Books like Disappear — picked by fans

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

In my view, a great murder mystery should have a lot of possibilities, and science fiction just adds deeper layers of intrigue, and this is what The City and The City has in spades – literal layers and intrigue.

Here, two cities exist in the same place, yet the citizens of each one must ignore the citizens of the other. It is a crime to notice the citizens of the other city. When a murder occurs and our detective investigates, he only has jurisdiction in one city.

But what really blew my mind about this book was that, though it is science fiction, there is no physical or scientific reason that the cities are separate and occupy the same place. The division is only in the minds of the inhabitants!

I chose this book as an easy leisure read for a holiday in Greece, and I fell in enduring love with it. Umberto Eco is not only the master of the theory of sign systems (semiotics) but also able to escape from the dry plains of scientific conclusions to the rich landscapes of historical narratives.

In this book, he shows us that Europe’s early development has not just been the linearly ascending advance from ancient Greece, via the Roman Empire, to the Renaissance. The narrator he invented for his book lets us return to the many threats from which the Middle Ages in Europe could emerge.

I started reading it as an entertaining storytelling book, but in the middle of this adventure, I realized how deeply into scientific thought Eco, the specialist in medieval studies, had abducted me.

I had read another of Glenn Kleier’s books, The Knowledge of Good & Evil, which is a Dante-like trip into Hell – so, I was very excited when he released The Prophet of Queens, a book that plays in practically all of my ballparks: quantum physics, time anomalies, autocratic religious practices, and the sheer, almost lustful need to pursue a goal even though the consequences may shatter reality.

With the clever use of fairly mundane, workaday characters, Glenn Kleier throws open the doors to possibility and the repercussions of raging ambition.

I love this book – and, as with his others, is well-written.

Jordan Krall is, in my opinion, one of the greatest speculative fiction writers alive today. This novella takes simultaneously place in two different locations: on a spaceship on its way to Mars and in a unnamed city, both with a main character that may or may not be the same. Easy to read, but difficult to understand, Beyond is both a pleasure and a riddle, challenging the reader in the most satisfying way. Dealing with the questions of identity, metaphysical anguish, and conspiracy theories, it radically breaks apart the world as we know it.   

For me, intelligence is the ability to change one’s mind, given new information and reasoned insight. This book changed my mind profoundly by challenging me to reexamine Western cultural dogmas about my place in the world, the unnatural life I was encouraged to build in pursuit of material convenience and luxury, and how the fantasy of material “progress” robbed me of the simple magic that is ever-present.

I know a book is particularly good when I have repeatedly taken it from my bookshelf over the years.

My love for this book is grounded by the fact that it shows how logical positivists like Carnap embedded their objections to metaphysics in left-wing policies.

Usually, these policies cannot be attributed to Anglo-American philosophers who published works on metaphysics after the 1950s and whose academic careers “curiously” began to flourish during McCarthyism. That was when the ones with power over universities in the USA persuaded many through not-so-subtle means that “serious” philosophical work can only be done by those who act as if political issues (e.g., McCarthyism) were philosophically irrelevant.

Ultimately, I love this book, for it provides an explanation concerning why metaphysics is currently dominated by authors who receive funding for handling, in supposedly apolitical fashions, supposedly pressing issues, say, the grounds for snow being white.

Clayton and Davies selected the diverse essays by various experts in this area of research to show the relevance of the emergentist paradigm to diverse areas of inquiry–including quantum physics, astronomy, cell biology, and primatology.

These lines of inquiry converge on the more provocative question of the emergence of consciousness from the brain...with an added discussion of the relevance of theological questions, including the relation between God and the world.

The thirteen essays of this study are divided into four broad areas: (1) The Physical Sciences, (2) The Biological Sciences, (3) Consciousness and Emergence, and (4) Religion and Emergence. Contributing authors include Jaegwon Kim, David J. Chalmers, and Arthur Peacocke. Here again, my perspective on this subject was broadened by the diversity of these treatments.

Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.

First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.

In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death. 

Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.