Here are 98 books that Electra fans have personally recommended if you like
Electra.
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My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantisā The Murderess and Pantelis Prevelakisā The Sun of Death.
My journey to specialising in gender and revenge in ancient Athens began when I read this trilogy of tragedies by Aeschylus in the original ancient Greek. These plays captivated me because of their stunningly powerful and breathtakingly beautiful use of imagery and language.
The characters are equally striking, especially the clever and determined queen Clytemnestra, a ruthless and duplicitous killer who murders her husband in the bath. In turn, her son Orestes is faced with the dreadful prospect of killing his own mother to avenge the death of his father. Performing matricide brings forth the terrifying Erinyes, goddesses of vengeance, who demand that Orestes pay the price.
The powerful female characters and the dilemmas of the revenge plot are what make this trilogy one I return to time and time again.
Agamemnon *Libation Bearers *Eumenides Aeschylus' Oresteia is the only trilogy to survive from Greek tragedy, and the religious and moral ideas it enacts afterwards influenced a great dramatic genre, as well as giving its three plays their lasting significance. In this family history, Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies, breaking the bloody chain; together gods and humans inaugurateā¦
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesāall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueā¦
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantisā The Murderess and Pantelis Prevelakisā The Sun of Death.
This translation of four of Euripidesā plays features his three best female avengers.
Electra is the loyal daughter who conspires with her brother Orestes, to avenge the killing of their father by slaughtering their mother, Clytemnestra. Hecabe is the fierce maternal figure who exacts revenge for her dead son Polydorus on the man who killed him for his riches. Medea is the murderous mother who avenges herself on her faithless husband, Jason, by killing her own children to destroy his family line.
The power of these plays is in the way their plots build as the women move from grief to anger, culminating in their fatal acts of revenge and leaving the audience to ponder on the nature of justice.
Four devastating Greek tragedies showing the powerful brought down by betrayal, jealousy, guilt and hatred
The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, whileā¦
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantisā The Murderess and Pantelis Prevelakisā The Sun of Death.
This lucidly written scholarly book considers how revenge was understood in ancient Athens and what the implications of this understanding are for reading tragedies whose plot lines feature revenge.
My favourite chapter is the one on Sophoclesā fragmentary Tereus, in which Procne takes revenge against her husband, Tereus, for raping and mutilating her sister Philomela, by killing her son Itys and serving him to his father in a pie. It is a compelling and horrifying storyline that influenced Shakespeareās Titus Andronicus.
Burnettās careful reading seeks to reconstruct the fragments of the play to explain how the playwright delivered this extreme violence as a tragic revenge plot.
Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view ofā¦
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extortsā¦
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantisā The Murderess and Pantelis Prevelakisā The Sun of Death.
The focus of this book is on the power women could wield through public lamentation of the dead, with particular attention to their abilities to demand vengeance through their songs.Ā Holst-Warhaft makes use of modern Greek laments to put forward an argument about the dangers of womenās voices instigating violence and to suggest this is why the ancient Athenians wanted to restrict womenās lamentation.
I find particularly fascinating the preserved laments of women from Mani where they claim to have taken revenge themselves, such as the nineteenth-century lament of Kalopothos Sakkakos in which his sister Paraski says she poisoned his killers (her husband, father-in-law, and brother-in-law) in revenge.
The intersections between motifs in these folk songs and ancient tragedies are enlightening.
In Dangerous Voices Holst-Warhaft investigates the power and meaning of the ancient lament, especially women's mourning of the dead, and sets out to discover why legislation was introduced to curb these laments in antiquity. An investigation of laments ranging from New Guinea to Greece suggests that this essentially female art form gave women considerable power over the rituals of death. The threat they posed to the Greek state caused them to be appropriated by male writers including the tragedians. Holst-Warhaft argues that the loss of the traditional lament in Greece and other countries not only deprives women of their traditionalā¦
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to āescapeā American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this book because Beneatha Youngerās insatiable curiosity about the world beyond the South Side of Chicago propels her to make important decisions about her life. It drives her right into the arms of a man (Asagai) willing to be alongside her as she explores. Beneathaās audaciousness inspires me.
