83 Books Like E. H. Carr

While I grew up at the tail end of the Cold War, there was something in The Mouse that Roared that really spoke to me. The way that it takes an already absurd reality to an extreme really spoke to my own sensibilities and humor. History books tell the facts, but stories like this reflect how absurd the geopolitical culture must have felt to most people. It’s akin to Dr. Strangelove, not only in being a Cold War satire, but in the absurd and extreme nature of the farce. It influenced my own political satire heavily.

I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.

Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.

Rarely do I find a sequel as good as the first book. 

When clever ideas from the first book peter out, sequels lose their freshness and sense of wonder, turning them into stale, unremarkable remakes. Then, my fandom for the author diminishes as well. Despite my enthusiastic admiration of Sanborn’s creative prowess, I couldn’t finish the Mistborn sequel for that very reason.

Words of Radiance worldbuilding is a notable exception. It keeps digging deeper and grows more and more complex.  Similarly, the characters continue to evolve.

For me, character growth and worldbuilding drive a story more than any other factors. Thus, the plot resolution to Words of Radiance was surprisingly satisfying precisely because of this strong foundation.

This book is by Alan Furst whose research is impeccable. His storytelling can be jerky and maybe chaotic but that’s how things were in the time he writes about. His characters are drawn from the sinister underbelly of war, the men and women who work in the shadows. His writing is intense, I remember the scenes as chaotic, with no character arc or happy ending, but a mirror of the times when life was lived moment by moment.

I loved this book for so many reasons. The world-building is beautiful, the plot line is intriguing, and the main female character has a lot of depth to her. She’s beautiful and courageous, kind but strong, and she does anything for those she loves.

I saw much of myself in her character, which helped immerse me in the book as I read it. I’m a sucker for any book with a female protagonist that has a lot of depth; I feel it makes them more real, as we all have different sides to our personalities. 

Colorized images are often controversial, and I never much liked them, but Marina Amaral’s amazing work changed my mind.  She is a master at thoughtful and surprisingly natural-looking colorizing and it’s amazing to me how our brains are so used to processing historical photos in black and white, as if the world really was colorless. The photos in this book, accompanied by the text by Dan Jones allow you to pick it up open to a random page, look and read and put it back down having learned something and viewed a scene you thought you know in a new light. Amaral is also one of my favorite follows on Twitter (@marinamaral2). That’s how I discovered her work.

I like the Jack Ryan concept, a spy whose dad is the president. I like the campus one-for-all-all-for-one esprit de corps.

The starting point is nothing new – a diabolic plan to start a civil war. The Balkan venue is what makes it interesting. Serbs, Croats, Bosnians, Turks, Chechens, Syrians, Russians, Bulgarians, Czechs, Muslim fanatics – what a mix! The reason this particular book is special is because I read it twice.

I have a Serbian colleague, which made the story more relevant to me, personally. We often discuss world events. The first time I read the book I did not know him. The second time I read it was after we had met and discussed extensively. I saw things in a different light and enjoyed it much more the second time.

Jim Dunnigan, the author of How to Make War, is the founder of Simulations Publications International (SPI), a commercial wargame company from the early 1970s, that revolutionized our understanding of warfare by applying historical data to combat simulation. SPI’s alumni are some of the most productive wargame designers, credited with designing simulations that frequently predicted the outcome of wars. How to Make War provides an introductory survey with insightful analysis of the key elements of modern warfare, often controversial, but always well explained. The four editions between 1983 and 2003 are updated significantly to reflect the evolving interests in military matters in each period. This is the secondary text I assign as part of my introductory strategic studies course.  

Nelson DeMille has written one of the finest fictional works about America’s military justice system operating sometimes fairly, sometimes not to address crimes during war. A riveting present-day story where former U.S. Army lieutenant Ben Tyson is charged with allowing soldiers under his command, years ago in Vietnam, to commit alleged murderous atrocities against innocent civilians. The plot’s general court-martial and backstories are compelling. Lieutenant Tyson and his men’s conduct reveal complex decisions made during combat when taking an individual’s life is either justified or it’s cold-blooded murder. DeMille, a decorated Army officer who deployed for combat tours in Vietnam, knows this firsthand. His book inspired my own military novel presenting questions of moral and ethical courage.

Ian Banks is as well known for his science fiction as for his mainstream and literary fiction. This is the first book in his Culture series, in which the Culture is a galaxy-wide advanced technological society with complex attitudes to how it should interact with other civilizations. The Culture is at war with the Idrians. Consider Phlebas is the story of a mercenary lone operative on a quest to retrieve a stranded Culture AI mind from an abandoned world to further the Idrian cause. The problem is that he is not the only one going there to find it, and nobody is playing nicely – not even the stranded AI mind. The wide-ranging inventiveness, subtle humour, and gritty realism of this story makes for highly compelling reading.