about it. Daphne moved to her fiancé’s small hometown, where she knew no one to start a new life with him. Except, he dumps her for his childhood friend, Petra, who dumped her fiancé, Miles. And Daphne and Miles become roommates.

Emily Henry makes it work. I love how she defined the characters, especially Miles, who’s brooding and listens to sad music. But there’s another side of the man; he’s outgoing and knows everyone in town.

I do like a good forced proximity trope, and Henry has written a fine one. But this works for me because, like all of her work, the story is expansive. She tugged me into this universe, and I couldn’t let go. I was totally invested in Daphne and Miles’ relationship. 

This is a quiet, subtle novel that gives you insight into the dynamics of Japanese culture, family, and community. Also, the main character is bordering on what the Japanese call a day-old Christmas cake. I particularly resonate with her perspective, and I bet a lot of other women do, too.

In Japan, they have a term for any woman who is over the age of twenty-five and not married, and this is… you guessed it, a day-old Christmas cake! When I lived there, I had already shown up in the country as a day-old Christmas cake, and that’s one of the reasons I love this novel and its tackling, albeit softly, of these types of issues.

With Laura Warrell’s lyrical book, I discovered a different sort of narcissist dad—the musician kind! Also, the womanizer kind. 

I don’t know much about jazz, but you don’t need to know about it to get swept up in Warrell’s story of a trumpeter with the great name Circus Palmer and the female players around him, including his yearning daughter Koko. I admire how Warrell brings you close to Circus and the many women characters: this is no simple story about a man ignoring or abandoning his loved ones.

Circus comes to life, you can almost hear him play, and the novel leaves you with the awareness that a young woman can love and be shaped by a dad, even an absent, maddening one—and even that relation can have a sweet melody.