Here are 100 books that Don't Make Me Pull Over! fans have personally recommended if you like
Don't Make Me Pull Over!.
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I’ve wanted to travel the world since I could look out a window. It’s been an honor to spend my life exploring this planet, despite some of its inhabitants. I knew I’d write books about it, even before I could write my own name. It’s a joy to realize such a deep and early dream. My books are love letters to places I’ve lived and people I’ve met, plus some joking around in order not to scream or weep at some of what’s out there. I’ve been a teacher, film editor, comedian, librarian, and now writer. Wherever you are, on whatever path: happy trails to you.
How perfect to go on a road trip with one of my favorite writers plus his gentlemanly, loveable dog!
I smile just thinking about this book. I was delighted every step of the way. I felt like I was in the passenger seat, handing biscuits to Charley, stopping to meet strangers, and ruminating on how the USA has changed over the decades.
I loved hearing his thoughts in his older, wiser years, after his great successes, but still passionate, or slyly ironic, on so many topics. I love that he’s matter-of-fact in discussing disillusionment, loneliness, racism, or anything – but he’s hopeful in the end, always.
I want to buy a stack of these and hand them out as gifts.
An intimate journey across America, as told by one of its most beloved writers
To hear the speech of the real America, to smell the grass and the trees, to see the colors and the light-these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years.
With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. Along the way he reflects on the American character, racial hostility, the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
This is classic literature in the realm of American travel.
I had no idea that “blue highways” existed, and even though Heat-Moon went cross-country back in the 1970s in his van equipped with his igloo cooler and makeshift bed (not like the $100k fancy campers you find today), the type of people you meet and experiences you have in this amazing country are still relevant today.
In Blue Highways Revisited, I was shocked to read how long it took for this book to get published and the stacks of printed-out drafts he had of it (I think it was like four feet high). If there are any travel writing classes taught as part of a creative writing program, then Blue Highways better be on the list.
Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map -- if they get on at all -- only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi." His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation…
Like many road warriors, Kevin Shay experienced his first taste of highway travels through his family, piling into a station wagon at a young age to journey several thousand miles in a week or so. He learned how to entertain himself for long hours without an iPod or cellphone. As a journalist, he wrote travel articles for a variety of publications, as well as a travel guidebook on North Texas. He has traveled through 48 states and more than 30 countries, logging more than 200,000 miles in a variety of vehicles and his own feet. He also produced a 19-minute documentary, Searching for Something in the Middle of Nowhere, based on the Mad, Mad Trip book.
Providing more of a guidebook than a rich travelogue, Jamie Jensen uses his experience in covering some 400,000 miles to give readers thinking of new road adventures more fuel for thought. The guide provides color-coded and cross-referenced routes, places to visit along the way, colorful photos, and seasoned advice. Jensen wrote his first Road Trip USA guide in 1996 and has been updating it ever since.
Criss-cross the country on America's two-lane highways with the 25th anniversary edition of the ultimate guide to the classic road trip. Inside Road Trip USA you'll find:
* 11 routes through the heart of America, colour-coded and extensively cross-referenced to allow for hundreds of possible itineraries * Mile-by-mile highlights celebrating the best of Americana, including roadside curiosities, parks, diners, and the local history and personality that makes each small town and big city unique * Over 125 driving maps covering more than 35,000 miles (56,000 km) of two-lane American blacktop * Full-colour photos and illustrations of America both then and…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Like many road warriors, Kevin Shay experienced his first taste of highway travels through his family, piling into a station wagon at a young age to journey several thousand miles in a week or so. He learned how to entertain himself for long hours without an iPod or cellphone. As a journalist, he wrote travel articles for a variety of publications, as well as a travel guidebook on North Texas. He has traveled through 48 states and more than 30 countries, logging more than 200,000 miles in a variety of vehicles and his own feet. He also produced a 19-minute documentary, Searching for Something in the Middle of Nowhere, based on the Mad, Mad Trip book.
This guidebook broadens travelers’ perspective beyond the United States, unearthing a whole new world in a wide variety of countries. Written by National Geographic travel writers, they cover everything from the ancient Silk Road in Central Asia to the perimeter of Puerto Rico. There are plenty of scenic photos, colorful maps, and tips to help navigate the roads of foreign lands.
This lavishly illustrated travel planner features 500 of the world's most memorable driving experiences, from legendary Highway 1 in California to Japan's famous Irohazaka Winding Road.
