Here are 100 books that Django fans have personally recommended if you like
Django.
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I have always loved history—not so much the politics, the kings and wars and battles, but the remarkable, often eccentric people who stood out in the age in which they lived. When I started writing books for children, I fell naturally into writing biographies. Each book I’ve written has been an adventure, with research that took me into vanished worlds and introduced me to remarkable people, from Shakespeare and Joan of Arc to Peter the Great, Michelangelo, Cleopatra, and Leonardo da Vinci. I got to read their letters, learn little personal details about their lives, and live vicariously in their worlds. It’s been my life’s joyful work, and I appreciate the brilliant work of other authors who write biography too.
This is such a gorgeous book! Beautifully told by Pam Muñoz Ryan, this is the story of Marian Anderson, a little girl with a beautiful voice who battled racial prejudice in the pre-Civil Rights era to become one of America’s greatest singers. Brian Selznick’s illustrations are exquisite, done in soft sepia tones to give a feel for the period. And the book’s unique format will delight readers of any age. This is a book that inspires, touching hearts, and teaching young readers what courage, perseverance, and generosity can accomplish.
A harmonious introduction to one of our country's most important singers and role models--as envisioned by Newbery Honoree Pam Muñoz Ryan and Caldecott Medalist Brian Selznick.
Marian Anderson is best known for her historic concert at the Lincoln Memorial in 1939, which drew an integrated crowd of 75,000 people in pre-Civil Rights America. While this momentous event showcased the uniqueness of her voice, the strength of her character, and the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as…
In 1894, Annie Cohen Kopchovsky set out to ride her bicycle. Not to the market. Not around the block. Not across town. Annie was going to ride her bike all the way around the world—because two men bet no woman could do it. Ha!
My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.
Winner of the prestigious Schneider Award, Parker's text and artwork celebrate the genius of the great Art Tatum - who just happened to be blind. The words are poignant and effective, but it is Parker's watercolor paintings that glow and amaze with a balance of sophistication and childlike elegance. In short, a master of one medium is being honored by another.
Regardless of whether they’ve heard of jazz or Art Tatum, young readers will appreciate how Parker uses simple, lyrical storytelling and colorful, energetic ink-and-wash illustrations to show the world as young Art Tatum might have seen it. Tatum came from modest beginnings and was nearly blind, but his passion for the piano and his acute memory for any sound that he heard drove him to become a virtuoso who was revered by both classical and jazz pianists alike. Included in the back matter is a biography and bibliography.
My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.
Susanna is an award-winning writer of many picture book bios, but I have a special fondness for this one about Pete Seeger, a standout musician, activist, and human being. Adam Gustavson's marvelous acrylic paintings are a perfect backdrop for a beautifully-written text about a man who believed in the power of Music, and who dedicated his life to the cause of civil and social equality for all Americans.
Inspired by the rhythms of American folk music, this moving account from award-winning creators Susanna Reich and Adam Gustavson that celebrates the life of folk singer Pete Seeger and his legacy, showing kids of every generation that no cause is too small and no obstacle too large if, together, you stand up and sing!
Pete Seeger was born with music in his bones. Coming of age during the Great Depression, Pete saw poverty and adversity that would forever shape his worldview, but it wasn't until he received his first banjo that he found his way to change the world. It…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.
Deservedly, this book received 6 starred reviews for a superb pairing of text and artwork recounting the story of a historic photograph. Taken in 1958 for Esquire Magazine, A Great Day in Harlem captured the gathering of outstanding jazz musicians on a city street, and Orgill's book brings the magic of that summer day to life for young readers. How I wish this idea had been mine! ;]
What happens when you invite as many jazz musicians as you can to pose for a photo in 1950s Harlem? Playful verse and glorious artwork capture an iconic moment for American jazz.
When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn’t own a good camera, didn’t know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a…
As pop music critic for the San Francisco Chronicle for nearly forty years and author of more than twenty books on pop music, books on these subjects have always held a special fascination for me. To me, musicians are heroes like athletes or warriors and their paths make for extraordinary drama—usually set to some fabulous soundtrack. There is a big, wonderful world beyond Ray and Bohemian Rhapsody and I can’t wait to see what Hollywood comes up with.
The epic life of French jazz guitarist Django Reinhart deserves a Spielbergian biopic treatment. After the cart fire where he damaged his hand and the personal epiphany of hearing a Louis Armstrong record, the Gypsy guitarist would bring jazz to Europe with his near magical musical improvisations. He lived a wild, carefree life, full of big cars, large dreams, and sensual pleasures. When the Nazis took over Paris, he returned to his homeland, opened one of the city’s most dazzling nightclubs, and made hit records that flooded the French airwaves during the Occupation. When the war was over, his career went out like a light switch and Django repaired to a quiet life in a remote riverfront village, spending his time fishing and painting nudes.
Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Yet there is no major biography of Reinhardt. Now, in Django, Michael Dregni offers a definitive portrait of this great guitarist. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left…
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Do you want to play some of the most flashy, virtuosic, exciting, and emotionally charged guitar music around? Then this book is for you. When the great Gypsy guitarist Django Reinhardt fused American Jazz with the stylings of the French Musette Bal and his native Gypsy melodies, little did he know he had created a whole new musical genre. This book will teach you how to emulate and create within the Gypsy Jazz style which has evolved in the generations since Reinhardt’s early death in 1952. Prepare to be awed, humbled, and inspired.
