Books like Eisenhorn — picked by fans

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

What I enjoyed most about this book was the story and plot that the author wove together.

This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.

Just when I thought I'd figured out where it's headed, it veers in another direction.

This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).

The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.

A man is chosen. A hero emerges. Deep, dark future action and adventure at its story-telling best. As a beast created to kill other beasts, what keeps Ragnar in check? What controls his path? Great questions, but who cares? These are adventures of the purest, most entertaining form. King offers the perfect balance of action and coming-of-age in a dystopian future. As the main character, Ragnar Blackmane can best be described as a noble savage, ascending within the pantheon of heroes that leave their mark on the galaxy. It’s this combination that makes it all work, and I wish King would have written more. 

A dystopian novella that seems confusing at first but makes sense as you continue along. It requires piecing together broken memories, broken friendships, and flashes of emotion that are rarely understood. Each glimpse lasts only eight minutes and thirty-two seconds. It’s quite an incredible feat of storytelling. I read this in one sitting with the sun setting outside and me barely even noticing that time existed. I was fortunate enough to know and work alongside Salomon before his recent passing and this was a book I was privileged to provide a blurb for. I was blown away by the story that unraveled before me. I promise you will be too. 

Yoko Ogawa’s dystopian, magical realist novel delves into the darkness underneath our pursuit of—if not the normal—the routine. We witness a protagonist’s world shrink day by day through legally enforced forgetting. As the situation on the isolated island in which the protagonist lives deteriorates, perhaps the most terrifying part is that she finds herself complicit in her own isolation and near-total lack of agency.

In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?

I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.

Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it. 

Set in a post-apocalyptic world where the last human left alive is a young boy, Fisher, this dystopian, fast-paced adventure story lets us glimpse a future where people tried...and failed...to save humanity. Determined to find out what happened, Fisher heads out on a wild journey with his robot, Click. This is one of the most unexpectedly laugh-out-loud middle grade novels I’ve ever read, and it combines the hilarity with incredible action scenes and a truly creepy “bad guy.” I devoured it in one sitting—this is a book I wish I could read for the first time again.

I discovered this book in 1985, reading and re-reading the book during high school and, eventually, buying the worn-out copy from the library before graduation.

While it may seem to be a dystopian story – it takes place after a nuclear-biological armageddon, after all – it’s an early example of hopepunk. Candy Smith-Foster repeatedly puts the good of others, including her macaw, Terry (short for Terry Dactyl), ahead of her own welfare. Not bad for a preteen facing the destruction of all she knew.

How much of an impact did this have on me? One of the reasons Kendra’s name starts as Foster-Briggs is to honor Palmer’s masterwork.

I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.

The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.

As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.