100 Books Like The Deadly Mystery of the Missing Diamonds

Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it. 

Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”

This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming. 

Blends psychological thriller, historical fiction, and detective mystery, set in New York City in 1896.

Journalist John Schuyler Moore and psychologist Dr. Laszlo Kreizler, aided by a young Theodore Roosevelt, investigate brutal murders that shock the city. Carr’s meticulous research brings Gilded Age New York vividly to life, from opulent drawing rooms to grim tenements.

The novel explores the roots of criminal profiling and human darkness, reflecting techniques I use in my own book's character’s investigations, including incorporating real historical figures for authenticity.

Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.

A retro pulp-fiction novel from one of the world’s best-selling authors, David Baldacci.

A Gambling Man is the second intriguing story in Baldacci’s Archer Series about a former WWII veteran working as a private detective. Archer is joined en route to Los Angeles by a beautiful young lady with ambitions in Hollywood who leads them into dangerous territory with murderous gangsters and politicians trying to improve the odds in their favour.

Baldacci’s Archer Series is modeled on the early detective stories of authors like Raymond Chandler and Mickey Spillane. He creates a tough guy detective in the style of the early masters while making Archer more appealing to modern readers – less macho and more respectful of the independent women joining his fight to stop the death and destruction. 

Ellroy at his most avant-garde. The plot is familiar territory for Ellroy fans; murder and political corruption in 1950s LA. But the experimental prose style, including the most pared-down clipped sentences, started to alienate some of his readers. Personally, I regard the book as Ellroy’s masterpiece and the experimentation is justified as it helps to deliver a lightning-fast pace.

I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.

Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.

A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc. 

Set in Brooklyn in 1924 with backstories from New Orleans and Russia, Zeldis masterfully intertwines the stories of three women through dressmaking, friendship, and secrets.

While Bea recreates herself in a new city with her teenage ward, Alice, she befriends a customer, Catherine, a socialite newlywed who yearns for a child. As Bea and Catherine’s friendship grows, Alice feels estranged and runs away. What happens next is a gritty account of how each has to confront their past secrets, bond together to forgive, and become their own chosen family.

The Dressmakers of Prospect Heights taught me about antisemitism, reinvention, tragedy, hope, and fashionable dressmaking experienced as only could be in the ever-evolving world of the 1920s. I eagerly turned and savored each page!

Don’t be fooled by the cover, The Masterpiece is an excellent dual-timeline about two seemingly ordinary women fighting for their independence in the same place, yet from two distinct time periods.

In 1928 Clara, a confident illustrator and art instructor and in 1974 Virginia, a recently divorced tollbooth operator, found themselves working at New York City’s Grand Central Terminal.

Davis brilliantly braids both stories about complicated flawed women challenging social injustices and entitled men of their time within a fascinating setting. (Yes, 50 years apart and they're dealing with similar issues!)

I stayed up late discovering how their stories coincide once Virginia uncovered a painting by Clara. Talk about unknown history—who knew there was an art school upstairs in the Grand Central Terminal or that it was almost demolished?!

I love the way Mr. Mathews retains Monk’s personal and instantly recognizable sound while presenting very playable and economical jazz piano arrangements. I would recommend this to jazz piano students looking for a way to play Monk’s music as solo piano pieces. It's nice to be able to reference how to voice these tunes from a master who actually exchanged ideas with Monk himself. The collection includes some of the most popular Monk compositions along with some lesser-known gems.