Compiled from the favorite trips of National Geographic's legendary travel writers, Drives of a Lifetime spans the globe to reveal the best celebrated and lesser-known road trips on the planet. Inside this fully updated and revised edition--featuring more than 20 new drives--you'll find routes through spectacular landscapes, ideas for quick getaways, leisurely journeys of discovery, and revelations of secret worlds beyond Google Maps. Some are legendary long-distance odysseys; others are easy day trips close…
My great uncle was an eccentric book collector who lived in an old, rambling house stuffed floor-to-ceiling with thousands and thousands of books. After he died, I inherited a tiny portion of his collection: a set of state guidebooks from the 1930s and 40s. These were the American Guides created by the Federal Writers’ Project, the New Deal program that put jobless writers to work during the Great Depression. I dipped into these weird, rich, fascinating books, and I was hooked immediately. Some years later, I quit my job in publishing to research and write my own account of the FWP’s unlikely rise and lamentable fall, Republic of Detours.
This is a scholarly work, but don’t let the unassuming title fool you: Stott’s writing is crisp, elegant, and highly readable, and his insights are crucial to any understanding of the New Deal’s place in American culture. He covers the Roosevelt administration’s cultural undertakings—from the WPA projects to Farm Security Administration photographers to FDR’s own political style and “documentary imagination”—but his real subject is the broader documentary impulse that was expressed so forcefully and variously during the 1930s. This impulse was hardly confined to the federal government’s interventions in the arts. The connections he draws between the New Deal and, say, Martha Graham’s dance productions, or James Agee and Walker Evans’s Let Us Now Praise Famous Men, are illuminating and convincing.
"A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain."-Hilton Kramer, New York Times Book Review
"[Scott] might be called the Aristotle of documentary. No one…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
Dinosaurs are the gateway drug to kaiju: most Godzilla fans began as kids fascinated by T-rexes and brontosauruses. I was blown away when I discovered W.J.T. Mitchell’s wonky, geeky, and wonderfully eccentric exploration of why we love dinosaurs, actual monsters (albeit prehistoric ones we can only experience today as skeletons in museums) rather than monsters conjured from our darkest imaginations.
Mitchell’s book is lots of fun to dip into, like a jarful of monstrous candy, but reveals in wonderful detail how dinosaurs (just like the creatures of folklore or fiction) are blank slates onto which a culture’s anxieties and aspirations can be inscribed.
This text addresses the question of how dinosaurs moved from natural extinction to pop culture resurrection, exploring the animal's place in our lives and the source of its popular appeal. In tracing the cultural family tree of the dinosaur there is discovered a creature of striking flexibility, linked to dragons and mammoths, skyscrapers and steam engines, cowboys and Indians. Here the dinosaur becomes a cultural symbol whose plurality of meaning and often contradictory nature is emblematic of modern society itself. As a scientific entity, the dinosaur endured a near-eclipse for over a century, but as an image it is enjoying…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve spent the past ten years reporting and writing true crime narratives about teenagers and hate, first in The 57 Bus and now in Accountable. My research has led me into some fascinating places and has left me convinced that we cannot prevent what we don’t understand. In both books I found that the young people who harmed others weren’t the stereotypical grimacing loners I’d always associated with hate and extremism. Instead, they were imitating behaviors that we see all around us. Being young, with brains that aren’t fully developed in important ways, and lacking the life experience that teaches us a more nuanced understanding of the world, they are ripe for radicalization.
Jon Ronson has also written a highly entertaining book about extremism called Them, but I chose this one because it could just as well be called Us. Public shaming on the Internet is almost a sport at this point, but Ronson shows how, after the mob moves on, the target of the virtual stoning has to figure out how to put themselves back together and carry on.
A funny, readable romp, this book also asks the reader to think deeply about how morality plays out online and what we are saying when we use degradation and dehumanization as a way of communicating moral ideas.
From the Sunday Times top ten bestselling author of The Psychopath Test, a captivating and brilliant exploration of one of our world's most underappreciated forces: shame.
'It's about the terror, isn't it?' 'The terror of what?' I said. 'The terror of being found out.'
For the past three years, Jon Ronson has travelled the world meeting recipients of high-profile public shamings. The shamed are people like us - people who, say, made a joke on social media that came out badly, or made a mistake at work. Once their transgression is revealed, collective outrage circles with the force of a…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.
However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.
*Named one of CHOICE 's "Outstanding Academic Titles for 2009"*
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.
But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces.…