"Come to A Raisin in the Sun as you would to any classic. It speaks to us today as it did almost half a century ago." Bonnie Greer In south side Chicago, Walter Lee, a Black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme,ā¦
Iāve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This book is a masterwork of more than thirty years of research into why people tell stories. Booker breaks down literature into seven archetypal themes which occur across all types of stories. Using a wealth of examples ranging from ancient myths and folktales to plays and novels of great literature to the popular movies and TV soap operas of today, he demonstrates how these archetypal themes have remained constant over the generations. Not everyone will agree with Booker, but everyone will learn from himāabout reading, writing, and understanding. This fascinating read provides writers with a new way to look at their own plotting and tap into the heroās journey.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate toā¦
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideasā¦ for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,ā¦
Iāve been a writer since I was fourteen (possibly before that) and Iāve been an official freelance proofreader/copyeditor since 2019. Iāve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. Iāve garnered enough experience in both fields to, at least, be considered.
Another excellent book about plot and the importance of making sure you have a good one. The difference between a good plot and a great plot is a bestseller. If you want your storyās plot to speak of mastery, do not miss out on reading this insightful book. Add it to your personal library for good measure. Itās always a good idea to have it there, so you can reference it in the future even after finishing it.
Discover how to create stories that build suspense, reveal character, and engage your audience with this ultimate guide to writing.
When it comes to writing bestsellers, it's all about the plot. Trouble is, plot is where most writers fall down-but you don't have to be one of them. With this book, you'll learn how to create stories that build suspense, reveal character, and engage readers-one scene at a time.
Celebrated writing teacher and author Martha Alderson has devised a plotting system that's as innovative as it is easy to implement. With her foolproof blueprint, you'll learn to devise aā¦
I like to write about everyday people whoāwhether by overconfidence or desperationāare motivated to solve crimes that hit close to home. My first novel Girl, 11 is about a true crime podcaster investigating a serial killer who terrorized her town decades earlier, and my newest book Lay Your Body Downis about an ex-fundamentalist Christian who returns to her insular community to expose the churchās secrets and uncover the truth of who killed the man she once loved. Normal people can and do solve mysteries before policeāand even when detectives are involved, they rely on members of the community. Those are the stories I love to tell.
Megan has been transparent about the fact thatBehind the Red Dooris not the most popular of her books, but itās my personal favorite!
Fern Douglas is out of the loop: a missing woman shows up on the news whose famous kidnapping two decades agoāand subsequent returnāeveryone seems to have heard about. But Fern has no memory of that story; she only knows that she has seen the womanās face before, and she comes to fear that she might have somehow been involved in what happened to her.
This book has one of the best portrayals of chronic anxiety Iāve read, and one of the most twisted and f-ed up stories, which I absolutely tore through. Read it, and prepare to be chilled to the bone.
"A haunting thriller" (PopSugar) about a woman who believes that she has a connection to a decades old kidnapping and begins a frantic investigation to find out what really happened when the victim goes missing again.
When Fern Douglas sees the news about Astrid Sullivan, a thirty-four-year-old missing woman from Maine, she is positive that she knows her. Fern's husband is sure it's because of Astrid's famous kidnapping-and equally famous return-twenty years ago, but Fern has no memory of that, even though it happened an hour outside her New Hampshire hometown. And when Astrid appears in Fern's recurring nightmare, oneā¦
Iām a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. Iām particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
Not all archival work entails Indian Jones-style quests for hidden treasures; Steggleās bookāwritten at a crucial point when digital databases such as Early English Books Online and Google Books were accessible but rarely utilised to their maximum capabilitiesāproved how much crucial knowledge is hiding in plain sight. Steggle used a variety of search strategies to solve cruxes and mysteries that have plagued theatre historians for centuries, recovering the subject matter of lost plays that scholars routinely ignored on account of their opaque titles and scant evidence.
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays' authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracyā¦
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicitā¦
Iāve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer.Ā Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But Iām here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, youād probably tell me to get lost.
But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors.
Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapterā¦
