Here are 100 books that Dusty fans have personally recommended if you like
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I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
The definitive, authorised Johnny Thunders biography, beautifully written by a beloved confidant of the late New York Doll. With a star like Thunders, lesser writers would give in to the temptation to mythologise, but Antonia is a balanced, clear-eyed biographer, presenting her friend’s complex story with style, compassion, grace, and honesty. Nina is the bohemian queen of decadence and rock ‘n’ roll’s darker side, and this book is one of many jewels in her crown.
The official biography of the New York Dolls and Heartbreakers' guitarist. ‘Johnny Thunders: In Cold Blood’ is the cult bible of all things Thunders. It is the definitive portrait of the condemned man of rock'n'roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers and beyond. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent. Johnny was a hugely influential figure in both the glam-rock and punk eras and his music and style still resonates today.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Carol Clerk was something of a rock star in her own right: a major force in music writing, Clerk’s tough, witty voice continues to resound years after her untimely passing. Her biography of countercultural hippy icons Hawkwind is fascinating, and she weaves together the voices, memories, tales, and travails with effortless brio. Like Nina Antonia, she had a kinship with the musicians she wrote about, garnering stories with ease because they trusted her, and rightly so.
Hawkwind emerged in 1969 from Ladbroke Grove, the heartland of London's counterculture, to become a 'people's band' supported by bikers and hippies alike as they staged free gigs, benefits and protests and welcomed the involvement of any number of creative people - writers, poets, dancers - from within their community. They have had more line-up changes than their only remaining founder member Dave Brock, can remember. Motorhead's Lemmy and legendary Cream drummer Ginger Baker were just two of the musicians sacrificed along the way as the band went head to head with the police, customs, the taxman - and each…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Musician and author Thorn places Go-Betweens drummer Lindy Morrison in the spotlight in this warm, often fiery book which, as a sometime drummer, I loved and related to very keenly. It is a love letter, as so many biographies are, albeit as much to a friendship as it is to an artist. But it is also a reflection on how women interact, how women navigate the music industry, how creative, clever women (like female biographers!) are often dismissed, trivialised, undermined, even silenced. Women will get great strength from My Rock ‘n’ Roll Friend, and as for men, well, the world would probably be a better place if more chaps connected with this book.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti
A TIMES BEST BOOK OF THE YEAR
In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs.
Morrison - a headstrong heroine blazing her way through a male-dominated industry - came to be a kind of mentor to Thorn. They…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
I love to see different takes on music biography: shifts away from conventional formats are a happy place for me. Stripe, inspired by the 90s series Star Test (which I was obsessed with too) takes on the notorious Fat White Family, presenting them in all of their demonic rock ‘n’ roll depravity through exclusive interview material. Cradduck’s folklorically inspired illustrations in the Rough Trade edition complement the text with grotesque perfection.
A revealing examination of the dysfunctional songwriting partnership at the heart of one of Britain’s most unpredictable and controversial contemporary rock ’n’ roll bands, Sweating Tears with Fat White Family features candid interviews by author Adelle Stripe with Fat White Family singer Lias Saoudi and guitarist Saul Adamczewski. From childhood traumas to adult squalor and critical success, it is a tale of bitterness, humour, excess, cruelty, and the vile affections that bind this exceptional pairing on their continued Orphean descent into the underworld. This exclusive edition features demonic engravings by printmaker Lisa Cradduck, inspired by Berber folklore and the grotesque…
Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.
Morrissey was the singer and icon from the British band The Smiths, who had a major influence on me and thousands of other Brits growing up in the 1980s. His wit is legendary, and he uses it to good effect in this story of the band. At times, he is painfully cruel about many music world figures, including his ex-bandmates, but it makes for an entertaining, humorous, and raw account of his life.
Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades.
Achieving twelve Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others.
An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
Elton John may be a feast more for the ears than the eyes, but his unique and elaborate costuming and showmanship, along with his collector’s approach to art and fashion, mean that a visual component is crucial to any complete appraisal of his cultural significance.
I was thrilled to be able to include a few of Terry O’Neill’s classic photographs in my book On Elton John, but O’Neill’s work really deserves the treatment it is given here—a lavish, gorgeous, often mesmerizing presentation of every great O’Neill shot of John and the people who filled his world.
An ideal accompaniment to the biographies and albums.
"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life." ELTON JOHN
Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time.
O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions.
"I'm so glad he was with us throughout the madness: in…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
I was surprised at how funny this book is. It had me chuckling and giggling and even guffawing!
I am aware that autobiographies by celebrity musicians at this level are composed by ghost writers, but I hoped that Elton’s voice—and some of his quirky, witty, often self-deprecating but also often wickedly catty personality—would be evident. And I was delighted by how much that is the case here. There is no shortage of poignant moments as well.
Perhaps it is a tad unfair to place an autobiography above biographies and other books. After all, how can you compete with Sir Elton himself? But it seemed appropriate here, as Me is such a hoot and such a delight.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
Over many years of being an African American fan of rock music, I’ve learned that the combination of my gender, race, and musical taste can be disconcerting to people who expect Black women to adhere to a limited set of cultural interests. My frustration with these kinds of assumptions, my awareness that rock has deep roots in African American musical culture, my curiosity about the experiences of African American women who participated in rock and roll, and my desire to make sure that they are part of the stories we tell about the music’s history led me to write Black Diamond Queens: African American Women and Rock and Roll.
One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty.
One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
What can I say, I love blondes. I also adore Kristin Chenoweth, though I realize I’m not the only one. She’s so damned adorable and heroically gifted, and her life is as interesting as her talent.
I love her honesty and you can feel her life on the page. Kristin is a force of nature and a damn good storyteller herself.
A lively, laugh-out-loud journey from Oklahoma beauty queen to show biz sensation.
“Life’s too short. I’m not.”
You might know her as a Tony Award–winning Broadway star who originated the role of Galinda the Good Witch in the smash musical Wicked. Or you may recognize her from her starring roles on TV—The West Wing, Pushing Daisies, and Sesame Street. At four foot eleven, Kristin Chenoweth is an immense talent in a petite but powerful package. Through a combination of talent, hard work, and (she’s quick to add) the grace of God, Kristin took Broadway and Hollywood by storm. But of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I shared books with children as an elementary librarian for 20 years, and I know what makes a great read-aloud!
This story about the guitar-picking little girl who grew up to inspire music legends like Chuck Berry, Elvis Presley, and Little Richard begs to be not read aloud, but performed! The energy in this picture book leaps off the page! Pair this with Rosetta’s music for an awesome listening and dancing session!
"A profile as bold and vivacious as the singer herself." -Kirkus (starred review)
"Terrific for all collections that want to inspire the musically inclined and highlight innovative pioneers." -Booklist (starred review)
"Bolden uses alliteration, assonance, repetition, and rhythm to create an irresistibly musical text that effectively communicates the feel of Tharpe's music. Christie's lively illustrations. . . capture the physicality of Tharpe's performance style and the intensity of her sound." -Publishers Weekly (starred review)
"Impressive offering about an often-overlooked figure in American music." -The Horn Book (starred review)
"The marriage of Bolden's words and Christie's pictures is almost as satisfying…