This massive book offers a comprehensive study of the Gypsy jazz or Manouche guitar style as perceived by French guitarists Derek Sebastian and Romane, two of the finest modern day practitioners of the Django Reinhardt style. Each of the book's thirty-six progressive chapters consists of four parts: A.) Technique developed through exercises, chord progressions/diagrams, and illustrations of fingerboard positions; B.) A harmony lesson with leads in the Manouche style; C.) Soloing techniques based on the harmonic structure of a given theme; and D.) Self-testing materials with answers provided at the close of the book. The online audio download for L'Espirit…
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
In The Freedom Principle, Chicago music critic John Litweiler examines the AACM’s connections to the experimental styles of jazz that emerged in the late 1950s and early 1960s. Figures such as Ornette Coleman and John Coltrane were important early influences on the AACM, and Litweiler shows how their work became the foundation for the even more radical advances of AACM composers and improvisers. The Freedom Principle is also replete with wonderful stories from the AACM’s first two decades, including Henry Threadgill’s account of how he created the hubkaphone, a percussion instrument made from salvaged hubcaps.
}Ornette Coleman's discovery some thirty years ago that his band's music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments, Coleman's dancing blues, and John Coltrane's saxophone cries and sheets of sound, to the brittle, melancholy modes of Miles Davis, vibrant, sophisticated new jazz idioms proliferated. In this critical and historical survey of today's jazz, noted critic John Litweiler traces the evolution of the new music through such artists as Coleman, Coltrane, Davis, Cecil Taylor, Eric Dolphy, Sun Ra, Albert Ayler, Anthony Braxton, and others. He also addresses questions such as:…
While the subject matter of the books on my list may vary, the thing that ties them together is the suspenseful tension that builds and keeps the reader on edge. The unexpected twists and turns are the "secret sauce" that adds flavor and fervor. I like the way each of these books keeps your mind from wandering by combining vivid imagery with a compelling storyline. As an author myself, I am always fascinated by those who make it look so easy and effortless. And as an avid reader, I constantly search for these kind of books; the kind that make you feel as if you just have to keep reading.
Jazz Baby is one of the best books I've read in a while. It easily takes the reader back in time to the days of prohibition and speakeasies. Emily Ann, Jazz Baby, just wants to sing. That's all. But it seems everything and everyone is against her. Family, friends, and the culture of the day conspire to keep her from her dream. On the other hand, Emily Ann is not really innocent in the matter. She constantly flirts with danger, embraces it, and even thrives on it. And in the end... sorry, can't give that away.
While all of Mississippi bakes in the scorching summer of 1925, sudden orphanhood wraps its icy embrace around Emily Ann "Baby" Teegarten, a pretty young teen.
Taken in by an aunt bent on ridding herself of this unexpected burden, Baby Teegarten plots her escape using the only means at her disposal: a voice that brings church ladies to righteous tears, and makes both angels and devils take notice. "I'm going to New York City to sing jazz," she brags to anybody who'll listen. But the Big Apple--well, it's an awful long way from that dry patch of earth she'd always…
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that "the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance."
In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only…
Zeni lives in the Flint Hills of Southeast Kansas. This tale begins with her dream of befriending a miniature zebu calf coming true and follows Zeni as she works to befriend Zara. Enjoy full-color illustrations and a story filled with whimsy and plenty of opportunity for discussions around the perspectives…
I am a former history major and teacher who has always loved to read histories and mysteries and then went on to write them as well. I have two mystery series of four books each (so far), the Mainely Mysteryand Clay Wolfe/Port Essex series.I’ve also written three historical fiction books about the diverse topics of Fidel Castro and the Cuban Revolution, Joshua Chamberlain and the Civil War, and New Orleans during Reconstruction. I’ve decided to combine my passion for histories and mysteries into a historical PI mystery set in 1923 Brooklyn,Velma Gone Awry.
This is a fun-filled mystery set in 1920s London. Cozies are not usually my thing, but I recently gave this a go as I am also writing a series in that exact time period and thought I’d see how Kinsey set about it. The historical beautifully captures the exuberance of the time period after World War I. Women have emerged from behind closed doors to interact on equal status as men, jazz music parades the pages with wild abandon, and the slang of the characters is spot on. The twists, turns, and action are blended in with the rich description to make this a delightful read.
Missing diamonds. Mysterious deaths. And all that jazz.
London, 1925. With their band the Dizzy Heights, jazz musicians Ivor 'Skins' Maloney and Bartholomew 'Barty' Dunn are used to improvising as they play the Charleston for flappers and toffs, but things are about to take a surprising turn.
Superintendent Sunderland has had word that a deserter who stole a fortune in diamonds as he fled the war is a member of the Aristippus private members' club in Mayfair-where the Dizzy Heights have a residency. And the thief is planning to steal a hoard of jewels hidden there under the cover of…
