Here are 100 books that Echolalia fans have personally recommended if you like
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I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.
SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2019
"There is a poetry in Mills's writing that shimmers like desert air - and in her storytelling, in the way she captures the moods of time, there is something mystical. Daring, original and ambitious." The Australian
An electrifying novel about an oracle. A small town. And the end of the world as we know it...
One morning, the residents of a small coastal town somewhere in Australia wake to discover the sea has disappeared. One among them has been plagued by troubling visions of this cataclysm for years. Is she a prophet?…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Growing up in the sub-tropics of Brisbane, there was a magic in the heat. It was one that spoke to me from a really young age, and I’d daydream about finding portals to secret worlds in the stutter of a sprinkler’s spray, or the ooze of a monster in mid-afternoon sweat. There was no way I couldn’t find a story in the oppressive swelter of year-round summers, and in my head, I’d cast roles for my family and my friends. Over the years, that bred into a love of writing and reading stories about strange families finding their own sorts of magic with each other and their environments, and the ways that little taste of the uncanny can reveal and conceal in equal measure.
There’s a lot of pandemic fiction, but rarely are they as creative and thrilling as this. The zooflu that rips through Australia allows people to talk to animals while they’re sick, and when it inches towards the family-run zoo at the heart of this novel, tensions rise and bonds are tested, especially between addict Jean, her granddaughter Kimberley, and prodigal son, Lee.
Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She's never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.
As disturbing news arrives of a pandemic sweeping the country,…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.
Robbie Arnott's mad, wild debut novel is rough-hewn from the Tasmanian landscape and imbued with the folkloric magic of the oldest fireside storytellers.
A young man named Levi McAllister decides to build a coffin for his twenty-three-year-old sister, Charlotte-who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire.
The answers to these riddles are to be found in this tale of grief and love and the bonds…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
Oh, wow, this book is like a giant playground for the English language.
Every page is overloaded with jokes that literally go on forever, stories that end up right back where they started, puns and illusions, and poetic pretzel-knots, all illustrated with wild line-drawings and hippie-trippy 1960s colors.
I spent hours getting lost in this book as a child, and my kids loved it just as much as we giggled at the pages together.
A New York Times Best Illustrated Children's Book of the Year.
In Arm in Arm, Remy Charlip, the great children’s book author and illustrator, is at his most playful, his zaniest, funniest, and cleverest. He rewrites the rules of riddles, tongue twisters, puns, and performance-based play, or rather, throws all rules out the window. Some pages require turning the book completely around, 360 degrees. A magnifying glass may also be useful. It is a book for kids of all ages.
I am an author living in the depths of rural France. I currently write humorous memoirs about our wacky lives here in a rural backwater where we’re surrounded by meadows, forest, and a motley collection of mostly rescued animals. Aside from being a passionate animal lover, I have a special interest in reading accounts of others who travel and those who have relocated to a different country. After a long day’s work on our domaine, there’s nothing better than curling up on the sofa—cat on my lap, dogs in a happy heap—and getting lost in a great memoir. A glass of wine never goes amiss, either.
I adore a well-written memoir, and Victoria’s is a treasure.
The author's accounts of life in Australia are fascinating and illuminating, and the tales involving animals and her grandchildren had me in stitches. It's a delightful read; I can't wait for the next episode.
Life is good. The grandchildren are thriving despite swallowing magnets and sticking crayons up their noses. Joe and Vicky plan a road trip with their dog, Lola. However, after disturbing dingoes, entering zombie zones and breaking the law, they learn life on the road is rarely relaxing. Meanwhile, farmers anxiously watch their fields turn brown as a terrible drought grips Australia. Even worse, bushfire season arrives early, and flames rage across the land. Will love and laughter be enough to keep the Two Old Fools and their family safe from harm? Fans of James Herriott, Gerald Durrell and Bill Bryson…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
I read this story in my teens and as a result, spent years wanting to join the navy. (That did wear off!) Having read it again recently, it seems a much darker story than I had remembered. But the mystery at its heart won’t let you go. Nevil Shute was a great storyteller and like many writers of his generation had many experiences to draw on. The story is quite slow-moving, but poignant—heartbreaking in fact. Gradually, he unfolds the mystery of Jessie Proctor, an Englishwoman working for a family in Australia. It begins with Jessie’s suicide and we uncover the events that have haunted this young, ex-servicewoman’s life. As Shute says, "a war can go on killing people for a long time after it’s all over."
