Books like Dreamcatcher — picked by fans

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.

I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?

For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?

This book doesn't really need a reason to be recommended. I mean, c'mon, we've all seen The Edge of Tomorrow, and admittedly, I did not read the novel until after I saw the movie. Most Americans don't know much about, less yet come across, Japanese graphic novels unless they're already into that kind of stuff.

Regardless, reading the book after seeing the movie was a pleasant surprise. It's like reading Dreamcatcher by Stephen King after seeing the movie. The movies never do the books justice.

This book is at the top of my list because it is the first sci-fi book I recall reading. I found it at a flea market for 99 cents. I liked the title and cover, and when I read it when I was 12 or something, it just really resonated with me. The characters were real. The story was captivating. I still have it somewhere.

The best part of the book was the simplicity of its storytelling. I really mean that in a good way. It was certainly written for teens, and while everyone else was off reading Goosebumps, I was reading sci-fi.

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.

Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.  

Sanctuary is an epic, three-volume-long ride of feels. As with many modern Austen variations, Pride & Prejudice is a jumping-off point, but Andrews puts her own spin on the tale. I love stories that develop the setting almost as another character, and Sanctuary does that with Maine. The essence of Elizabeth and Darcy is in the details, even though the modern world has had their way with the beloved characters. Darcy as a dad? *chef’s kiss*  

Years ago, I watched a documentary on the orphan train movement, which took place between 1854 through 1929. Coordinated by the Children’s Aid Society in New York City, amidst the cholera epidemic, an estimated 250,000 children became orphaned and subsequently homeless or abandoned.

The Children's Aid Society devised a plan to transport orphaned children by train to homes in the West to solve the orphan crisis and address the inadequate welfare institutions of the day. Many children were helped, and others became victims of families looking for cheap labor.

This book holds a special place in my heart because I had always intended to write a story about this movement. Then, one day, walking into Barnes & Noble, I saw this book on the best-sellers rack. Needless to say, I was inspired to start writing my own novels and berated myself for not having done so sooner!

Financial whiz Julia Snowden returns to her Maine hometown to rescue the family’s clambake business. Although she has financial acumen, she lacks true knowledge of how a clam bake works. She learns the hard way when a murder and a wedding reception don’t mix. I wasn’t familiar with the inner workings of clam bakes, from menu to preparation, but I learned with Julia. I also enjoy Ross’s writing style. The combination of the storytelling plus the facts interwoven make this a good book choice.