Books like Dificultades del Español para Hablantes de Inglés

I used a lot of songs to learn English when I was young, and it worked!

This book consists of several songs from Spain and Latin America, with a wide range of styles rock, pop, hip hop, ska, flamenco, romantic, classic, modern… It also contains nice exercises of reading and listening comprehension. In my opinion, this method is a perfect way to memorize, improve and practice vocabulary, grammar and even pronunciation (and fluency).

If you are a music lover, or a folk soul, this is your method!

This is a classic whole year (or semester) method to learn Spanish. I recommend it both for teachers and students since it is so complete and so well structured, that it can be well profited from both sides. 

The method is designed to fast forward and the new versions have been improved with the help of teachers who already used it, which is so interesting. It’s well organized: 18 units divided in 5 points each (goals; texts-oral and written; grammar; activities for grammar and lexic practice; and a final task to be ideally prepared in group: a script for a radio show).

The pack is completed with audios that show the differences between Spanish language all over the world.

I guess I’s not a coincidence that this series of fiction books are written by the same writers as the previous one, since both of them have the same high quality in their content and are grammatically so well focused. 

The protagonist is Lola Lago, a detective who will solve a case per book.

The books range from level A1 to level B1 and come with an audiobook. The length of the stores is perfect (45-60 pages) and the format light enough to feel that you can do it. Every one of them is well focused on its level, and you can find, at the end, lovely explanation notes and light and fun comprehension exercises.

It says it’s “for dummies”, but the truth is, this book is for people with a high level of Spanish who want to complete their learning. 

The book is an extensive review of the Spanish grammar, all explained in Spanish, with more than 400 pages. I see it as a fun and entertaining encyclopedia of this language, because you can find almost every aspect of Spanish grammar in it. If you are a beginner, you can also use it as a reference book which can accompany you through the journey of learning.

This is the only book in my selection that can just be found in Spanish language. But it’s a fantastic book as Juana Doña wrote a novel about the eighteen years she spent as a political prisoner in the Franco jails. From the night and the fog is a testimony about the resistance that women organised from their prison cells, the fight they led with incredible spirit and resilience despite the inhuman conditions they were living in, mots of them having lost so many loved ones in the war. The horrifying truth shines in a painful but necessary way.

This is one of the funniest and truest books about Italy!

The English novelist Tim Parks captures modern-day Italy through the lens of life on a single street in Verona, where he lives with his wife. He brings the entire neighborhood to life with a cast of characters that are colorful to say the least.

He also captures what it’s like to be a foreigner in a country where you weren’t born and whose essence is constantly evading you. Nonetheless, he shows us that it’s possible to find a true sense of belonging and home among the ragtag parade of your neighbors.

This is a dazzling mix of theory, sociology, and history. Falasca-Zamponi is attentive to the myths, rituals, festivals and ceremonies, symbols, and recurring images of Italian fascism—and she is attentive, too, to the political power that Mussolini relentlessly drew from such cultural forms.

With tremendous analytical imagination, Falasca-Zamponi unpacks the significance of the fascist salute, Mussolini’s balcony poses, all the axe-and-bundle imagery, those omnipresent black shirts, and the fascists’ distinctive “passo romano” marching style. For me, the heart of the book is its intense analysis of fascist violence as spectacle. Not just spectacle, though. Falasca-Zamponi also makes the case that for the early fascists violence—“great, beautiful, inexorable violence,” in Mussolini’s words—was sublime, regenerative, glorious, salvific.

The early fascists made violence, Falasca-Zamponi suggests, as if it were art. 

If you’ve ever fantasized about restoring a crumbling medieval Italian villa, then you’ll get to live that experience vicariously through this memoir.

The author has a wonderful sense of the absurd as she recounts her family’s multi-year efforts to turn a roofless villa into their dream home, complete with a complicated teenage daughter who is trying to find her way in the rural Italian countryside where the family has been transplanted.

Brimming with idiosyncratic and endearing characters. 

It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.

This book opened my eyes to a neglected strand of Early Renaissance architecture.

Stokes was a supreme stylist and his elegant, idiosyncratic prose is a delight to read. His insights into what he called the ‘carving tradition’ of art and architecture are posited as a counterpoint to the mainstream ‘modelling’ tradition.

For Stokes, the architecture and art he loved grew out of reverence for the inner life of stone, of marble above all. He described the results as ‘stone blossom’ and buildings as being ‘in bloom’. If this sounds obscure, please don’t be put off: The Quattro Cento is a revelation.