Here are 100 books that The Deadly Mystery of the Missing Diamonds fans have personally recommended if you like
The Deadly Mystery of the Missing Diamonds.
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I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
Dashiell Hammett is one of the great stylists in American literature.
His characters are absolutely real, and the plot is a wonderful tour of the seamy side of 20th-century America. What I absolutely love about this story is that it ends, not with the apprehension of a killer, but with the sense that the pursuit of mystery in the first place was not worth it.
To pull this off—to undercut the idea of a mystery at all, is a great achievement. The book, then, is stunning for its characters, descriptions, and serpentine plot.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
Railroad Ties: The Marmion Grove Murders is the first of my novels set in my hometown, and in the house I grew up in.
The town was founded as a retreat from DC summers. Filled with hundred-year-old trees, including the majestic swamp magnolias, there are no sidewalks and no…
Over the years, I’ve lived and worked in the US, and I find it endlessly fascinating. With its mix of cultures, regional identities, and historical tensions, it often felt like several nations merged into one, forged initially against Britain with the help of France. Living there and reading extensively about its history gave me a personal perspective on the forces shaping the nation.
Researching the year 1865 around Abraham Lincoln’s assassination, I discovered far more than I expected, deepening my understanding of the era. I wanted to share a selection of American novels—works that influenced my thinking or mirror the historical mystery and adventure central to that period.
Blends psychological thriller, historical fiction, and detective mystery, set in New York City in 1896.
Journalist John Schuyler Moore and psychologist Dr. Laszlo Kreizler, aided by a young Theodore Roosevelt, investigate brutal murders that shock the city. Carr’s meticulous research brings Gilded Age New York vividly to life, from opulent drawing rooms to grim tenements.
The novel explores the roots of criminal profiling and human darkness, reflecting techniques I use in my own book's character’s investigations, including incorporating real historical figures for authenticity.
The internationally bestselling historical thriller, now a major Netflix series starring Luke Evans, Dakota Fanning and Daniel Bruhl.
Some things never change.
New York City, 1896. Hypocrisy in high places is rife, police corruption commonplace, and a brutal killer is terrorising young male prostitutes.
Unfortunately for Police Commissioner Theodore Roosevelt, the psychological profiling of murderers is a practice still in its infancy, struggling to make headway against the prejudices of those who prefer the mentally ill - and the 'alienists' who treat them - to be out of sight as well as out of mind.
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.
'Spectacular' Gillian Flynn. GODS OF GOTHAM is the fantastic first novel in Lyndsay Faye's Edgar Award-nominated series, for fans of Andrew Taylor and Antonia Hodgson's The Devil in the Marshalsea.
August 1845 in New York; enter the dark, unforgiving city underworld of the legendary Five Points...
After a fire decimates a swathe of lower Manhattan, and following years of passionate political dispute, New York City at long last forms an official Police Department. That same summer, the great potato famine hits Ireland. These events will change the city of New York for ever.
Railroad Ties: The Marmion Grove Murders is the first of my novels set in my hometown, and in the house I grew up in.
The town was founded as a retreat from DC summers. Filled with hundred-year-old trees, including the majestic swamp magnolias, there are no sidewalks and no…
I have always been a storyteller and I’m fascinated by the use of language and how a story can be told well. I’ve used storytelling as an entrepreneur, executive, and management consultant, and my two business books for enlightened entrepreneurship use real-life stories to make the messages and lessons learned more memorable. Fictional versions of those stories were wandering through my imagination to make them more fun to read (and to write) for about fifteen years before they emerged in the Dale Hunter crime thriller series to show that entrepreneurs are not all evil, selfish monsters; sometimes they’re the hero!
A retro pulp-fiction novel from one of the world’s best-selling authors, David Baldacci.
A Gambling Man is the second intriguing story in Baldacci’s Archer Series about a former WWII veteran working as a private detective. Archer is joined en route to Los Angeles by a beautiful young lady with ambitions in Hollywood who leads them into dangerous territory with murderous gangsters and politicians trying to improve the odds in their favour.
Baldacci’s Archer Series is modeled on the early detective stories of authors like Raymond Chandler and Mickey Spillane. He creates a tough guy detective in the style of the early masters while making Archer more appealing to modern readers – less macho and more respectful of the independent women joining his fight to stop the death and destruction.