The mysterious death of a young woman on an Australian farm reveals a bittersweet story of doomed wartime romance amidst a family crisis.
Alan Duncan returns to his family home in Australia after the war and several years of study in England. But his homecoming is marred by the mysterious suicide of his parents' quiet and reliable parlour-maid. A search through her belongings in search of clues leads to heartbreaking revelations about the woman's identity, the death of Alan's brother Bill and, above all, the disappearance of his brother's fiancee, Janet.
I am an Australian author and an avid reader. Although I love reading books set in other countries, I particularly enjoy stories that take place in Australia, as I can really identify with them. I especially relate to those set in the Australian outback or small rural towns, as for several years I lived in remote indigenous communities in the Northern Territory. I understand how in small towns it is very difficult to keep secrets, as everybody knows everyone else’s business, and I now realise this is becoming an underlying theme in my writing. I have a Master of Arts in Creative Writing from the University of Tasmania.
Metal Fish, Falling Snow is a terrific Australian road trip story, with a gorgeous cover. After Dylan’s mother suddenly dies, her mother’s boyfriend Pat drives her across the country to join her absent father’s family. During the trip, while experiencing the wilds of outback Australia first hand, Dylan gets to know Pat better. The novel deals with grief and evolving relationships, and is a very satisfying read.
When her mother dies, Dylan struggles to find her identity. An outback road-trip with her mum’s grieving boyfriend sees an unlikely bond develop. But it won’t last…
Dylan dreams of sailing across the ocean to France with her mother. Paris, Dylan imagines, is a place where her black skin won’t make her stand out, a place where she might feel she belongs.
When she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across the Australian outback in the care of her mother’s grieving boyfriend, Pat. As they pass through remote…
I’m a horror writer to the core, always have been, so few things get me as interested as a great collection of short stories. I can remember a few corkers that really put the wind up me as a kid, and it seems I’ve been chasing that feeling ever since! Australia is my home, and it has a broad and diverse genre scene that deserves a lot more attention – I’ve befriended a great many authors of horror, fantasy, SF, and all points in between, and to a person they are lovely, generous, and talented. I’m doing my part to draw attention to the proliferation of vital voices down here.
Much extreme horror presents us with cardboard characters who are ripped and torn with no real consequence – but Aaron gives us deeply felt people who pulse on the page, which means it really hurts me as a reader when he subjects them to brutal and unforgiving fates.
His fiction aches like unacknowledged truth, displaying an empathy that doesn’t gloss over the horrors of this world and the next, and feels intimately personal whether he's delving into family dramas, failed relationships, queer themes, or sophisticated splatter.
While his work mostly details the horrors we inflict upon each other, even with the best of intentions, it’s too broad to be kept in one box – and if it was, it would surely cut its way out and come for your heart next.
An agency that sends social workers into the homes of grieving families to impersonate dead loved ones... The kind old woman who saved a teenager's life but now finds herself haunted by the weight of a cheated suicide... And the daughter of a candlestick maker as she tries to survive a painful existence after her father's execution for making human chandeliers of drunken cowboys... These stories and more-ranging from supernatural to the frighteningly domestic, Splatterpunk to the weird and cosmic-stain the pages of Cut to Care: A Collection of Little Hurts by Aaron Dries. They serve as a timely reminder…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
Respectfully, The Trauma Cleaner does not sensationalise the fact that Sandra was a trans woman.
This biography eloquently tells the story of Sandra Pankhurst, who grew up in Melbourne in the 1960’s as Peter. Krasnostein deftly crafts a tale through Sandra’s current career as a trauma cleaner, who cleans up death, helps hoarders, and attacks messes barely a soul would peek at.
Whether it’s through the eye-opening spectrum of vocations Sandra’s experienced or the stark and neglected upbringing she endured, I was shown the many transformations Sandra went through. Sandra freely giving love and acceptance to those we turn away from touched me and made me wonder which of her lived experiences led her to live her life with such empathy.
Husband, father, drag queen, sex worker, wife. You've got to hear Sandra's incredible story.
Sarah Krasnostein's The Trauma Cleaner is a love letter to an extraordinary ordinary life. In Sandra Pankhurst she discovered a woman capable of taking a lifetime of hostility and transphobic abuse and using it to care for some of society's most in-need people. Audible's editors fell in love with Sandra because of her warmth, humour and grace, and we think you will, too. Here’s what we thought of The Trauma Cleaner:
"As an acquiring editor at Audible, I read a huge number of books but this…