Books like Don't Let Him In

The Hero of Bataan is an excellent book that tells the story not of General Douglas MacArthur, but General Jonathan Wainwright, the real hero of Bataan and Corregidor. It covers the battle of the Philippines at the outset of the U.S. involvement in World War II, the fall of the Philippines, and Wainwright’s experiences as a Japanese-held POW for the rest of the war. It describes that even as the senior U.S. POW in Japanese hands, Wainwright was treated as poorly as any other POW, as were other Allied general officers listed in the book. I find this an excellent, interesting, must-read to understand what really occurred in the Philippines during the early stages of the war and to those who survived the battles.

Bess is a tough taskmaster. He looks at twelve historical decisions and events in World War II and asks if the actors did the right thing. Did they behave morally, or could they have done better? He offers his own views, provides background, and raises questions to give readers a chance to develop theirs. 

Some events are well known—such as dropping the atomic bombs—but Bess asks the reader to look at kamikazes, war crimes trials, appeasement, and alliances with Stalin in novel ways. After reading Bess’s chapters, it can feel like you are learning about a new war. The answers to his queries are complex, but I feel like I have come to a thoughtful and informed conclusion at the end of each chapter.

“I must be good; I must be good.” Willie Beech’s mother drummed the mantra into him when he left home as an evacuee. My heart went out to the boy from the first page, where it is clear he had been maltreated, neglected, and indoctrinated with a cruel sense of godliness in the guise of caring.

His curmudgeonly evacuation host, Tom Oakley, is the kind of person whose stern manner I would have feared as a child but who hides a kind heart and a strong sense of fair play. This story is one of my all-time favorites.

An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.

Last Man Out is the true account of a U.S. Marine who surrendered to the Japanese on the Philippine Island of Corregidor. I find this book and its account very interesting because Ed Babler was at the very same POW camp on the Island of Palawan during the time that Glenn McDole was and only escaped being murdered by the Japanese with the bulk of the rest of the Marines there due to having been injured and transferred off prior to the massacre. Last Man Out tells the harrowing account of the massacre and how McDole was able to escape, one of the very few to do so.

This collection of wide-ranging essays, both from women who served in WWII and from historians who have studied them, is a great place to start. It sorts out WACS from WAVES, covers cryptographers and nurses, considers racism and the political rebound of women in the military. The editors also included a useful guide to first-person material in the National Archives as well as a directory to archival collections held around the country.

This novel is based on a true wartime story kept secret for more than seventy years. The story is set in March 1942, Townsville, Australia, after Singapore has fallen and Darwin has been bombed. The small town is transformed into a hub for 70,000 soldiers. But Australian troops begrudge the confident American soldiers, and there is growing conflict within the American ranks, and racial tensions are exposed. This compelling read is made even more poignant when you discover that it’s based on a mutiny that was covered up by the military. Khaki Town is a thought-provoking novel that will have you rallying against the injustices it exposes.

Like my novel, 22 Britannia Road sheds light on refugees in England, starting after the war when Janusz and Silvana are reunited after six years’ separation. The narrative alternates between flashbacks to the wartime traumas they each endured, and the “present” story of their struggles to rebuild their lives. When Poland is invaded, Janusz joins the underground army and makes his way to France and finally England with the anti-Nazi forces. This mirrors the story of two characters in my own novel, based on my grandfather and uncle. Silvana meanwhile escapes into the forest to hide with her infant son. When she and Janusz meet up after the war, theirs is no glossy romantic reunion; they barely know each other and both harbor secrets that must eventually come to light. 

Jewish internment in Britain is a little-known aspect of WW2. Baddiel based this novel on his grandfather's experience as a German-Jewish refugee to Britain, fleeing Nazi persecution. It is an ironic story of a man interned on the Isle of Man as an “enemy alien,” when war breaks out. Baddiel’s excellent story-telling led me to write a scene in my own family-inspired novel; between a character based on my father, also interned on the Isle of Man, and a Jewish refugee he encounters in the camp. They meet in the potato fields and, after some bristling, form a bond.

Boll, a Second World War veteran, tells this episodic story from the perspective of a German soldier during the last year of the war. Loosely episodic and propelled by a kind of grim, fatalistic absurdity, it follows the hapless infantryman Feinhals as he lurches from misadventure to misadventure on the Eastern Front. What really stuck with me is the awfulness of the predicaments Feinhals finds himself in, such as the moment when a soldier sets out to surrender a hospital full of wounded men, only to accidentally set off a dud shell beside the hospital’s cesspool. The Soviets, thinking they have been attacked, respond by levelling the place. "This war’s a load of shit," says one cynical character, and with a magnificent kaboom, that statement becomes literal.