Aloysius Archer, the straight-talking World War II veteran fresh out of prison, returns in this riveting #1 New York Times bestselling thriller from David Baldacci.
The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you’re hard-working, lucky, criminal—or all three.
Along the way, Archer stops in Reno, where a stroke of fortune delivers him a wad of cash…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
Ellroy at his most avant-garde. The plot is familiar territory for Ellroy fans; murder and political corruption in 1950s LA. But the experimental prose style, including the most pared-down clipped sentences, started to alienate some of his readers. Personally, I regard the book as Ellroy’s masterpiece and the experimentation is justified as it helps to deliver a lightning-fast pace.
The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia.
Los Angeles, 1958. Killings, beatings, bribes, shakedowns--it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.
Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them…
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that "the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance."
In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.
A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc.
New Orleans, 1918. The birth of jazz, the Spanish flu, an axe murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge. In Nathaniel Rich's King Zeno, the Crescent City gets the rich, dark, sweeping novel it so deserves.
New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation's. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Set in Brooklyn in 1924 with backstories from New Orleans and Russia, Zeldis masterfully intertwines the stories of three women through dressmaking, friendship, and secrets.
While Bea recreates herself in a new city with her teenage ward, Alice, she befriends a customer, Catherine, a socialite newlywed who yearns for a child. As Bea and Catherine’s friendship grows, Alice feels estranged and runs away. What happens next is a gritty account of how each has to confront their past secrets, bond together to forgive, and become their own chosen family.
The Dressmakers of Prospect Heights taught me about antisemitism, reinvention, tragedy, hope, and fashionable dressmaking experienced as only could be in the ever-evolving world of the 1920s. I eagerly turned and savored each page!
“A haunting meditation on the bonds between mothers and daughters. Zeldis offers a fascinating look into historic New York City and New Orleans, and her skill as a storyteller is matched by her compassion for her characters. What a beautiful read.”—Fiona Davis, New York Times bestselling author of The Magnolia Palace
“By turns heartbreaking and heartwarming, Kitty Zeldis’s The Dressmakers of Prospect Heights, set against the backdrop of the not-always-so-roaring Twenties, is an only-in-America story of reinvention, rising above tragedy, and finding family.”—Lauren Willig, New York Times bestselling author of Band of Sisters
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Don’t be fooled by the cover, The Masterpiece is an excellent dual-timeline about two seemingly ordinary women fighting for their independence in the same place, yet from two distinct time periods.
In 1928 Clara, a confident illustrator and art instructor and in 1974 Virginia, a recently divorced tollbooth operator, found themselves working at New York City’s Grand Central Terminal.
Davis brilliantly braids both stories about complicated flawed women challenging social injustices and entitled men of their time within a fascinating setting. (Yes, 50 years apart and they're dealing with similar issues!)
I stayed up late discovering how their stories coincide once Virginia uncovered a painting by Clara. Talk about unknown history—who knew there was an art school upstairs in the Grand Central Terminal or that it was almost demolished?!
In this captivating novel, New York Times bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.
For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.
For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art. Though not even the prestige…
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
This punningly-titled book is an act of historical excavation, uncovering the hundreds of all-female swing bands that have been erased from jazz history. But Tucker goes beyond this, asking how the lenses of gender, race, class, and sexuality affected how these bands were seen and heard and, equally important, how they forged their destinies within those constraints. They had difficulties to overcome – wearing gowns that made it more difficult to play and caused them to be taken less seriously as musicians, and risking arrest by having white members “passing” as Black in the South. But Tucker’s “counternarrative” shows how these bands found creative ways to evade such barriers, by using stereotypes of femininity and masculinity to their advantage or presenting themselves as “international” to push against the color line.
The forgotten history of the "all-girl" big bands of the World War II era takes center stage in Sherrie Tucker's Swing Shift. American demand for swing skyrocketed with the onslaught of war as millions-isolated from loved ones-sought diversion, comfort, and social contact through music and dance. Although all-female jazz and dance bands had existed since the 1920s, now hundreds of such groups, both African American and white, barnstormed ballrooms, theaters, dance halls, military installations, and makeshift USO stages on the home front and abroad. Filled with firsthand accounts of more than a hundred women who performed during this era and…
