100 Books Like Eastbound

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.

I was raised a Quaker in England in the years after the Second World War. Quakers don’t have creeds, but they have strong beliefs about such things as the immorality of war. In the 1950s there was also huge prejudice, particularly against homosexuality which was then illegal. Issues like these gnawed at me throughout my 55-year career as a philosophy professor. Now 82 and finally retired, I'm turning against the problems of war and prejudice, applying much that I've learnt in my career as a philosopher interested in evolutionary theory, most particularly Charles Darwin. For this reason, intentionally, Why We Hate: Understanding the Roots of Human Conflict is aimed at the general reader.  

I am a photographer based in Oxford who has published books for 40 years. I love to be outside, whether it's enjoying the urban landscape of historic Oxford or the wild beauty of the Scottish hillside. The charm of the natural world and the romance of historic buildings are equal enthusiasms. To capture some essence of this, either by camera or paintbrush is a true skill. And it's not easy! To really create a new view is a constant challenge which is my driving force, in my own books I try for images that are just slightly different, atmospheric, romantic, yet always recognisable. I love to search out others who achieve the same, this is why I love these books.

I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style. 

I have been in various militaries for over 17 years and am proud of my service. Troubled Zen is my first foray into the publishing world and I’m proud of what I’ve achieved. I enjoy the ex-military hero-style action/ thriller novels because I find that I can understand their mindset and relate well with their characters. I found most were male, ex-special forces so I chose a female Explosive Ordnance Disposal member as I believe that there are plenty of aspects to investigate that can show how a woman can be equally tough, stubborn, ingenious, brave, and determined.

I’m Marsali Taylor, a retired teacher of English, French and Drama. I’ve always been interested in women’s history—not queens and countesses, but what life was like for ordinary people like me. A chance to research women’s suffrage in the Scottish National Library got me started reading these women’s stories in their own words—and what stories they were, from the first women graduates to the war workers. Women’s Suffrage in Shetland took two years of fascinating research, and I hope it’s the foundation for more work by other researchers, both here in Shetland and in other communities whose women fought for the vote.

As an author, it’s all about character for me. I like to find characters doing the unexpected, finding strength when they thought all was lost, and fighting back when it seems hopeless. I write these kinds of characters, and often it’s a woman in the lead role where they face additional challenges and obstacles in their path—solely because of their gender. Working for 29 years in some of the toughest prisons in the country, I worked with strong, kickass women. I can't but help for some of their influence to bleed out on the page. I know you’ll enjoy these titles as much as I did.

I’ve probably been a naturalist since I was a child. I vividly recall having conversations with snow-capped mountains at the age of five. The most alive moments of my childhood were spent outside, and in that sense, not much has changed. I no longer live in the foothills of the Himalayas. Instead, I live in the high desert in New Mexico. But nature is as strongly present in my life now as it was then—what is new is the awareness of how swiftly nature is changing. While I read widely, books rooted in the natural world have a way of making their way to me—and it’s a joy to recommend them to passionate readers. 

As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.